Non-Fiction

By Anthony Gottlieb The first biography in more than three decades of the Austrian-born thinker Ludwig Wittgenstein, one of the most influential philosophers of the twentieth century “An engrossing biography [that] focuses on what is most essential and interesting in the philosopher’s work and life. . . . It is rare to find a book that you can open at random and almost always find something that piques your interest.”—Julian Baggini, Wall Street Journal “Very clear and lively and interesting.”—Nigel Warburton, Five Books, “Best Philosophy Books of 2025” According to the philosopher Ludwig Wittgenstein (1889–1951), philosophy is a “battle against the bewitchment of our intelligence by means of language.” This audacious idea changed the way many of its practitioners saw their subject. In the first biography of Wittgenstein in more than three decades, Anthony Gottlieb evaluates this revolutionary idea, explaining the evolution of Wittgenstein’s thought and his place in the history of philosophy. Wittgenstein was born into an immensely rich Viennese family but yearned to live a simple life, and he gave away his inheritance. After studying with Bertrand Russell in Cambridge, he wrote his famous Tractatus Logico-Philosophicus while serving in World War I. He then took several positions as a primary-school teacher in rural Austria before returning as a fellow to Cambridge, where a cultlike following developed around him. Wittgenstein worked not only as a philosopher and schoolteacher, but also as an aeronautical engineer in Manchester and as an architect in Vienna. Gottlieb’s meticulously researched book traces the itinerant and troubled life of Wittgenstein, the development of his influential ideas, and the Viennese intellectual milieu and family background that shaped him. Hardcover232 Pages, 6 Black and White IllustrationsYale Books, 20255.75 x 8.25 InchesISBN 9780300180473Theory and Aesthetics, Philosophy, Biography

Ludwig Wittgenstein: Philosophy in the Age of Airplanes

By Aldo Sohm With Christine Muhlke Choose the right bottle for any occasion, whether you’re out to eat or staying in, by learning to think like a sommelier—from the world-renowned wine expert and author of Wine Simple Sommelier Aldo Sohm knows that the right wine can make or break a meal. As the wine director of New York’s three-Michelin-starred restaurant Le Bernardin, he draws on his decades of experience to help diners navigate a carefully curated wine list and select the perfect bottle to accompany their food. The perfect pairing can be transformative: The wine makes the food taste better, the food makes the wine taste better, and the synergy between the two takes your meal to a whole new dimension. If you’re not a professional, however, understanding how to pair food and wine can be daunting. Enter Perfect Pairings. Whether you’re scanning a restaurant’s giant wine list or picking up a bottle for a dinner party, Perfect Pairings teaches you how to choose the right wine for the moment. Aldo distills his vast database of expert knowledge into a fun and useful guide that you can turn to at any time. Most wine pairing books simply list which wines to pair with which foods, but Wine Simple: Perfect Pairings goes a step further, teaching you how to think like a sommelier and create the pairings yourself. You’ll learn basic information about the wines you’ll be pairing, followed by ways to think about the elements of what you eat; together, these tools form an ingenious wine-pairing method created by Aldo. Plenty of visual guides, cheat-sheets, and hand-holding will guide you along the way. With the tools Aldo provides, you’ll learn how to find the perfect pairing for everything from Thai red curry (dry Riesling) to a burger with fries and ketchup (cabernet franc). Whether you’re new to wine pairing or want to level up your knowledge, Perfect Pairings will become your go-to guide for deciding what to drink with your meal. Hardcover 288 PagesClarkson Potter, 20257 x 10 inches ISBN 9780593796955Culinaria

Wine Simple: Perfect Pairings: An Ingenious Guide to Enjoying Wine with Food

By Walter Benjamin Translated by Shierry Weber Nicholsen An elegant new translation of Benjamin’s moving evocation of the experiences of his urban childhood Composed in exile in the 1930s and pub­lished as a whole only after his death, the miniatures that make up Benjamin’s Berlin Childhood are crystallized images of child­hood experienced in a city later surrendered to fascism. No ordinary autobiography, the book is a Proustian experiment in memory and a meditative tour of the iconic spaces of a city irretrievably lost to the adult. Instead of details of family and friends, these minia­tures evoke the sensory richness of childhood in images of the squares and courtyards, the parks and monuments of Berlin, the child’s schoolbooks and the gloomy flats of elderly relatives. As Benjamin’s friend Theodor Adorno writes in his afterword, ‘the images the book brings up into a disturbing prox­imity are not idyllic and not contemplative. The shadow of Hitler’s Reich falls across them. Dreamlike, they unite that horror with something that has long existed.’ This new translation includes an introduc­tion by Antonia Hofstätter, highlighting the way this nearly century-old work resonates with contemporary readers and inspires hope by providing access to strata of experience not governed by instrumentality and domination. Hardcover144 PagesVerso, 20255 1/12 x 7 4/5 InchesISBN 9781836740148Philosophy, Autobiography

Berlin Childhood around 1900

By Gabriele TergitTranslated by Sophie Duvernoy "A blend of page-turner and the highest literary quality." ―Der Tagesspiegel "Anyone who reads it will accompany the characters for many decades and take some of them very much to their hearts." ―Berliner Zeitung Three generations of German Jewish family undergo the tumult, upheaval, and brutality of nineteenth and twentieth-century history in this panoramic and skillfully nuanced family drama, rich with gossip and incident, capturing a Germany now lost to time. Gabriele Tergit’s Effingers is a novel, at once epic and intimate, about the lives and fates of three generations of a German Jewish family. Beginning in 1878 and ending in 1948, we follow the Effingers, a family of modest craftsmen from southern Germany, who are joined through marriage to two families of high-society financiers in Berlin, the Goldschmidts and the Oppners. The Effingers soon rise to prominence as one of the most important German industrialist families in Berlin, but with the outbreak of World War I, they fall on hard times and must navigate the tumultuous changes of the Weimar Republic. Full of parties and drama and delicious gossip, and featuring a kaleidoscopic cast of characters, Effingers is a keenly observed account of German Jewish life in all its richness and complexity. Tergit's precise and limpid prose dazzles in Sophie Duvernoy's elegant translation. Woefully underrated when it first appeared in 1951, and only recently rediscovered in Germany, Effingers is a meditation on identity and nationality that establishes Tergit as one of the most significant writers of the twentieth century. Paperback864 pagesNYRB Classics, 20255 x 8 inchesISBN 9781681379791Literature, Fiction

Effingers

Original Price: $19.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Lesley Chamberlain Beautifully packaged reissue of the vividly lyrical biography of Nietzsche that John Banville called ‘a major intellectual event’ In 1888, philosopher Friedrich Nietzsche moved to Turin. This would be the year in which he wrote three of his greatest works: Twilight of the Idols, The Antichrist, and Ecce Homo; it would also be his last year of writing. He suffered a debilitating nervous breakdown in the first days of the following year. In this probing, elegant biography of that pivotal year, Lesley Chamberlain undoes popular clichés and misconceptions about Nietzsche by offering a deeply complex approach to his character and work. Focusing as much on Nietzsche’s daily habits, anxieties and insecurities as on the development of his philosophy, Nietzsche in Turin offers a uniquely lively portrait of the great thinker, and of the furiously productive days that preceded his decline. Paperback256 PagesPushkin Press, 20225 x 7.8 InchesISBN 9781911590460Philosophy, Biography

Nietzsche in Turin: The End of the Future

By Morten Høi Jensen “A nuanced portrait . . . thoughtful [and] perceptive.” —Kirkus Reviews “The Master of Contradictions is many things: a biography of Thomas Mann’s The Magic Mountain, a history of the Weimar Republic, and a story about one reader’s relationship to the most beguiling novel of the twentieth century. Morten Høi Jensen writes from a place of profound feeling and deep erudition. He is the perfect guide to the novel’s intricate, enchanted world; I did not want to stop exploring it with him.” —Merve Emre, contributing writer, New Yorker The arresting story of how Thomas Mann wrote The Magic Mountain as a defeated Germany descended into political chaos Like many writers of his generation, Thomas Mann (1875–1955) welcomed the outbreak of the First World War. He viewed it as a spiritual necessity, a chance to reassert German cultural dominance over Western ideas of democracy and enlightenment. Then, in 1924, he published The Magic Mountain, a massive novel that culminates in the slaughter of war and foreshadows the Nazi terror to come. One of the central achievements of modernism, The Magic Mountain bears testimony to its author’s dramatic political reorientation as a defender of democracy. This poignant book is a biography of Mann’s great novel—its evolution from a short story into a two-volume masterpiece and one of the bestselling novels of the Weimar era. Deftly weaving together elements of biography, history, and literary criticism, Morten Høi Jensen reveals how writing The Magic Mountain against a backdrop of world war, revolution, hyperinflation, and rising right-wing terror moved Mann to embrace the democratic and humanistic ideas he once scorned. One hundred years after The Magic Mountain was first published, at a time when democratic ideas are again under threat, Jensen reveals the universality and timeliness of Mann’s great novel—its still-resonant debates over democracy and tyranny, time and place, illness and death. Hardcover248 Pages Yale University Press, 2025 5.50 x 8.50 inches ISBN 9780300233742History

The Master of Contradictions: Thomas Mann and the Making of "The Magic Mountain"

Herausgegeben von Anke Blümm, Elizabeth Otto, Patrick Rössler Bauhaus und Nationalsozialismus galten bis weit nach dem Zweiten Weltkrieg als unvereinbare Gegensätze. Der Band versammelt neueste Erkenntnisse zum ambivalenten Schaffen Bauhausangehöriger nach 1933. Wir stehen mitten im Existenzkampf und haben höchstens ein Restchen alter Ideale in ganz, ganz persönliche Gebiete retten können, aber nie werden Sie erfahren, was die Bauhäusler in Prag, Paris und Berlin wirklich tun«, schrieb der frühere Bauhaus-Student Ernst Göhl 1935 an den langjährigen Direktor Walter Gropius. In 15 biografischen Studien verdeutlicht der Band anhand neuester Forschungsergebnisse, wie sich Bauhausangehörige, die nach 1933 in Deutschland verblieben waren, mit den neuen Machthabern im NS-Staat arrangierten. Von den Konflikten mit völkisch-nationalen Kräften während der Weimarer Republik ausgehend, zeigen Untersuchungen renommierter deutscher und internationaler Autorinnen und Autoren – u.a. zu Wassily Kandinsky und Ludwig Mies van der Rohe, Else Mögelin und Wilhelm Wagenfeld – das breite Spektrum im Umgang mit dem verbrecherischen NS-Regime. Die seit über 30 Jahren erste umfassende Auseinandersetzung mit dem ambivalenten Verhältnis von Bauhaus und Nationalsozialismus wendet sich an Kunsthistorikerinnen und Kunsthistoriker mit Schwerpunkt auf der Geschichte der Moderne im 20. Jahrhundert, aber auch an alle, die sich für die vielfältigen Schicksale von Künstlerinnen und Künstlern in einer Diktatur interessieren. Paperback352 pagesGöttingen Wallstein, 202414 x 22.2 cm.ISBN 9783835357556Art History, Bauhaus

...ein Restchen alter Ideale: Bauhäuslerinnen und Bauhäusler im Nationalsozialismus

By Ulrich Alexander Boschwitz, translated by Philip Boehm A prophetic lost classic from interwar Germany, now translated into English for the first time, following a group of Berliners on the skids as their nation unravels. Berlin in the 1920s is the largest city in Europe, a cultural mecca, and a political mess: a hedonistic Babylon, though there’s little glamor for the hundreds of thousands out of work, the war wounded, the prostitutes, and the beggars. Come evening they too want to shed their cares at the Jolly Huntsman pub, where they gather to drink, dance, and reassert their pride. But there’s disaster lurking in the alleys and flophouses, a disaster that the twenty-two-year-old author Ulrich Alexander Boschwitz saw coming for his nation. In this dark comedy of petty theft, soapbox speeches, and bar fights is the disarray of a country devouring itself. Tragically, Germany’s self-destruction engulfed the author, who was killed five years after finishing this novel. When Boschwitz’s The Passenger was rediscovered in 2021, it was heralded as a masterpiece that captured the terror of the Nazi reign. Now, Berlin Shuffle—his literary debut from 1937, finally available in English, with a preface by the preeminent translator Philip Boehm—brings to life the society that would enable fascism’s takeover. The triumph of one of world literature’s spectacular talents, Berlin Shuffle is a dire warning sent from a pivotal moment in history to our own time. Hardcover256 pagesMetropolitan Books, 20255.38 x 1 x 8.25 inchesISBN 9781250869494 German History, Literature

Berlin Shuffle

By A. Grunewald; A. Hultzsch; S. Nozawa e.a. When Ise Gropius (1897–1983) embarked on a three-month trip to Japan with her husband, architect Walter Gropius, in 1954, she proved to be a gifted chronicler. In detailed reports – her only known cohesive writings from the post-war period – she vividly describes the country and its people. With keen wit and understanding, she comments on everything from discussions about reconstruction, lectures, and the Bauhaus exhibition in Tokyo, to evening parties, the role of Japanese women, Zen Buddhism, and the local cuisine. Extensively annotated by art historian and editor Almut Grunewald, this volume publishes Ise’s travelogues in facsimile for the first time. Hardcover152 pagesIdea Books, 202421.7 x 1.5 x 28.4 cmISBN 9783856764548Architecture, History

Cooking Up Dinner Speeches - Ise Gropius in Japan

By Christine Estima A sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesensk 's torrid love affair with Franz Kafka. In 1919, Milena Jesensk , a clever and spirited twenty-three-year-old, is trapped in an unhappy marriage to literary critic Ernst Pollak. Since Pollak is unable to support the pair in Vienna's post-war economy, Jesensk must supplement their income by working as a translator. Having previously met her compatriot Franz Kafka in the literary salons of Prague, she writes to him to ask for permission to translate his story "The Stoker" from German to Czech, becoming Kafka's first translator. The letter launches an intense and increasingly passionate correspondence. Jesensk is captivated by Kafka's energy, intensity, and burning ambition to write. Kafka is fascinated by Jesensk 's wit, rebellious spirit, and intelligence. Jesensk and Kafka meet twice for lovers' trysts, but can such an intense connection endure beyond a fleeting affair? In her remarkable debut novel, Christine Estima weaves little-known facts and fiction into a rich tapestry, powerfully portraying the struggles of a woman forced to choose between the roles of wife, lover, and intellectual. Paperback384 pagesHouse of Anansi Press, 20255.25 x 1 x 7.75 inchesISBN 9781487013318Biography, Literary History

Letters to Kafka

By Sigmund Freud, translated by James Stratchey “It is in vain that an old man yearns for the love of a woman as he had it first from his mother." In some of the most densely packed pages that Freud ever wrote, the founder of psychoanalysis demonstrates through literary, mythical, and folktale examples the extraordinary way that wishes manifest themselves in people’s dreams and choices as inverted images. Magisterial and brilliant, this short essay also illuminates Freud’s own preoccupation with his daughter, Anna, at the time that he was writing it. Paperback32 pagesEris Gems, 20257.64 x 4.33 inchesISBN 9781916809512Psychoanalysis, Essay

The Theme of the Three Caskets

Edited by Megan Brandow-FallerInformed by the analytical practices of the interdisciplinary 'material turn' and social historical studies of childhood, Childhood By Design: Toys and the Material Culture of Childhood offers new approaches to the material world of childhood and design culture for children. This volume situates toys and design culture for children within broader narratives on history, art, design and the decorative arts, where toy design has traditionally been viewed as an aberration from more serious pursuits. The essays included treat toys not merely as unproblematic reflections of socio-cultural constructions of childhood but consider how design culture actively shaped, commodified and materialized shifting discursive constellations surrounding childhood and children. Focusing on the new array of material objects designed in response to the modern 'invention' of childhood-what we might refer to as objects for a childhood by design-Childhood by Design explores dynamic tensions between theory and practice, discursive const– critically linking historical discourses of childhood with close study of material objects and design culture.Chronologically, the volume spans the 18th century, which witnessed the invention of the toy as an educational plaything and a proliferation of new material artifacts designed expressly for children's use; through the 19th-century expansion of factory-based methods of toy production facilitating accuracy in miniaturization and a new vocabulary of design objects coinciding with the recognition of childhood innocence and physical separation within the household; towards the intersection of early 20th-century child-centered pedagogy and modernist approaches to nursery and furniture design; through the changing consumption and sales practices of the postwar period marketing directly to children through television, film and other digital media; and into the present, where the line between the material culture of childhood and adulthood is increasingly blurred.Paperback352 pagesBloomsbury Visual Arts, 20199 x 6 inchesISBN 9781501358890Design History, Art Education

Childhood by Design: Toys and the Material Culture of Childhood, 1700-Present

By Michelle Young A riveting and stylish saga set in Paris during World War II, The Art Spy uncovers how an unlikely heroine infiltrated the Nazi leadership to save the cultural legacy of the West. On August 25, 1944, Rose Valland, a woman of quiet daring, found herself in a desperate position. From the windows of her beloved Jeu de Paume museum, where she had worked and ultimately spied, she could see the battle to liberate Paris thundering around her. The Jeu de Paume, co-opted by Nazi leadership, was now the Germans' final line of defense. Would the museum curator be killed before she could tell the truth--a story that would mean nothing less than saving humanity's cultural inheritance? Based on troves of previously undiscovered documents, The Art Spy chronicles the brave actions of the key Resistance spy in the heart of the Nazi's art looting headquarters in the French capital. A veritable female Monuments Man, Valland has, until now, been written out of the annals, despite bearing witness to history's largest art theft. While Hitler was amassing stolen art for his future Führermuseum, Valland, his undercover adversary, secretly worked to stop him. At every stage of World War II, Valland was front and center. She came face to face with Reichsmarschall Hermann Göring, passed crucial information to the Resistance network, put herself deliberately in harm's way to protect the museum and her staff, and faced death during the last hours of Liberation Day. She also singlehandedly provided information to stop the last train of looted artworks--bearing paintings by Picasso, Monet, Cezanne, Gauguin, Braque, Degas, Modigliani, and Toulouse-Lautrec--from leaving France. Vivid and atmospheric, The Art Spy moves from the glittering days of pre-War Paris, home to geniuses of modern culture, including Picasso, Josephine Baker, Coco Chanel, Le Corbusier, and Frida Kahlo, through the tension-riddled cities and resorts of Europe on the eve of war, to the harrowing years of the Nazi occupation of France when brave people such as Valland risked everything to fight monstrous evil. In the spirit of Hidden Figures, with the sweeping narrative of The Rape of Europa and the depth of The Resistance Quartet, The Art Spy is an extraordinary tale of a female hero whose courage and tenacity in a time of violence and terror is an inspiration for us all. Hardcover400 pagesHarper Collins, 20256 x 1.5 x 9 inchesISBN 9780063295896Art History, Restitution

The Art Spy: The Extraordinary Untold Tale of WWII Resistance Hero Rose Valland

By Eric R. KandelWhen we view a work of art, we often experience an emotional response, but the causes of our reactions are complex. Our knowledge of why we respond to art as we do is rooted in science—in psychology and biology. Eric R. Kandel traces the origins of this understanding to early twentieth-century Vienna, which gave rise to the concept of the “beholder’s share,” the realization that art is incomplete without the perceptual and emotional involvement of the viewer—that is, without our responses to it.But what causes our response? Our brain is a creativity machine that brings to bear on any image—including a painting—certain innate, universal processes related to sensory perception as well as higher-order processes related to our personal experiences, memories, and emotions. Understanding how these unconscious processes in the brain interact to create the beholder’s share is one of the great challenges currently confronting brain science.The essays on art and science in this book vary widely in subject matter, including the angst-ridden portraits of Soutine, conflicting views of women’s sexuality, Cubism’s challenge to our innate visual processes, and why we react differently to abstract versus figurative art. But each essay focuses on the interaction of art and science. Woven throughout are the many notable scientists, art historians, artists, and others, both Jewish and non-Jewish, who contributed to our understanding of how we experience art.Paperback220 pagesColumbia University Press, 20255.5 x 0.5 x 8.5 inchesISBN 9780231220859Science, Theory of Art

Essays on Art and Science [Paperback]

By Megan Brandow-Faller “The strength of Brandow-Faller's study lies in its ability to yoke together disparate cultural realms-Secessionist Vienna and postwar American childhood, and vastly successful designers and pedagogues with those largely forgotten-to reveal surprising and fascinating points of connection.” ―Laura Morowitz, Associate Professor of Art History at Wagner College, New York “A deeply informed examination of three visionary art educators from Vienna-Franz Cizek, Emmy Zweybruck, and Viktor Lownfeld-and their profound influence on progressive art education in the United States.” ―Ellen Winner, Professor Emerita, Psychology & Neuroscience, Boston College “Insightful and compelling, this book draws on previously unexamined sources to explore how three educators disseminated, popularized, and commodified ideas of child art from the Vienna Secession to mid-century modernism.” ―Mary Ann Stankiewicz, Emerita Professor of Art Education, Penn State University Tracing the dissemination of Secessionist ideas of child creativity – from their origination in early-20th century Vienna through to their eventual commodification in postwar America – this book highlights the central role that visual art has played in child education and in nurturing creativity in elementary and preschool curricula. Taking the reader through the ideas of three artistic visionaries and their students – Franz Cižek, and Austrian-American émigrés Emmy Zweybrück and Viktor Löwenfeld – this book reveals how these ideas developed in postwar America through a focus on child-centered methods of 'learning by doing' in artistic practice. By centring the visual arts as a vital educational medium, we see how these teachings have been popularized as a means of nurturing creativity in childhood. Across three chapter length case studies, interspersed with three 'mini chapters' on the reception of each artist-educator's radical teachings in the American education system, Child Creativity and the Visual Arts provides new interpretations into the impact of these three luminaries' differing philosophies on a broader program of socio-political activism in the USA. Drawing on previously untapped archival and primary source materials, it blends deep material culture analysis with narrative elements to present a compelling account of the unrecognized influence of émigré art pedagogy on progressive, international art education. In doing so, it provides fresh transregional and thematic perspectives on early-1900s Vienna as a hotbed of creative and cultural experimentation and 'mecca' of progressive art education. Hardback264 pages | 70 color illustrationsBloomsbury, 20259 x 6 inchesISBN 9781350456792Viennese History, Secession

Child Creativity and the Visual Arts: From Secessionist Vienna to Postwar America

By Daniel Brook "A well-informed life of a scientist worth remembering."—Kirkus Reviews "Jaunty… Brook succeeds in bringing his subject to fresh life, including a description of Hirschfeld’s world travels in 1930, which he undertook to lecture and research."—Casey Schwartz, Washington Post "You’ve probably never heard of Magnus Hirschfeld—and this is an injustice to a truly great man. Daniel Brook’s excellent biography. . . resurrects Dr. Hirschfeld’s status as one of the most important thinkers of the 20th century, whose insights into human nature can illuminate our turbulent times."—Deborah Mason, BookPage An illuminating portrait of a lost thinker, German-Jewish sexologist and activist Magnus Hirschfeld. More than a century ago, Dr. Magnus Hirschfeld, dubbed the “Einstein of Sex,” grew famous (and infamous) for his liberating theory of sexual relativity. Today, he’s been largely forgotten. Journalist Daniel Brook retraces Hirschfeld’s rollicking life and reinvigorates his legacy, recovering one of the great visionaries of the twentieth century. In an era when gay sex was a crime and gender roles rigid, Hirschfeld taught that each of us is their own unique mixture of masculinity and femininity. Through his public advocacy for gay rights and his private counseling of patients toward self-acceptance, he became the intellectual impresario of Berlin’s cabaret scene and helped turn his hometown into the world’s queer capital. But he also enraged the Nazis, who ransacked his Institute for Sexual Science and burned his books Driven from his homeland, Hirschfeld traveled to America, Asia, and the Middle East to research sexuality on a global scale. Through his harrowing lived experience of antisemitic persecution and a pivotal late-in-life interracial romance, he came to see that race, like gender, was a human invention. Hirschfeld spent his final years in exile trying to warn the world of the genocidal dangers of racism. Rich in passion and intellect, The Einstein of Sex at last brings together this unsung icon’s work on sexuality, gender, and race and recovers the visionary who first saw beyond the binaries. A century after his groundbreaking work—as the fights for personal freedom and societal acceptance rage on—Hirschfeld’s gift for thinking beyond the confines of his world has much to teach us. Hardcover320 pagesW. W. Norton, 20256.4 x 9.4 inchesISBN 9781324007241Biography, German History

The Einstein of Sex: Dr. Magnus Hirschfeld, Visionary of Weimar Berlin

By Viktor E. FranklForeword by Harold S. Kushner “An enduring work of survival literature.” —The New York Times A gorgeous, deluxe edition of the bestselling Holocaust memoir about finding purpose and strength in times of despair—selected as a Library of Congress “10 Most Influential Books in America” A Beacon Classics edition, featuring spot gloss cover and retro, classic palette Scientists and artists, politicians and celebrities regularly cite Viktor Frankl as one of the most important authors every person should read. Hailed as “an enduring work of survival literature” by the New York Times, Frankl’s account of his time in the Nazi concentration camps—and his insights into our ability to find meaning despite great adversity—has offered solace and guidance to generations of readers since it was first published in 1946. This fully repackaged edition will delight Frankl followers old and new seeking to enrich their understanding of life’s purpose. Today, as we face new challenges and an ever more complex and uncertain world, Frankl’s classic work continues to inspire us all to find significance in the very act of living, in spite of all obstacles. Hardcover160 pagesBeacon Press, 20256 x 9 inchesISBN 9780807018835Memoir, Biography

Man's Search for Meaning

By Joachim C. FestTranslated by Martin Chalmers “Quietly compelling, elegantly expressed...Not I shrinks the Wagnerian scale of German history in the 1930s and 1940s to chamber music dimensions. It is intensely personal, cleareyed and absolutely riveting.”—New York Times “A stunning portrait of a strenuously anti-Nazi family in Berlin who managed to hang on to their moral convictions during the brutalizing Hitler years...A beautifully written and translated work that creates rare, subtle portraits of Germans.” —Kirkus Reviews (Starred Review) A New York Times Book Review Notable Book of the Year, a portrait of an intellectually rigorous German household opposed to the Nazis and how its members suffered for their political stance. Few writers have deepened our understanding of the Third Reich as much as German historian, biographer, journalist, and critic Joachim Fest. His biography of Adolf Hitler has reached millions of readers around the world. Born in 1926, Fest experienced firsthand the rise of the Nazis, the Second World War, and a catastrophically defeated Germany, thus becoming a vital witness to these difficult years. In this memoir of his childhood and youth, Fest offers a far-reaching view of how he experienced the war and National Socialism. True to the German Bildung tradition, Fest grows up immersed in the works of Goethe, Schiller, Mörike, Rilke, Kleist, Mozart, and Beethoven. His father, a conservative Catholic teacher, opposes the Nazi regime and as a result loses his job and status. Fest is forced to move to a boarding school in the countryside that he despises, and in his effort to come to terms with his father’s strong political convictions, he embarks on a tireless quest for knowledge and moral integrity that will shape the rest of his life and writing career. Paperback464 pagesOther Press, 2025 5.5 x 8.25 inchesISBN 9781635425123History

Not I: Memoirs of a German Childhood

By Frank Meier, Edited by Philippe Collin, Cover Design or Artwork by Delius This volume is the ultimate bartender’s manual—a delightful concoction of vintage cocktails with Art Deco style and glamour. Originally self-published in 1936 and offered only to a select group of Meier’s friends and favorite guests, this edition is enhanced by stylish, vintage-inspired illustrations. With over 300 recipes, this is Meier’s personal mixology bible. While all the classics are here, it includes many of Meier’s own creations such as the Bees Knees (a gin sour where honey replaces simple syrup) and the Seapea Fizz (created for Cole Porter, whose initials provided its name). Also included are all manner of libations—sours, toddies, flips, egg nogs, slings, fizzes, coolers, rickeys, juleps, punches, and some nonalcoholic drinks—as well as extensive coverage of wines, eaux de vies, and even stylish sandwiches. Laced throughout are Meier’s wit and wisdom, life lessons, etiquette, and invaluable advice on a range of topics from horseracing to how to help with a snakebite. A fixture of Parisian nightlife, Meier was especially popular with US expats and visitors including Ernest Hemingway, F. Scott Fitzgerald, Noël Coward, and Cole Porter. He even served passionate martini aficionado Franklin D. Roosevelt. Hardcover176 pagesRizzoli, 20255 1/4 x 8 inchesISBN 9780847847860Culinaria

The Art of Cocktails: By The Legendary Bartender at the Ritz

Edited with text by Nicholas Sawicki and Marie Rakušanová Preface by Zuzana Jürgens Text by Alexander Klee, Marek Nekula, and Miroslav Halak Journey through Kafka’s Prague and discover the art, architecture, media and performances that influenced the author’s oeuvre What did Franz Kafka see and do, whom did he meet and what did he read while roaming the streets of Prague? Through the Eyes of Franz Kafka brings the world of turn-of-the-century Czechoslovakia and its cultural milieu to life. The author’s home city was a heterogeneous and multilingual metropolis whose visual environment shaped his everyday experiences, from local painting and sculpture to architecture, monuments and popular visual media including advertisements, photography and cabaret. Kafka’s attention to the modern visual culture of his era was reflected in his writings and in his interest in drawing, a practice in which he received preliminary training and which he took up in his free time during his years as a university student. This illustrated publication immerses us in Kafka’s world; by following in his footsteps and looking through his eyes, we gain a new understanding of his thoughts, philosophies and inspirations. Hardcover224 pages | 231 color and 16 tri-tone IllustrationsKant, 20258.25 x 11.25 inchesISBN 9788074374265Exhibition Catalogue, Biography

Through the Eyes of Franz Kafka: Between Image and Language

By Else Lasker-SchülerTranslated and Introduction by Jean M. Snook Concert was one of the last books published by a Jew in Germany before Hitler came to power. The work is autobiographical, a collection of essays and vignettes that both entertain and engage the reader at a deeper level. Like Robert Schumann's piano suites, each in itself a perfect concert, Else Lasker-Schüler's Concert contains pieces that vary greatly in theme, mood, length, and complexity, yet they are unified by the medium and by the distinct and lyrical personality of the artist. Lasker-Schüler is able to transform and transcend the everyday scenery and events that are her points of departure. She makes magical an unmagical corner of Germany, discerns the miraculous in the neglected and ignored, and finds wisdom and comfort in prayer and cosmic perspective.Lasker-Schüler was attuned to the world and in some ways uncannily prophetic. It may come as a surprise to some readers that Concert, published in German in 1932, contains a warning about the climatic dangers of interfering 'with the merry green leaf people who give us ozone and the breath of life.' With her respect for the natural environment and her emphasis on spiritual development rather than the materialistic, Lasker-Schüler's voice remains relevant to our own times. A recent German edition of her complete works has proven immensely popular. Prior to the Third Reich, Lasker-Schüler had a well-established reputation in her native Germany as a poet, dramatist, and prose writer, as well as for her work in the visual arts, and she received the Kleist Prize for Literature. As a Jew, though, she was increasingly threatened by 'people wearing swastikas,' and was forced to flee the country in 1933, never to return. She died in exile in Palestine in 1945. This is the first English translation of any of Lasker-Schüler's prose: a challenging task because she includes sections in dialect, poems, numerous neologisms, witty alterations of German sayings, and structural emulations with phonetic echoes of famous German art songs. Hardcover164 pagesUniversity of Nebraska Press, 1994Originally published in 19325.78 x 7.92 inchesISBN 9780803229006Essays, Autobiographical Short Stories

Concert

By Lene Rock The first extensive comparison of the German-Jewish literary corpus and contemporary minority writing in German Since the turn of the 21st century, countless literary endeavors by ‘new Germans’ have entered the spotlight of academic research. Yet ‘minority writing’, with its distinctive renegotiation of traditional concepts of cultural identity, is far from a recent phenomenon in German literature. A hundred years previously, the intense involvement of German-Jewish intellectuals in cultural and political discourses on Jewish identity put a clear stamp on German modernism. This book is the first to unfold literary parallels between these two riveting periods in German cultural history. Drawing on the philosophical oeuvre of Jean-Luc Nancy, a comparative reading of texts by, amongst others, Beer-Hofmann, Kermani, Özdamar, Roth, Schnitzler, and Zaimoglu examines a variety of literary approaches to the thorny issue of cultural identity, while developing an overarching perspective on the ‘politics of literature’. Paperback370 pagesLeuven University Press, 20206.14 x 9.21 inchesISBN 9789462701786Literary Criticism

As German as Kafka: Identity and Singularity in German Literature around 1900 and 2000

By Rudi Ekkart and Eefke Muller Looted Art & Restitution relates the history of the trade, looting and restitution of works of art from the Netherlands before, during and after World War II. Looted Art & Restitution relates the history of the trade, looting and restitution of works of art from the Netherlands before, during and after World War II. Countless artworks ended up in German hands during the occupation. The allies recovered a large number of works of art to the Netherlands after the war. It was the Dutch government’s task to return looted or forcibly sold works to their original owners. The mostly Jewish claimants, however, often encountered bureaucratic and unwilling authorities. Meanwhile, most of the artworks were distributed over museums and depots or auctioned off. It was not until the late 1990s that, in accordance with international developments, the restitution policy became much more humane and a search for the rightful owners was implemented. Hardcover216 pagesWaanders, 20246.69 x 0.9 x 9.45 inchesISBN 9789462624986History, Restitution

Looted Art & Restitution: The Exodus and Partial Return of Dutch Art Property During and After World War II

By Padraig Rooney "At last a biography in English of one of the most interesting women of the twentieth century! Schwarzenbach was so far ahead of her time that we are only now beginning to catch up to her. Little happened in the early decades of the twentieth century to which she didn't have a connection. What a life! And what a great way Padraig Rooney has told it." —Carlos Dews, editor of The Collected Works of Carson McCullers “An empathetic portrait of an audacious woman.” —Kirkus Reviews Annemarie Schwarzenbach was one of the twentieth century’s most remarkable women, possibly the greatest sexual and political radical of the 1930s. But until now she’s been largely ignored. Born to a wealthy family in Switzerland, as a teenager she rebelled against her domineering pro-Nazi mother. She immersed herself in the antifascist, queer and artistic circles of the German diaspora of the 1930s. Her edgy glamour and androgynous beauty turned heads in the lesbian nightclubs of Weimar Berlin, on the ski slopes of St. Moritz, and in New York's luxury hotels and jazz bars. Constantly on the move, Annemarie chronicled the low and dishonest decade leading to war through her unique journalism, writing and photography. Her work was as adventurous and uncompromising as her personal life, and reveals a deep courage, intelligence, and ambition tragically curtailed by her untimely death. Hardcover332 pagesPolity, 20256.3 x 1.4 x 9.1 inchesISBN 9781509566297Biography

Rebel Angel: The Life and Times of Annemarie Schwarzenbach

By Ludwig Wittgenstein Introduction by Jan Zwicky Translated by Alexander Booth One of the greatest philosophical works of all time, in a new translation for the twenty-first century Widely regarded as one of the most influential philosophical works of the twentieth century, Ludwig Wittgenstein’s Tractatus Logico-Philosophicus is a succinct yet wide-ranging exploration of language and logic, science and mysticism, which has inspired generations of thinkers, artists and poets. In a series of short, bold statements, Wittgenstein seeks to define the limits of language, its relation to logic, its power and its inherent failings. Originally published in the early 1920s, it is the only book-length work the renowned philosopher published in his lifetime. In this thrilling new translation, Alexander Booth displays an extraordinary sensitivity to the subtle influence on Wittgenstein’s gem-like prose–at once specialist and, often, remarkably plain-spoken–considering his background in mechanical engineering, while highlighting the underlying poetry of this seminal text. Paperback 144 pages Penguin Classics, 2025 5.06 x 7.76 inches ISBN 9780241484173 Philosophy

Tractatus Logico-Philosophicus: The New Translation

Edited by Larry Warsh and Dieter Buchhart A revelatory collection of the artist’s sketches and preparatory drawings, featuring many that have never been published before The great Russian modernist painter and theorist Wassily Kandinsky was one of the pioneers of abstraction in Western art. Few documents provide more insight into his evolution from figural to abstract art—or into the development of abstraction in the early twentieth century—than the pages of his sketchbooks. Featuring previously unpublished drawings, Wassily Kandinsky: The Sketchbooks is a comprehensive selection of hundreds of sketches from twelve notebooks Kandinsky kept between 1889 and 1935. Beginning with early figure studies, architectural sketches, and landscapes, the notebooks reveal a process of exploration that would lead Kandinsky from his first experiments in geometric abstraction to paintings that reshaped modernism. Demonstrating Kandinsky’s mastery of color, line, shape, composition, and movement, the book includes notes and preparatory studies for major paintings, such as the “analytical drawing” for Composition VII (1913), the first study for Several Circles (1926), and Study for Composition IX, a preliminary working of his 1936 masterpiece. Visually stunning, the book offers a remarkable, intimate look at how Kandinsky sought to discover nothing less than a spiritually transcendent form of art. Hardcover224 pages | 245 color illustrationsPrinceton University Press, 20258 x 10 inchesISBN 9780691268507Art History

Wassily Kandinsky: The Sketchbooks

By Larry Wolff "[A] masterful intellectual history of the province."—Timothy Snyder, New York Review of Books "Wolff's way of telling the story of how the idea of Galicia evolved throughout the nineteenth century is a dense narrative in which a variety of sources are related or juxtaposed to create multiple contexts—historical, political, social, intellectual, cultural. . . The scope and quality of Larry Wolff's scholarship makes The Idea of Galicia an impressive achievement. Not only has the author made a major contribution to the history of Galicia and to historiography, but he has also set a high standard for historical writing."—Jolanta Pekacz, Canadian Journal of History Galicia was created at the first partition of Poland in 1772 and disappeared in 1918. Yet, in slightly over a century, the idea of Galicia came to have meaning for both the peoples who lived there and the Habsburg government that ruled it. Indeed, its memory continues to exercise a powerful fascination for those who live in its former territories and for the descendants of those who emigrated out of Galicia. The idea of Galicia was largely produced by the cultures of two cities, Lviv and Cracow. Making use of travelers' accounts, newspaper reports, and literary works, Wolff engages such figures as Emperor Joseph II, Metternich, Leopold von Sacher-Masoch, Ivan Franko, Stanisław Wyspiański, Tadeusz "Boy" Żeleński, Isaac Babel, Martin Buber, and Bruno Schulz. He shows the exceptional importance of provincial space as a site for the evolution of cultural meanings and identities, and analyzes the province as the framework for non-national and multi-national understandings of empire in European history. Paperback 504 pagesStanford University Press; 1st edition, 20126 x 1.25 x 9 inchesISBN 9780804783125European History

The Idea of Galicia: History and Fantasy in Habsburg Political Culture

By Larry Wolff "In Larry Wolff's brilliant telling, an opera's fairy-tale empress and a real-life Habsburg empress come to embody the phantom political culture of an empire that to this day maintains a powerful hold over Central and Eastern European institutions and imagination."—Pieter M. Judson, author of The Habsburg Empire: A New History "This alluring and original work of history explores the parallel lives of a twentieth century opera, the twilight of the Habsburg Empire, and its last emperor and empress. Politics is woven into the opera's creation and its later life. In this brilliant book, art imitates life, and life art, through mirror images, shadows and the unexpected destinies of historic personages."—Leon Botstein, Bard College "The Shadow of the Empress has many virtues: great erudition, lively writing, and undeniable energy."—Celia Applegate, Austrian History Yearbook A beguiling exploration of the last Habsburg monarchs' grip on Europe's historical and cultural imagination. In 1919 the last Habsburg rulers, Emperor Karl and Empress Zita, left Austria, going into exile. That same year, the fairy-tale opera Die Frau ohne Schatten (The Woman Without a Shadow), featuring a mythological emperor and empress, premiered at the Vienna Opera. Viennese poet Hugo von Hofmannsthal and German composer Richard Strauss created Die Frau ohne Schatten through the bitter years of World War I, imagining it would triumphantly appear after the victory of the German and Habsburg empires. Instead, the premiere came in the aftermath of catastrophic defeat. The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy explores how the changing circumstances of politics and society transformed their opera and its cultural meanings before, during, and after the First World War. Strauss and Hofmannsthal turned emperors and empresses into fantastic fairy-tale characters; meanwhile, following the collapse of the Habsburg monarchy after the war, their real-life counterparts, removed from political life in Europe, began to be regarded as anachronistic, semi-mythological figures. Reflecting on the seismic cultural shifts that rocked post-imperial Europe, Larry Wolff follows the story of Karl and Zita after the loss of their thrones. Karl died in 1922, but Zita lived through the rise of Nazism, World War II, and the Cold War. By her death in 1989, she had herself become a fairy-tale figure, a totem of imperial nostalgia. Wolff weaves together the story of the opera's composition and performance; the end of the Habsburg monarchy; and his own family's life in and exile from Central Europe, providing a rich new understanding of Europe's cataclysmic twentieth century, and our contemporary relationship to it. Paperback452 pagesStanford Press, 20236 x 9 inchesISBN 9781503635647European History, Performing Arts History

The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy

by Fodor's Travel Guides “Fodor’s is pitched a few notches higher…aimed at a fairly discerning traveler with an appetite for background and the occasional surprise.” –New York Times “The Fodor’s guides are notable for their ratings of sights, restaurants, shops, accommodations and attractions.” –Chicago Tribune “In terms of comprehensiveness of coverage, the very accessible format, and the enthusiastic tone, this series remains one of the best on the market.” –Booklist Whether you want to explore Vienna's elegant palaces and concert halls, ski the Austrian Alps, or soak in the charms of Salzburg's classical music scene, the local Fodor's travel experts in Vienna are here to help! Fodor's Vienna & the Best of Austria guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time. This new edition has been fully-redesigned with an easy-to-read layout, fresh information, and beautiful color photos. Fodor's Vienna & the Best of Austria travel guide includes: AN ILLUSTRATED ULTIMATE EXPERIENCES GUIDE to the top things to see and doMULTIPLE ITINERARIES to effectively organize your days and maximize your timeMORE THAN 15 DETAILED MAPS to help you navigate confidentlyCOLOR PHOTOS throughout to spark your wanderlust!HONEST RECOMMENDATIONS FROM LOCALS on the best sights, restaurants, hotels, nightlife, shopping, performing arts, activities, side-trips, and morePHOTO-FILLED “BEST OF” FEATURES on “Best Museums in Vienna” and “Vienna Under the Radar,” "What to Buy in Vienna," and moreTRIP-PLANNING TOOLS AND PRACTICAL TIPS including when to go, getting around, beating the crowds, and saving time and moneyHISTORICAL AND CULTURAL INSIGHTS providing rich context on the local people, politics, art, architecture, cuisine, music, geography and moreSPECIAL FEATURES on “What to Watch and Read Before You Visit,” "Mozart," and “What to Eat and Drink”LOCAL WRITERS to help you find the under-the-radar gemsGERMAN-LANGUAGE PRIMER with useful words and essential phrasesUP-TO-DATE COVERAGE ON: Vienna, Kunshistorisches Museum, Stephensdom, Schönbrunn Palace, The Hofburg, Belvedere Palace, the Hotel Sacher, the Vienna Woods, the Danube Valley, Salzburg, Graz, Innsbruck, Tyrol, Vorarlberg, Bratislava, and more. Paperback384 pagesFodor's Travel, 2024Originally published in 20135.25 x 7.75 inchesISBN 9781640976764 Travel Guide, Vienna

Fodor's Vienna & the Best of Austria: With Salzburg & Skiing in the Alps (Full-color Travel Guide)

Von Elisabeth Sandmann Ein großes Kunst-Drama - die präzise recherchierte und emotional fesselnde Geschichte hinter Klimts »Goldenen Adele« Mitten im Ersten Weltkrieg wird Maria Altmann in Wien in eine wohlhabende jüdische Familie hineingeboren. Ihre früh verstorbene Tante, Adele Bloch-Bauer, geht bei dem Maler Gustav Klimt ein und aus, der 1907 ihr Porträt, das berühmte Bildnis der Goldenen Adele fertigstellt. Mit dem Einmarsch der Nazis wird der gesamte Besitz geraubt und den Bloch-Bauers bleibt von der einstmals großen Kunstsammlung buchstäblich nichts. Als sich die Erben nach 1945 um eine Rückgabe bemühen, sehen sie sich konfrontiert mit Lügen und Intrigen, die sie in ihrem vollen Ausmaß erst 50 Jahre später erkennen. Jetzt beschließt Maria Altmann mit fast 84 Jahren, den Staat Österreich von den USA aus zu verklagen und es beginnt ein transatlantischer Rechtsstreit, der einem Krimi gleicht. Gemeinsam mit dem jungen Anwalt Randol Schoenberg wird sie bis an das Höchstgericht der USA gehen und am Ende siegen. Hardcover128 pagesText in GermanSandmann, Elisabeth (Erweiterte und aktualisierte Neuausgabe edition), October 202414.1 x 1.4 x 21.6 cmISBN 9783949582387Provenance, Art History, Law

Der gestohlene Klimt

By Ludwig WittgensteinEdited and Translated by Marjorie Perloff "Private Notebooks: 1914-1916 is a strange and intriguing record — illuminating when it comes to Wittgenstein’s preoccupations, his sexual anguish, his continuous struggles with his ‘work’ in philosophy, along with his intermittent comments about his ‘job’ in the military... The war meant that Wittgenstein — and therefore his philosophizing — had changed... This transformation comes across as bewildering and almost unbearably moving. The notebooks show the circumstances in which Wittgenstein’s mystical turn toward the end of the ‘Tractatus’ was born — not in an attempt to escape that world, but in a determination to immerse himself in it."—Jennifer Szalai, New York Times New Yorker • Best Books of 2022Literary Hub • Most Anticipated Books of 2022 Written in code under constant threat of battle, Wittgenstein’s searing and illuminating diaries finally emerge in this first-ever English translation. During the pandemic, Marjorie Perloff, one of our foremost scholars of global literature, found her mind ineluctably drawn to the profound commentary on life and death in the wartime diaries of eminent philosopher Ludwig Wittgenstein (1889–1951). Upon learning that these notebooks, which richly contextualize the early stages of his magnum opus, the Tractatus-Logico-Philosophicus, had never before been published in English, the Viennese-born Perloff determinedly set about translating them. Beginning with the anxious summer of 1914, this historic, en-face edition presents the first-person recollections of a foot soldier in the Austrian Army, fresh from his days as a philosophy student at Cambridge, who must grapple with the hazing of his fellow soldiers, the stirrings of a forbidden sexuality, and the formation of an explosive analytical philosophy that seemed to draw meaning from his endless brushes with death. Much like Tolstoy’s The Gospel in Brief, Private Notebooks takes us on a personal journey to discovery as it augments our knowledge of Wittgenstein himself. Paperback240 pages Liveright, 20256.3 x 9.4 inches ISBN 9781324096290 Theory, Philosophy

Private Notebooks: 1914-1916 [paperback]

By Walter Benjamin Benjamin’s early attempt to understand a nascent technology, remarkably prescient and topical even today. “The illiterate of the future … will not be the man who cannot read the alphabet, but the one who cannot take a photograph.” So declared Walter Benjamin (1892–1940) in his essay A Little History of Photography, originally published in the periodical Literarische Welt in 1931. Beginning with the early experiments of Louis Daguerre and Nicéphore Niépce and concluding with the work of August Sander and Germaine Krull, Benjamin moved beyond the medium itself to address the artistic, societal and political capabilities that photography foretold. A Little History of Photography contains the inklings of his thoughts on “reproducibility” that he would later flesh out in his best-known text, “The Work of Art in the Age of Mechanical Reproduction.” Benjamin’s view of photography gave early credence to the medium and its practitioners and shaped the methodology by which it can be analyzed. Paperback48 pages | 13 black-and-white illustrationsWalther König, 2025Originally published in 19314.5 x 7.25 inchesISBN 9783753304014Theory, Photography

A Little History of Photography

By Elyse Graham RELATED EVENT Join author Elyse Graham for a lecture at Neue Galerie New York on March 19, 2026 at 6:30 p.m. Her talk, "Book and Dagger: How Academics Became the Unlikely Spies of World War II," will present the story of a small group of academics-turned-OSS spies who invented modern spycraft and helped turn the tide of the war. Register Here “A fascinating new study. . .Book and Dagger tells the story of four such recruits—and surveys many others—with an almost breathless sense of wartime romance and drama. It makes for entertaining, atmospheric reading.” —Wall Street Journal The untold story of the academics who became OSS spies, invented modern spycraft, and helped turn the tide of the war At the start of WWII, the U.S. found itself in desperate need of an intelligence agency. The Office of Strategic Services (OSS), a precursor to today’s CIA, was quickly formed—and, in an effort to fill its ranks with experts, the OSS turned to academia for recruits. Suddenly, literature professors, librarians, and historians were training to perform undercover operations and investigative work—and these surprising spies would go on to profoundly shape both the course of the war and our cultural institutions with their efforts. In Book and Dagger, Elyse Graham draws on personal histories, letters, and declassified OSS files to tell the story of a small but connected group of humanities scholars turned spies. Among them are Joseph Curtiss, a literature professor who hunted down German spies and turned them into double agents; Sherman Kent, a smart-mouthed history professor who rose to become the head of analysis for all of Europe and Africa; and Adele Kibre, an archivist who was sent to Stockholm to secretly acquire documents for the OSS. These unforgettable characters would ultimately help lay the foundations of modern intelligence and transform American higher education when they returned after the war. Thrillingly paced and rigorously researched, Book and Dagger is an inspiring and gripping true story about a group of academics who helped beat the Nazis—a tale that reveals the indelible power of the humanities to change the world. Hardcover400 pagesEcco, 20246 x 1.15 x 9 inchesISBN 9780063280847History, World War II

Book and Dagger: How Scholars and Librarians Became the Unlikely Spies of World War II

By Benjamin Carter Hett “[World War II's] proximate origins are the subject of Benjamin Carter Hett’s fast-moving, absorbing and aptly titled The Nazi Menace…Thanks to the author’s knack for the capsule biography, we gain fascinating insights into less obvious figures, among them Hugh Dowding, an eccentric and canny architect of Britain’s air defense network; Ernst von Weizsäcker, a senior German diplomat torn between his opposition to a general war and his support for German expansion; and Dorothy Thompson, the ferociously anti-Nazi American columnist and radio broadcaster.” ­­―The New York Times Book Review A panoramic narrative of the years leading up to the Second World War―a tale of democratic crisis, racial conflict, and a belated recognition of evil, with profound resonance for our own time. Berlin, November 1937. Adolf Hitler meets with his military commanders to impress upon them the urgent necessity for a war of aggression in eastern Europe. Some generals are unnerved by the Führer’s grandiose plan, but these dissenters are silenced one by one, setting in motion events that will culminate in the most calamitous war in history. Benjamin Carter Hett takes us behind the scenes in Berlin, London, Moscow, and Washington, revealing the unsettled politics within each country in the wake of the German dictator’s growing provocations. He reveals the fitful path by which anti-Nazi forces inside and outside Germany came to understand Hitler’s true menace to European civilization and learned to oppose him, painting a sweeping portrait of governments under siege, as larger-than-life figures struggled to turn events to their advantage. Paperback416 pagesSt. Martin’s Griffin, 20215.99 x 0.96 x 8.99 inchesISBN 9781250798763German History, World War II

The Nazi Menace: Hitler, Churchill, Roosevelt, Stalin, and the Road to War

By Benjamin Carter Hett "At a time of deep distress over the stability of democracy in America and elsewhere, Benjamin Carter Hett's chronicle of the collapse of the Weimar Republic and the rise of Adolf Hitler could not be more timely. 'The Death of Democracy' makes for chilling reading." —Roger Lowenstein, The Washington Post “[An] extremely fine study of the end of constitutional rule in Germany. . . . With careful prose and fine scholarship, with fine thumbnail sketches of individuals and concise discussions of institutions and economics, . . . [Benjamin Carter Hett] sensitively describes a moral crisis that preceded a moral catastrophe.” —Timothy Snyder, The New York Times Book Review (Editor's Choice) A riveting account of how the Nazi Party came to power and how the failures of the Weimar Republic and the shortsightedness of German politicians allowed it to happen. Why did democracy fall apart so quickly and completely in Germany in the 1930s? How did a democratic government allow Adolf Hitler to seize power? In The Death of Democracy, Benjamin Carter Hett answers these questions, and the story he tells has disturbing resonances for our own time. To say that Hitler was elected is too simple. He would never have come to power if Germany's leading politicians had not responded to a spate of populist insurgencies by trying to co-opt him, a strategy that backed them into a corner from which the only way out was to bring the Nazis in. Hett lays bare the misguided confidence of conservative politicians who believed that Hitler and his followers would willingly support them, not recognizing that their efforts to use the Nazis actually played into Hitler's hands. They had willingly given him the tools to turn Germany into a vicious dictatorship. Paperback320 pagesHolt Paperbacks, 20195.35 x 0.85 x 8.2 inchesISBN 9781250210869History, Weimar Republic

The Death of Democracy: Hitler's Rise to Power and the Downfall of the Weimar Republic

By Stephen Parker This first English language biography of Bertolt Brecht (1898–1956) in two decades paints a strikingly new picture of one of the twentieth century's most controversial cultural icons. First published in 2014 and now available in paperback, it was critically lauded and declared the definitive life of this great artist and writer. Drawing on letters, diaries and unpublished material, including Brecht's medical records, Parker offers a rich and enthralling account of Brecht's life and work, viewed through the prism of the artist. Tracing his extraordinary life, from his formative years in Augsburg, through the First World War, his politicization during the Weimar Republic and his years of exile, up to the Berliner Ensemble's dazzling productions in Paris and London, Parker shows how Brecht achieved his transformative effect upon world theatre and poetry. Bertolt Brecht: A Literary Life is a powerful portrait of a great, compulsively contradictory personality, whose artistry left its lasting imprint on modern culture. Paperback704 pagesMethuen Drama, 20156.14 x 1.44 x 9.21 inchesISBN 9781474240000Biography, Bertolt Brecht

Bertolt Brecht: A Literary Life

By Dr. MisesIntroduction and translation by Erik Butler A compilation of 16 rigorous, eccentric essays commissioned by the German founder of psychophysics The original 1824 German publication of Stapelia Mixta united a bevy of eccentric proposals, meditations and displays of consciously excessive learning that strove for an unusual clarity of absurdity, which was the hallmark of the pseudonymous author Dr. Mises. Aiming for a broader reading audience, it was titled after a flower, but one of such a stench as to guarantee originality. And such was the originality of these semiserious flights of excess that came under the cover of Dr. Mises, who wrote on everything from landscaping to the spiritual lives of plants and heavenly bodies while also conducting pioneering research in optics and experimental psychology.The 16 essays of this collection include discussions of dancing, drugs, immortality, perception and psychology. These increasingly inventive essays start with a relatively digestible “Encomium of the Belly” before developing into a complicated, prepataphysical exploration of Spatial Symbolism. Paperback152 pages | 11 black-and-white illustrationsWakefield Press, 20245.25 x 8 inchesISBN 9781962728010 Essays

Stapelia Mixta

By Johann Wolfgang von Goethe Introduction and Photography by Gordon L. Miller Goethe’s influential text, newly illustrated with stunning color photographs. The Metamorphosis of Plants, published in 1790, was Goethe’s first major attempt to describe what he called in a letter to a friend “the truth about the how of the organism.” Inspired by the diversity of flora he found on a journey to Italy, Goethe sought a unity of form in diverse structures. He came to see in the leaf the germ of a plant’s metamorphosis—“the true Proteus who can hide or reveal himself in all vegetal forms”—from the root and stem leaves to the calyx and corolla, to pistil and stamens. With this short book—123 numbered paragraphs, in the manner of the great botanist Linnaeus—Goethe aimed to tell the story of botanical forms in process, to present, in effect, a motion picture of the metamorphosis of plants. This MIT Press edition of The Metamorphosis of Plants illustrates Goethe’s text (in an English translation by Douglas Miller) with a series of stunning and starkly beautiful color photographs as well as numerous line drawings. It is the most completely and colorfully illustrated edition of Goethe’s book ever published. It demonstrates vividly Goethe’s ideas of transformation and interdependence, as well as the systematic use of imagination in scientific research—which influenced thinkers ranging from Darwin to Thoreau and has much to teach us today about our relationship with nature. Paperback156 pagesRandom House, 2024Originally published in 17906 x 8 inchesISBN 9780262551021Theory, Photography

The Metamorphosis of Plants

By Richard Cockett“A rich and fascinating book. Pre-war Vienna was a cauldron of ideas—ideas that were mostly extinguished in Austria, but exported to the Anglo-American world. Richard Cockett makes a compelling case for how they continue to shape our lives.”—David Edmonds, author of The Murder of Professor SchlickHow can one European capital be responsible for most of the West’s intellectual and cultural achievements in the twentieth century?Viennese ideas saturate the modern world. From California architecture to Hollywood Westerns, modern advertising to shopping malls, orgasms to gender confirmation surgery, nuclear fission to fitted kitchens—every aspect of our history, science, and culture is in some way shaped by Vienna.The city of Freud, Wittgenstein, Mahler, and Klimt was the melting pot at the heart of a vast metropolitan empire. But with the Second World War and the rise of fascism, the dazzling coteries of thinkers who squabbled, debated, and called Vienna home dispersed across the world, where their ideas continued to have profound impact.Richard Cockett gives us the entirety of this extraordinary story. Tracing Vienna’s rich intellectual history from psychoanalysis to Reaganomics, Cockett encompasses everything from the communist rebels of Red Vienna to the neoliberal economists of the Austrian School. This is the panoramic account of how one city made the modern world—and how we all remain inescapably Viennese.Paperback464 pages | 25 black-and-white illustrationsYale University Press, 20245.11 x 1.17 x 7.75 inchesISBN 9780300279368Viennese History, Austria

Vienna: How the City of Ideas Created the Modern World [Paperback]

By Sigmund Freud Freud was fascinated by the mysteries of creativity and the imagination. The groundbreaking works that comprise The Uncanny present some of his most influential explorations of the mind. In these pieces Freud investigates the vivid but seemingly trivial childhood memories that often “screen” deeply uncomfortable desires; the links between literature and daydreaming; and our intensely mixed feelings about things we experience as “uncanny.” Also included is Freud’s celebrated study of Leonardo Da Vinci-his first exercise in psychobiography. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. Paperback240 pagesPenguin Classics, 20035.1 x 0.65 x 7.75 inchesISBN 9780142437476Psychology, History

The Uncanny

By Sigmund Freud Introduction by Christopher Hitchens and Afterword by Peter Gay Translated by James Strachey Edited by James Strachey Freud’s seminal volume of twentieth-century cultural thought grounded in psychoanalytic theory, now with a new introduction by Christopher Hitchens. Written in the decade before Freud’s death, Civilization and Its Discontents may be his most famous and most brilliant work. It has been praised, dissected, lambasted, interpreted, and reinterpreted. Originally published in 1930, it seeks to answer several questions fundamental to human society and its organization: What influences led to the creation of civilization? Why and how did it come to be? What determines civilization’s trajectory? Freud’s theories on the effect of the knowledge of death on human existence and the birth of art are central to his work. Of the various English translations of Freud’s major works to appear in his lifetime, only Norton’s Standard Edition, under the general editorship of James Strachey, was authorized by Freud himself. This new edition includes both an introduction by the renowned cultural critic and writer Christopher Hitchens as well as Peter Gay’s classic biographical note on Freud. Paperback192 pagesW. W. Norton, 2010Originally published in 19305.5 x 8.3 inchesISBN 9780393304510Psychoanalysis, Theory

Civilization and Its Discontents

By Luisa Weiss A collection of more than 100 of the best, most emblematic recipes of German and Austrian home cooks, from the author of Classic German Baking. To many, German food is humble comfort food, the kind of food that may not win a beauty award, but more than makes up for it with its power to soothe, nourish and cheer. In Classic German Cooking, Luisa Weiss—who was born in Berlin to an Italian mother and American father, and married into a family with roots in Saxony—has collected and mastered the essential everyday recipes of Germany and Austria. Classic German Cooking features traditional and time-honored recipes that are beloved in homes across the region, such as Rinderrouladen (Braised Beef Rolls), Quarkauflauf (Fresh Cheese Soufflé), Hühnerfrikassee (Chicken Fricassee) and authentic Viennese Gulasch or Alpine Germknödel (Plum Butter-Stuffed Steamed Dumplings). Cozy Apfelküchle (Apple Fritters) bring warmth to an afternoon snack, while tangy Spargelsalat (White Asparagus Salad) signals the sweet start of Spring. Luisa gives history and context to the cooking of Germany and its influences worldwide. Sprinkled with both personal stories and historical insights, Classic German Cooking will leave you with a well-rounded understanding of the cuisine and its lasting influence. Hardcover272 pagesRandom House, Inc., 20248.27 x 1.06 x 10.28 inchesISBN 9781984861887 Cookbook

Classic German Cooking

By Bruno Munari Translated and annotated by Jeffrey Schnapp The first-ever English translation of Bruno Munari’s classic treatise on creativity, replete with new contextualizing annotations “But isn’t imagination also fantasy? And can’t fantastic images also assume the form of sounds? Musicians speak of sonic images, sound objects. How does one invent a fish tale, an air-cooled engine, a new plastic? ... fantasy, invention, creativity think; imagination sees.” Never before translated into English, Bruno Munari’s Fantasy, originally published in Italian in 1977, invites the reader to explore their own imagination, creativity and fantasy through a journey into Munari’s mind and work. His theory of creativity, developed in conversation with the Reggio Emilia Approach (a self-guided approach to education) and the work of Jean Piaget (a Swiss developmental psychologist who proffered a theory termed “genetic epistemology”) foregrounds the book’s journey through Munari’s design processes, both working for clients and teaching design principles to children. By turning both life and work into a classroom, Munari unlocks a path through imagination in order to access his, and in turn the reader’s, deepest sense of play. The facsimile reprint is accompanied by new contextual annotations by Munari scholar and design historian Jeffrey Schnapp. These micro-interventions highlight the innovations that make this work as relevant today as when originally published. Paperback240 pages | 224 black-and-white imagesInventory Press, 2024Originally published in 19774.5 x 7 inchesISBN 9781941753705Design History and Criticism

Fantasy: Invention, Creativity, and Imagination in Visual Communications

By Richard Schacht “Schacht’s long-standing and important thesis concerning Nietzsche’s naturalism is brought to fruition in this book. Nietzsche Pursued offers an invaluable, enriching, and superbly argued sequence of engagements with this extremely important thinker. This is an outstanding and original contribution to the field of Nietzsche studies by one of its most notable scholars.”—Peter R. Sedgwick, Cardiff University “The future of humanity is Nietzsche’s central concern. Nietzsche Pursued addresses current debates in innovative and inspiring ways, proposing nuanced solutions beyond established dichotomies such as moralism versus nihilism, essentialism versus perspectivism, and naturalism versus humanism. Schacht’s artful way of making sense of Nietzsche draws on a life’s work of exceptional scholarship and walks a virtuous tightrope between false alternatives.” —Helmut Heit, director of the Kolleg Friedrich Nietzsche, Weimar An ambitious venture into Nietzsche’s envisioned philosophy for the future. Nietzsche advocated for a post-theistic “philosophy of the future”—a new approach to human reality that would bend Western thought away from nihilism in a life-affirming, value-creative direction. His early demise left this endeavor only just begun. In Nietzsche Pursued, Richard Schacht examines Nietzsche’s revisionist approach to familiar philosophical topics, exploring how some may be further pursued in Nietzschean ways. Each chapter focuses on one topic that is central to Nietzsche’s vision of what philosophy can and should be and do. Among them: his kind of naturalism, humanity, perspectivism, morality, and music. Building on his analysis in Nietzsche’s Kind of Philosophy, Schacht invites readers to see with new appreciation the ongoing significance of Nietzsche’s thought for philosophy’s future. Hardcover376 pagesUniversity of Chicago Press, 20246 x 9 inchesISBN 9780226834665 Modern Western Philosophy, Ethics and Morality

Nietzsche Pursued: Toward a Philosophy for the Future

By Alessandra Comini ''This erudite, mostly engaging self-portrait charts the making of an art historian and professional 'seer,' whose passion and wit enabled her to become a noted teacher and scholar at Southern Methodist University. Comini helped unearth centuries of overlooked women in art and wrote landmark studies of the Austrian painter Egon Schiele and of musical iconography. For someone engaged in a life of the mind, she has lived much of it in motion, and the art of travel and close consideration of cultural context have been her keys to learning and teaching. She is at her riveting best when she reveals her discoveries about Schiele in his Vienna prison cell, Winckelmann in Rome and Trieste, the composer Edvard Grieg in Norway, and the painter Akseli Gallen-Kalella in Finland. Her short essays dazzle the most when they reveal her keen eye, such as when she discerns how the German artist Kathe Kollwitz, in a bust of herself, 'used the resolute features of her own aging face as a spiritual topography for courage and resignation.''' --Booklist Overflowing with passion for her work as a scholar and teacher, Distinguished Professor of Art History Emerita at Southern Methodist University in Dallas, Texas, Alessandra Comini reminisces through six decades as an unconventional art historian in this illustrated memoir. The author of award-winning books on Egon Schiele, Gustav Klimt, and Ludwig van Beethoven, Comini draws on her sixty years of daily journals, sharing research-related anecdotes as she reflects on the formation and flowering of her distinguished career. Beginning with her colorful background as a refugee from Franco's Spain, then Mussolini's Italy, she describes her music-loving family's sometimes humorous, sometimes painful adjustment to a World War II Texas. A series of fortuitous experiences at Interlochen's National Music Camp, Barnard College, the University of California at Berkeley, and Columbia University later leads to what would ultimately be a turning point in her life as well as in Schiele scholarship. She discovered the actual cell in which Schiele had been imprisoned in a provincial Austrian jail half a century earlier. Comini invites readers to join her in the same zestful and persistent pursuit of cultural history that has repeatedly earned her the honor of being voted "outstanding" professor, by her students at Columbia University and later at Southern Methodist University in Dallas. Her research and quests take the reader around the world and back. From the islands of Corfu, Madeira, R gen, and Tahiti to the cities of Lisbon, Rome, Oslo, and St. Petersburg, Comini pursues such diverse and distinctive personalities as Rosa Bonheur, Gustav and Alma Mahler, Pablo Picasso, Eleonora Duse, Edvard Munch, K the Kollwitz, Vaslav Nijinski, and Egon Schiele. Alessandra Comini's memoir will inspire readers with its sincere and compelling account of an extraordinary life and career still passionately in progress. Retirement for her has meant discovering a joyful new profession: writing art history murder mystery novels that take her eighty-year-old pseudonymous heroine Megan Crespi from the top of Europe down to Antarctica in pursuit of murderous purloiners of artworks by Klimt, Schiele, Kokoschka, Munch, and Kollwitz. Paperback242 pagesSunstone Press, 20166 x 0.55 x 9 inchesISBN 9781632931405History

In Passionate Pursuit

By Luisa Weiss “If you’re fascinated by German baking, by the recipes for kuchen, cakes, tortes, cookies, and yeasted sweets passed down through generations, then you’ll be as joyful as I am that Luisa Weiss has given us this beautifully written and photographed book. Here, at last, is our portal to learning more about the long tradition of German baking, which has influenced bakers around the world, and to recreating such wonders at home. Classic German Baking is a sweet adventure.” —Dorie Greenspan, author of Dorie’s Cookies and the New York Times best-selling Baking Chez Moi “Even if you don’t have the stamina for homemade apple strudel or Black Forest cake, this Berlin-born food blogger will win you over with her sandy almond sugar cookies.”—The New York Times From her cheerful Berlin kitchen, Luisa Weiss shares more than 100 rigorously researched and tested recipes, gathered from expert bakers, friends, family, and time-honored sources throughout Germany, Austria, and Switzerland. German baking has influenced baking traditions around the world for generations and is a source of great nostalgia for those of German and Central European heritage. Yet the very best recipes for Germany’s cookies, cakes, tortes, and breads, passed down through generations, have never before been collected and perfected for contemporary American home bakers. Enter Luisa Weiss, the Berlin-based creator of the adored Wednesday Chef blog and self-taught ambassador of the German baking canon. Whether you’re in the mood for the simple yet emblematic Streuselkuchen, crisp and flaky Strudel, or classic breakfast Brötchen, every recipe you’re looking for is here, along with detailed advice to ensure success plus delightful storytelling about the origins, meaning, and rituals behind the recipes. Paired with more than 100 photographs of Berlin and delectable baked goods, such as Elisenlebkuchen, Marmorierter Mohnkuchen, and Schwarzwälder Kirschtorte, this book will encourage home bakers of all skill levels to delve into the charm of Germany’s rich baking tradition. Classic German Baking is an authoritative collection of recipes that provides delicious inspiration for any time of day, whether it’s for a special breakfast, a celebration with friends and family, or just a regular afternoon coffee-and-cake break, an important part of everyday German life. Hardcover288 pagesTen Speed Press, 20168.24 x 1.12 x 10.1 inchesISBN 9781607748250 German Cookbook

Classic German Baking: The Very Best Recipes for Traditional Favorites, from Pfeffernüsse to Streuselkuchen

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Alexander Wolff Named a Best Nonfiction Book of the Year by the Washington Post "An event-filled biography and, along the way, a captivating case study in the challenges faced by refugees attempting to remake a life . . . Part of Mr. Wolff's chronicle has to do with the family lineage of which he is a part, not least the experience of his own father, Kurt's son Niko . . . Not content with registering the tectonic shifts of the times, [Kurt] Wolff brought about convulsions of his own, shaking up the American postwar literary scene. His grandson's book, as enlightening as it is engaging, measures the effects." —Benjamin Balint, Wall Street Journal A sweeping portrait of the turmoil of the twentieth century and the legacy of immigration, as seen through the German-American family of the celebrated book publisher Kurt Wolff A literary gem researched over a year the author spent living in Berlin, Endpapers excavates the extraordinary histories of the author’s grandfather and father: the renowned publisher Kurt Wolff, dubbed “perhaps the twentieth century’s most discriminating publisher” by the New York Times Book Review, and his son Niko, who fought in the Wehrmacht during World War II before coming to America. Kurt Wolff was born in Bonn into a highly cultured German-Jewish family, whose ancestors included converts to Christianity, among them Baron Moritz von Haber, whose desire to demand satisfaction in a duel sparked off bloody anti-Semitic riots. Always bookish, Kurt became a publisher at twenty-three, setting up his own firm and publishing Franz Kafka, Joseph Roth, Karl Kraus, and many other authors whose books would soon be burned by the Nazis. Fleeing Germany in 1933, a day after the Reichstag fire, Kurt and his second wife, Helen, sought refuge in France, Italy, and ultimately New York, where in a small Greenwich Village apartment they founded Pantheon Books. Pantheon would soon take its own place in literary history with the publication of Nobel laureate Boris Pasternak’s novel Doctor Zhivago, and as the conduit that brought major European works to the States. But Kurt’s taciturn son Niko, offspring of his first marriage to Elisabeth Merck, was left behind in Germany, where despite his Jewish heritage he served the Nazis on two fronts. As Alexander Wolff visits dusty archives and meets distant relatives, he discovers secrets that never made it to the land of fresh starts, including the connection between Hitler and the family pharmaceutical firm E. Merck, and the story of a half-brother Niko never knew. With surprising revelations from never-before-published family letters, diaries, and photographs, Endpapers is a moving and intimate family story, weaving a literary tapestry of the perils, triumphs, and secrets of history and exile. Paperback400 pagesGrove Press, 20225.75 x 8.25 inchesISBN 9780802158260Biography, History

Endpapers: A Family Story of Books, War, Escape, and Home [Paperback]

By Walter Benjamin Introduction by Stanley Mitchell Translated by Anna Bostock "A small bomb of ideas and vital argument."—Guardian"He does not abolish the distance between us and Leskov, or Brecht, or Kafka; he brings it to life."—Times Higher Education Supplement"If the killing of Lorca was Fascism’s first crime against literature, Benjamin’s death was undoubtedly the second."—The Listener A collection of essays of political philosophy by the renowned mid 20th-century critical theorist and literary critic The relationship between philosopher-critic Walter Benjamin and playwright-poet Bertolt Brecht was both a lasting friendship and a powerful intellectual partnership. Having met in the late 1920s in Germany, Benjamin and Brecht, both independently minded Marxists with a deep understanding of and passionate commitment to the emancipatory potential of cultural practices, continued to discuss, argue and correspond on topics as varied as Fascism and the work of Franz Kafka. Faced by the onset of the ‘midnight of the century’, with the Nazi subversion of the Weimar Republic in Germany and the Stalinist degeneration of the revolution in Russia, both men, in their own way, strove to keep alive the tradition of dialectical critique of the existing order and radical intervention in the world to transform it. In Understanding Brecht we find collected together Benjamin’s most sensitive and probing writing on the dramatic and poetic work of his friend and tutor. Stimulated by Brecht’s oeuvre and theorising his particular dramatic techniques—such as the famous ‘estrangement effect’—Benjamin developed his own ideas about the role of art and the artist in crisis-ridden society. This volume contains Benjamin’s introductions to Brecht’s theory or epic theatre and close textual analyses of twelve poems by Brecht (printed in translation here) which exemplify Benjamin’s insistence that literary form and content are indivisible. Elsewhere Benjamin discusses the plays The Mother, Terror and Misery of the Third Reich, and The Threepenny Opera, digressing for some general remarks on Marx and satire. Here we also find Benjamin’s masterful essay “The Author as Producer” as well as an extract from his diaries that records the intense conversations held in the late 1930s in Denmark (Brecht’s place of exile) between the two most important cultural theorists of this century. In these discussions, the two men talked of subjects as diverse as the work of Franz Kafka, the unfolding Soviet Trials, and the problems of literary work on the edge of international war. Paperback144 pagesVerso, 20245.5 x 7.8 inchesISBN 9781804294796Literary Criticism, Theory and Aesthetics

Understanding Brecht

By Gillian Rose Edited by Robert Lucas Scott and James Gordon Finlayson “To read these lectures is to watch a great mind at work. Animated by her discovery of an incisive and socially relevant left-wing intellectual tradition, Rose approaches teaching by conveying that excitement – precisely the philosophical eros she would later extol. For readers familiar with Rose’s rigorous and sometimes forbidding books, these lectures reveal an unexpected, intimate pedagogical side. Alongside her unique and pioneering reception of the Frankfurt School, we can see Rose’s own singular contributions to political thought – her meditations on law, violence, the relationship between aesthetic imagination and social order – begin to find their grounds in her readings of, and arguments with, her predecessors.”—James Butler“This is the best starting place for a new generation of Rose-readers, a reminder of where it all began, when modernists could still be Marxists and theologians belonged to a previous age. A treat for the Roserati.”—Peter Osborne, Director, Centre for Research in Modern European Philosophy, Kingston University London, author of Crisis as FormLectures on art, Marxism, and critical theory by the legendary philosopher, collected for the first time, with an afterword by Martin Jay Marxist Modernism is a comprehensive yet concise and conversational introduction to the Frankfurt School. It is also a new resource from one of the twentieth century’s most important philosophers: Gillian Rose. Her 1979 lectures on the Frankfurt School explore the lives and philosophies of a range of the school’s members and affiliates, including Adorno, Lukács, Brecht, Bloch, Benjamin, and Horkheimer, and outline the way each theorist developed Marx’s theory of commodity fetishism into a Marxist theory of culture. Paperback176 pagesVerso, 20245.5 x 8.25 inchesISBN 9781804290118Philosophy, Politics

Marxist Modernism: Introductory Lectures on Frankfurt School Critical Theory

By Christophe Koné“Uncanny Creatures contributes a new and novel theory of dolls and their relationship to the concept of the uncanny. It also contributes to the ongoing/emerging scholarship on gender and queer studies to the fields of German studies and art history.” —Nathan Timpano, University of Miami Germany held a monopoly on the manufacture and export of bisque toy dolls in Europe before WWI. Yet, dolls’ omnipresence in the material, visual, and literary culture of the modern German-speaking world has so far not been properly addressed. In demonstrating this cultural affinity for dolls, Christophe Koné draws upon a range of stories and seminal essays on dolls, as well as toys, sculptures, paintings, and photographs. He examines how E.T.A. Hoffmann’s romantic tale The Sandman (1815) has been a major source of inspiration for German-speaking doll makers because of how it centers imagination and inventiveness. Using Hoffmann’s tale as an early example of an amalgam between doll thinking and making in German culture, Koné shows how it initiated a genealogy of doll thinkers (Freud & Jentsch), writers (Rilke), painters (Kokoschka), photographers (Bellmer), and makers (Pritzel). Uncanny Creatures then explores how this unusual interest in human-like figures continues a long tradition of thought devoted to conceptualizing “things,” from Immanuel Kant’s theory of the thing-in-itself to Martin Heidegger’s lecture on the thing, and Eduard Mörike or Rainer Maria Rilke’s thing-poems. Because dolls occupy a liminal space—not quite things and more than mere objects—they appear as uncanny creatures which have held a fascination for writers, thinkers, and artists alike. Uncanny Creatures moves past the Freudian discourse of fetishism to propose a new reading of doll artifacts in German culture centered on their ability to evoke a feeling of uncertainty and unsettlement in the viewer. Paperback184 pagesUniversity of Michigan Press, 20246 x 0.6 x 9 inchesISBN 9780472039739 German History & Theory

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