It's a Wrap

Han Feng for Neue NOWBiedermeier Linden Branch textile design, ca. 1827100% cotton24 x 24 in.Wrapping gifts in cloth is an ancient Japanese tradition known as furoshiki. Today, it remains an elegant alternative to traditional wrapping paper that is both sustainable and reusable. Wrapping cloths are available individually, or as a set of three.

Linden Branch Wrapping Cloth / Furoshiki

Han Feng for Neue NOWDagobert Peche Pappelrose textile design, ca. 1913100% silk charmeuse21 x 21 in.Wrapping gifts in cloth is an ancient Japanese tradition known as furoshiki. Today, it remains an elegant alternative to traditional wrapping paper that is both sustainable and reusable. Wrapping cloths are available individually, or as a set of three.

Pappelrose Wrapping Cloth / Furoshiki

Produced by Alicia Adams Alpaca70% pure baby alpaca, 30% silk35½ x 83 in.Juniper/Moss

Innsbruck Wrap

Produced by Alicia Adams Alpaca70% pure baby alpaca, 30% silk35½ x 83 in.Teal/Blue

Danube Wrap

Produced by Alicia Adams Alpaca70% pure baby alpaca, 30% silk35½ x 83 in.Crimson/Red

Berlin Wrap

Produced by Alicia Adams Alpaca70% pure baby alpaca, 30% silk35½ x 83 in.

Bregenz Wrap

Produced by Alicia Adams Alpaca70% pure baby alpaca, 30% silk35½ x 83 in.Navy/Black

Cologne Wrap

Produced by Alicia Adams Alpaca70% pure baby alpaca, 30% silk35½ x 83 in.Woodrose/Gray

St. Anton Wrap

By Gilles Néret Tamara de Lempicka (1898–1980) lived art in the fast lane. With an appetite for glamour and fame as much as Left Bank bohemianism, she fled St. Petersburg after the Bolshevik revolution and set about taking Paris by storm. Her prolific, monumental oeuvre remains one of the most vivid visual documents of 1920s Art Deco. De Lempicka’s style deployed cool colors and tight post-cubist forms into an at once neoclassical and voluptuous figuration. Her subjects are often nude and always sensual, aloof, and powerful. Bedecked in seductive light and textures, they command our attention but typically avert their gaze with an aspect of haughty grandeur. They include both high-society patrons and progressive portraits of emancipated and lesbian women, such as Women Bathing and Portrait of Suzy Solidor. De Lempicka’s notorious Self-Portrait in the Green Bugatti, meanwhile, was commissioned for the cover of German magazine Die Dame and became an icon of speed, sophistication, and female independence. Through some of de Lempicka’s finest, most compelling portraits, this introduction explores the artist’s unique visual language and its privileged place not only in the annals of interwar art but also in the history of female artists and our collective consciousness of the Roaring Twenties. Hardcover96 pagesTaschen, 20178.46 x 0.47 x 10.43 inchesISBN 9783836532273 Post-Cubism, Art Deco

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It's a Wrap

Linden Branch Wrapping Cloth / Furoshiki

Pappelrose Wrapping Cloth / Furoshiki

Innsbruck Wrap

Danube Wrap

Berlin Wrap

Bregenz Wrap

Cologne Wrap

St. Anton Wrap

de Lempicka

Hoffmann Blueberry Wrapping Paper

Dagobert Peche Viola Wrapping Paper

Shop at Neue It's a Wrap

Linden Branch Wrapping Cloth / Furoshiki

Pappelrose Wrapping Cloth / Furoshiki

Innsbruck Wrap

Danube Wrap

Berlin Wrap

Bregenz Wrap

Cologne Wrap

St. Anton Wrap

de Lempicka

Hoffmann Blueberry Wrapping Paper

Dagobert Peche Viola Wrapping Paper

Shop at Neue
It's a Wrap