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Original Price: $49.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Renée Price This expansive book commemorates the fifteenth anniversary of the Neue Galerie New York and includes highlights of the museum’s collection. The Neue Galerie New York opened in November 2001, when it showcased its collection of Austrian and German art from 1890 to 1940. The museum’s Austrian holdings encompass major paintings by Gustav Klimt, Egon Schiele, Oskar Kokoschka, and Richard Gerstl. Decorative arts made by the Wiener Werkstätte (Vienna Workshops, 1903–32) are another strength of the collection. The German holdings emphasize the Expressionist movement, with canvases by members of the Brücke, including Erich Heckel, Ernst Ludwig Kirchner, Max Pechstein, and Karl Schmidt-Rottluff. Artists affiliated with the Blue Rider, such as Vasily Kandinsky, Paul Klee, August Macke, Franz Marc, and Gabriele Münter, figure prominently. The New Objectivity movement is represented with works by Max Beckmann, Otto Dix, George Grosz, and Christian Schad. The Bauhaus is another key area, with designs by Marcel Breuer, Marianne Brandt, Ludwig Mies van der Rohe, and Wilhelm Wagenfeld. Hardcover248 pagesNeue Galerie New YorkPrestel, 20169.5 x 1.1 x 11.5 inchesISBN 9783791355818Neue Galerie Exhibition Catalogue

Masterworks from the Neue Galerie New York

Original Price: $50 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Tobias G. Natter This unique and utterly fascinating appreciation of Gustav Klimt’s oeuvre reveals some of his most famous works in their original settings and offers valuable historic insight into his artistic vision. Interior design was supremely important to Gustav Klimt, and many of his paintings were created for specific settings or spaces. This aspect of Klimt’s practice comes beautifully to life in this book that illustrates how some of the artist’s most beloved canvases appeared in situ—in private dining rooms and salons, galleries, museums, and public exhibition spaces. Works such as the portraits of Emilie Flöge and Hermine Gallia, the shocking Nuda Veritas, and landscapes A Morning by the Pond and The Tall Poplar I are presented in double-page spreads. Full-color reproductions of paintings by Klimt are juxtaposed with black-and-white vintage photographs of the original interiors with the featured paintings overlaid in color. Thoughtful and personal texts by Klimt scholar Tobias Natter accompany each spread, providing invaluable contextual insight about how these pictures were conceived as part of the interior design of their respective rooms and spaces, and the passionate collectors who first owned these pictures. Meticulously produced and packaged, this book provides a refreshing perspective on Klimt’s oeuvre and artistic vision. Hardcover140 pagesPrestel, 20239.5 x 1 x 11.5 inchesISBN 9783791379784Gustav Klimt, Art History

Gustav Klimt: Interiors

Original Price: $40.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Pamela Kort A founding member of the early twentieth century German avant garde artists' group Die Brücke, Ernst Ludwig Kirchner moved to Berlin in 1912 and became enthralled by what he called "the symphony of the great city." He responded to the intensity of Berlin's street life by recording the urban spectacle around him--most notably in "Berlin Street Scene" (1913-14), which is widely considered one of the greatest German paintings of the twentieth century. This beautifully illustrated, scholarly volume--written and edited by the noted independent curator and art historian Pamela Kort--provides a full exploration of the history and significance of Kirchner's masterpiece. Featuring full reproductions and details of "Berlin Street Scene" and other related artworks, as well as plentiful documentary photographs and supporting materials, this volume illuminates the ominous force of nervous energy and sexual tension that Kirchner sensed lurking beneath the veneer of civilized life. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover92 pagesNeue Galerie New York, 20080.6 x 9.1 x 11.3 inchesISBN 9781931794152Neue Galerie Exhibition Catalogue, Painting, German History, Urban Studies

Ernst Ludwig Kirchner: Berlin Street Scene

By Jill LloydSelf-Portrait with Horn is one of the greatest, most resonant paintings by the German Expressionist Max Beckmann. It was painted in 1938, just after Beckmann fled Nazi Germany to seek refuge in Amsterdam, and it evokes the tribulations of an entire generation. This book celebrates the painting and the special place it holds for the Neue Galerie. Jill Lloyd has brought her superb scholarship to bear in tracing the work's history and its importance within the Beckmann oeuvre. Hardcover84 pagesNeue Galerie New YorkPrestel, 200911.1 x 0.6 x 9.2 inchesISBN 9781931794220Neue Galerie Exhibition Catalogue, Art History, History, Biography, Painting

Max Beckmann: Self-Portrait with Horn

Original Price: $45.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Jill Lloyd and Michael Peppiatt The paintings of Vincent van Gogh (1853-1890) became the epitome of modern, international art during the period after his death up to the outbreak of World War I. In no other country was Van Gogh so admired as he was in Germany: Ernst Ludwig Kirchner and other artists of Die Brücke were fascinated by Van Gogh's brushwork and strongly contrasting colors as well as by the dynamic aura of his glowing palette. Vasily Kandinsky and the artists of Der Blaue Reiter esteemed Van Gogh for rejecting visible reality and penetrating the essence of nature. Austrian artists Egon Schiele and Oskar Kokoschka, on the other hand, were especially impressed by the soulful expression of Van Gogh's art and his insightful psychological portraits. This catalog examines the enormous influence of Van Gogh on German and Austrian Expressionism. It presents numerous masterpieces by Van Gogh and the Expressionists, including extremely powerful works by the painters of Die Brücke, Der Blaue Reiter, and the Viennese avant-garde. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover180 pagesNeue Galerie New YorkHatje Cantz, 200711.4 x 9.7 x 0.9 inches ISBN 9783775719162Neue Galerie Exhibition Catalogue, Expressionism, Die Brücke, Blue Rider

Van Gogh and Expressionism Exhibition Catalogue

Original Price: $54.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Jill Lloyd, Ingrid Pfeiffer, and Raymond CofferRichard Gerstl (1883–1908) has recently emerged from the shadows of his contemporaries Gustav Klimt, Oskar Kokoschka, and Egon Schiele to be ranked by art historians as one of the leading artists of the Vienna-based Austria expressionist movement at the beginning of the twentieth century. This lush catalogue of his work introduces this significant artist to a broad, international audience.Gerstl painted for just four to six years before his tragic suicide at age twenty-five. Because he had refused to show his work during his lifetime, he was for many years largely overlooked. But his portraits and landscapes like Self Portrait Against a Blue Background and The Fey Sisters are today regarded by both the academy and the art world as some of the best examples of Austrian expressionism for their ability to evoke a visceral, emotional response in viewers through their distorted forms and exaggeratedly expressive use of color. With more than eighty works by Gerstl, this book provides a comprehensive portrait of his amazingly short, but powerfully prolific career.Hardcover224 pages | 200 color platesNeue Galerie New YorkHirmer Publishers, 20179.5 x 1.1 x 11 inchesISBN 9783777427546Neue Galerie Exhibition Catalogue, Artist Monograph, Painting, Expressionism

Richard Gerstl Exhibition Catalogue

Original Price: $30.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Hans Haider and Diana Stoll Serge Sabarsky (1912-1996) had a colorful life. Born in Vienna, he worked as a clown and set designer for Simplicissimus, the leading cabaret of the era. He fled his native city in 1938 and settled in New York, where he worked successfully as a contractor before establishing a gallery for Austrian and German Expressionist art. With his friend Ronald Lauder, he established the Neue Galerie. Although Sabarsky died before the museum came to fruition, his passion, expertise, and generosity have informed every aspect of the institution. Hardcover108 pagesNeue Galerie New York Prestel, 20029.1 x 6.6 x 1.1 inchesISBN 9781931794060Biography, Art History, History

Serge Sabarsky: A Full Life

Original Price: $55.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Josef Helfenstein and Elizabeth Hutton Turner Paul Klee was a leading figure in European Modernism, and his acclaim at home was quickly matched in the United States, where both private collectors and major museums sought out his work. Klee and America explores the reasons for that enthusiastic reception, especially during the 1930s and 1940s while the artist was being targeted in Hitler's campaign against "Degenerate Art". This catalogue presents an impressive selection of Klee's finest "American" works from that period, including both paintings and drawings. Hardcover320 pagesNeue Galerie New YorkThe Menil Collection, 200711.6 x 9.3 x 1.6 inchesISBN 9781931794145Neue Exhibition Catalogue, Artist Monograph, Art History, Essays

Klee and America

Original Price: $50.00UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Tobias G. Natter Oskar Kokoschka (1886-1980) is considered one of the leading figures of the Expressionist movement. This catalogue provides an in-depth analysis of the sitters for his earliest portraits, painted in Vienna and Berlin on the eve of World War I, including Alma Mahler, Adolf Loos, and Peter Altenberg. In addition to the oil portraits, the catalogue includes a rare selection of the artist’s drawings, as well as examples of Kokoschka’s work for the Wiener Werkstätte, such as designs for postcards, fans and an illustrated book. Special attention is devoted to the architect Adolf Loos, who had a guiding role in the artistic development of the young Kokoschka. Please note that Rare/Out-of-Print titles are very limited in stock. Also available in German. Hardcover256 pagesNeue Galerie New YorkDumont Buchverlag, 20029.2 x 1 x 11 inches ISBN 9781931794046Neue Galerie Exhibition Catalogue, Expressionism, Drawing, Painting, Portraiture

Oskar Kokoschka: Early Portraits from Vienna and Berlin 1909-1914

Original Price: $50.00UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Bei Tobias G. NatterDie Neue Galerie New York und die Hamburger Kunsthalle widmen den frühen Bildnissen von Oskar Kokoschka eine erste große Gesamtschau und konzentrieren sich damit auf das zentrale Werksegment der Jahre 1909 bis 1914, mit dem der Maler seinen Ruhm begründete und zur Leitfigur des Expressionismus wurde. Das Katalogbuch zur Ausstellung, herausgegeben von Tobias Natter, verbindet die Wiedergabe der frühen Bildnisse mit einfühlsamen Werkinterpretationen und Hinweisen auf die porträtierten Personen, unter denen sich zum weitaus überwiegenden Teil Freunde, Förderer und Gleichgesinnte des Malers befinden. Die Essays zeichnen ein plastisches Zeitkolorit der Metropolen Wien und Berlin unter den Vorzeichen eines tiefgreifenden Umbruchs. In Wien von dem Architekten Adolf Loos und später in Berlin von dem Herausgeber der Zeitschrift "Der Sturm", Herwald Walden, ermutigt und tatkräftig unterstützt, konnte sich Kokoschka von den malerischen Konventionen der Porträtaufträge befreien und seine eigenen expressiven Bildmittel einsetzen. Nachdenklichkeit, eindringliche Gestik der Hände und psychische Spannungen verdrängen alle posenhafte Eleganz gesellschaftlicher Repräsentation. Rascher Farbauftrag und nervöse Ritzungen greifen den Porträtierten unter die Oberfläche ihrer Haut, um ihre Physiognomien für den Blick auf innere Vorgänge durchlässig zu machen. In Kokoschkas frühen Bildnissen spiegelt sich daher nicht nur die Seele der Personen, sie sind auch Reflexe auf die abgrundtiefe Krise dieser Zeit vor dem ersten Weltkrieg. Please note that Rare/Out-of-Print titles are very limited in stock. Also available in English.Hardcover256 pagesText in GermanDuMont Verlag, 20029.2 x 11.2 inchesISBN 9781931794053Neue Galerie Exhibition Catalogue, Expressionism, Portraiture

Oskar Kokoschka: Das Moderne Bildnis 1909 bis 1914

Original Price: $15.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Spiral-bound notebook, featuring Jagdfalke (Hunting Falcon), 1910-11, block-printed textile and wallpaper design by Josef Hoffmann (1870-1956). 5¾ x 8½ in.60 unlined pages

Josef Hoffmann Bellflower Notebook

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS George Grosz (1893-1959), Panorama (Down with Liebknecht), 1919 Exhibition poster for Berlin Metropolis: 1918-1933. 20 x 30 inches

Berlin Metropolis: 1918-1933 Exhibition Poster

Original Price: $18 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Poster for the exhibition, Madame d'Ora (February 20 -June 8, 2020).Elsie Altmann-Loos, 1922Dora Kallmus, 1881-1963Photoarchiv Setzer-Tschiedel16 x 20 inches

Madame d'Ora Exhibition Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Poster for Wiener Werkstätte Fashions, ca. 1919 Exhibition poster for "Dagobert Peche and the Wiener Werkstätte" 16 x 20 inches

Dagobert Peche and the Wiener Werkstätte Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Ernst Ludwig Kirchner (1880-1938), Berlin Street Scene, 1913-14 Poster for the exhibition, Ernst Ludwig Kirchner (2019-2020). 16 x 24 inches

Ernst Ludwig Kirchner Exhibition Poster

Original Price: $15.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Oskar Kokoschka (1886-1980), Martha Hirsch (Dreaming Woman), 1909 Exhibition poster for "Oskar Kokoschka: Early Portraits from Vienna and Berlin, 1909-1914" 24 x 36 inches

Oskar Kokoschka Exhibition Poster

Original Price: $18 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Poster for the exhibition, Madame d'Ora (February 20 -June 8, 2020). Actress Grete Jacobson in a house dress from the Wiener Werkstätte, 1917Dora Kallmus, 1881-1963 ullstein bild collection — Madame d‘Ora© 2020 NEUE GALERIE NEW YORK© 2020 ULLSTEIN BILD COLLECTION16 x 24 inches

Madame d'Ora Exhibition Poster-Grete Jacobson

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Exhibition poster for "Franz Marc and August Macke: 1909-1914"August Macke (1887-1914), Four Girls, 1912-14 18 x 24 inches

August Macke Exhibition Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edvard Munch (1863-1944), The Scream, 1895 Exhibition poster for "Munch and Expressionism" 17.5 x 30 inches

Munch and Expressionism Exhibition Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Exhibition poster for "Franz Marc and August Macke: 1909-1914" Franz Marc (1880-1916), Horse and Donkey, 1912 18 x 24 inches

Franz Marc Exhibition Poster

Original Price: $25.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Max Beckmann (1884-1950), Self-Portrait with Horn, 1938 24 x 36 inches

Max Beckmann: Self-Portrait with Horn Poster

Original Price: $25.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Georg Scholz (1890-1945), Industrial Farmers, 1920 Exhibition poster for Comic Grotesque: Wit and Mockery in German Art, 1870-1940. 22 x 36 inches

Comic Grotesque Exhibition Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Alexei Jawlensky (1864-1941), Byzantine Woman (Bright Lips), 1913 Exhibition poster for "Alexei Jawlensky" 16 x 24 inches

Alexei Jawlensky Poster

Original Price: $10.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Alfred Kubin (1877-1959), "Self-Observation," 1901-02 Exhibition poster for "Alfred Kubin: Drawings, 1897-1909" 16 x 19.5 inches

Alfred Kubin Exhibition Poster

By Elizabeth Otto "Haunted Bauhaus is as eye-opening as it is door-opening… Haunted by utopian aspirations and its own history, the Bauhaus helped remake (and unmake) the world in ways its founders could never have anticipated." —J. Hoberman, Artforum"Otto shows us that the dominant Bauhaus narrative erased valuable stories. One realizes that there cannot be one complete account of the non-compliant lives that passed through its doors. Yet, by tying these hidden and diverse stories together, the book provides a necessary starting point for future investigations into our marginalized pasts." —Paprika! The Yale Architecture Newspaper"With Haunted Bauhaus, Otto brilliantly demonstrates that the history of modern art can be revised to make room for ideas, aesthetics, and agents previously forced to haunt its margins." —Afterimage The Bauhaus (1919–1933) is widely regarded as the twentieth century's most influential art, architecture, and design school, celebrated as the archetypal movement of rational modernism and famous for bringing functional and elegant design to the masses. In Haunted Bauhaus, art historian Elizabeth Otto liberates Bauhaus history, uncovering a movement that is vastly more diverse and paradoxical than previously assumed. Otto traces the surprising trajectories of the school's engagement with occult spirituality, gender fluidity, queer identities, and radical politics. The Bauhaus, she shows us, is haunted by these untold stories. The Bauhaus is most often associated with a handful of famous artists, architects, and designers—notably Paul Klee, Walter Gropius, László Moholy-Nagy, and Marcel Breuer. Otto enlarges this narrow focus by reclaiming the historically marginalized lives and accomplishments of many of the more than 1,200 Bauhaus teachers and students (the so-called Bauhäusler), arguing that they are central to our understanding of this movement. Otto reveals Bauhaus members' spiritual experimentation, expressed in double-exposed “spirit photographs” and enacted in breathing exercises and nude gymnastics; their explorations of the dark sides of masculinity and emerging female identities; the “queer hauntology” of certain Bauhaus works; and the role of radical politics on both the left and the right—during the school's Communist period, when some of the Bauhäusler put their skills to work for the revolution, and, later, into the service of the Nazis. With Haunted Bauhaus, Otto not only expands our knowledge of a foundational movement of modern art, architecture, and design, she also provides the first sustained investigation of the irrational and the unconventional currents swirling behind the Bauhaus's signature sleek surfaces and austere structures. This is a fresh, wild ride through the Bauhaus you thought you knew. Hardcover296 pagesMIT Press, 20197 x 0.9 x 9 inchesISBN 9780262043298Bauhaus, Art Criticism, Gender Studies

Haunted Bauhaus

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Heinrich Kühn (1866-1944), Study in Tonal Values III, 1908 Exhibition poster for Heinrich Kühn and his American Circle. 18 x 24 inches

Heinrich Kühn Exhibition Poster

Original Price: $18 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Max Beckmann (1884-1950)Carnival, 1920 Poster for the exhibition Max Beckmann: The Formative Years, 1915-1925. 16 x 20 inches

Max Beckmann: The Formative Years Exhibition Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Vincent van Gogh (1853-1890), Self-Portrait, 1889 Exhibition poster for Van Gogh and Expressionism. 16 x 24.5 inches

Van Gogh Exhibition Poster

Original Price: $15.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Franz Xaver Messerschmidt (1736-1783), A Strong Man, 1771-83 Exhibition poster for Franz Xaver Messerschmidt 1736-1783: From Neoclassicism to Expressionism. 18 x 24 inches

Franz Xaver Messerschmidt Exhibition Poster

Original Price: $14.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Austrian painter Rudolf Wacker (1893-1939) studied art in both Austria and Germany. He is particularly noted for his expertise in the genre of still-life painting and created works that are uncanny in their degree of verisimilitude. In the 1930s, Wacker lived in Bregenz, a city in the western part of Austria, where he was fond of frequenting the local flea market. There he acquired some of the props he used in his paintings. Wacker opposed the National Socialist movement and did not approve of the annexation of Austria by the Nazis. He was interrogated by the Gestapo in 1938 and died the following year as a result of the injuries that he sustained. Images included:Damaged Head, 1934Aquarium, 1938Autumn Bouquet with Butterfly, 1938Two Heads, 1932 Notecard Box Set:16 cards and envelopes4 each of 4 images4 ¾ x 6 ⅞ inches

Rudolf Wacker Notecard Set

Original Price: $14.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS German artists Franz Marc (1880-1916) and August Macke (1887-1914) met in January 1910, when they were twenty-nine and twenty-three years old, respectively. At that time, they had already traveled to France, were familiar with French art, and admired the work of artist Paul Cezanne. Marc and Macke enjoyed a close artistic and personal friendship that had a profound impact on their work during the five years that they knew each other. They often visited each other's studios, engaged in an extensive correspondence, responded to each other's paintings, and exhibited their work side by side on numerous occasions. Both Marc and Macke died in combat during World War I. Notecard Box Set:18 cards and envelopesBox includes removable band3 each of 6 images4 ¾ x 6 ⅞ inches

Franz Marc and August Macke Notecard Set

Original Price: $125 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Christian Brandstätter, Daniela Gregori, and Rainer Metzger "As wonderfully self-indulgent as Vienna itself" —Mature Times"A lavish visual journey…comprehensive and exquisitely produced" —The Lady Books of the Year At the turn of the 20th century, Vienna became an epicenter for new thought, increasingly running counter to the prevalent conservatism symbolized by the neo-classical facades of the buildings in the city’s Ringstrasse. During the time of the modernist movement led by Gustav Klimt, Josef Hoffmann, Koloman Moser, and others, a multidisciplinary environment emerged in which music, writing, and intellectual thought flourished, bringing different arts together in a “Gesamtkunstwerk” —a total work of art. Covering all artistic fields—from painting to photography, the Wiener Werkstätte and decorative arts, fashion and architecture of fin-de-siècle Vienna—and including biographies for featured artists, Vienna 1900 Complete is an unprecedented compilation of richly colored images curated and authored in a single volume by three leading scholars of the period. Hardback544 pagesThames & Hudson, 20189.7 x 2 x 12.4 inchesISBN 9780500519301Fin-de-Siècle Vienna, Wiener Werkstätte

Vienna 1900 Complete

Original Price: $16.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Art Spielgelman PULITZER PRIZE WINNER One of Variety’s “Banned and Challenged Books Everyone Should Read”The first installment of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust.”—The Wall Street Journal “The first masterpiece in comic book history.”—The New YorkerA brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.Maus is a haunting tale within a tale, weaving the author’s account of his tortured relationship with his aging father into an astonishing retelling of one of history’s most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma. Paperback160 pagesPantheon, 19866.56 x 0.41 x 9.13 inchesISBN 9780394747231Graphic Novel, Biography

Maus I: A Survivor's Tale, My Father Bleeds History

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Art Spiegelman “The most affecting and successful narrative ever done about the Holocaust.”—The Wall Street Journal “In part two of Maus, Art Spiegelman finishes his masterpiece . . . You can’t help witnessing—even feeling—the act of private pain being transformed into lasting truth.”—The Boston Globe “One of the most powerful and original memoirs to come along in recent years . . . An epic story told in tiny pictures.”—The New York Times A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.Maus is a haunting tale within a tale, weaving the author’s account of his tortured relationship with his aging father into an astonishing retelling of one of history’s most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.Paperback144 pagesPantheon, 19926.5 x 0.39 x 9.12 inchesISBN 9780679729778Graphic Novel, Biography

Maus II: A Survivor's Tale, And Here My Troubles Began

Original Price: $200 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERSBy Rainer Willmann and Julia Voss “…as energetic and colorful as Haeckel’s life. It’s scientific eye candy that feels as fresh as Haeckel’s groundbreaking biological art must have seemed more than a century ago.”―The Washington Post“…a glorious book… his influence on art and the natural sciences remains profound, and his stunning artworks continue to stand the test of time.”―American Scientist“This is a bible for those who love pattern.”―The Times Ernst Haeckel (1834–1919) was a German-born biologist, naturalist, evolutionist, artist, philosopher, and doctor, who spent his life researching flora and fauna from the highest mountaintops to deepest ocean. A vociferous supporter and developer of Darwin’s theories of evolution, he denounced religious dogma, abandoned an early career in medicine, authored philosophical treatises, gained a doctorate in zoology, and coined scientific terms which have passed into common usage, including ecology, phylum, and stem cell. Haeckel’s colossal legacy has fascinated, confounded, and polarized generations. But what was at the heart of his extraordinary life’s work? Rather like his intellectual forebear, Alexander von Humboldt, Haeckel was motivated not only to discover but also to explain. To do this, he created hundreds of detailed drawings, watercolors, and sketches of his findings which he published in successive volumes during the 20th century, including several marine organism collections and the majestic Kunstformen der Natur (Art Forms in Nature), which could serve as the cornerstone of Haeckel’s entire life project. Like a meticulous visual encyclopedia of living things, Haeckel’s work was as remarkable for its graphic precision and meticulous shading as for its understanding of organic evolution and cellular development. From bats to the box jellyfish, lizards to lichen, and spider legs to sea anemones, he emphasized the essential symmetries and order of nature, and found biological beauty in even the most unlikely of creatures. The prints not only furthered the study of natural history but also influenced generations of 20th-century artists and architects, from the emerging proponents of Art Nouveau to architects such as Hendrik Petrus Berlage, whose Amsterdam Commodities Exchange was inspired by Haeckel’s illustrations. In this book, we celebrate the scientific, artistic, and environmental importance of Haeckel’s work, with a collection of prints from several of his most important tomes on marine biology, including Die Radiolarien, Monographie der Medusen, Die Kalkschwämme: eine Monographie, and Kunstformen der Natur. At a time when biodiversity is increasingly threatened by human activities, the book is at once a visual masterwork, an underwater exploration, and a vivid reminder of the precious variety of life. Hardcover704 pagesText in English, French and GermanTaschen, 201713.5 x 3.2 x 16.5 inchesISBN 9783836526463Artist Monograph, Illustration, Nature, Marine

The Art and Science of Ernst Haeckel

Original Price: $45.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Signed copies from translator Ross Benjamin are available. This book was featured as part of our Literatur Café series. By Franz Kafka Translated by Ross Benjamin “Essential . . . The new volume, in a sensitive and briskly idiomatic translation by Ross Benjamin, offers revelation upon revelation. It’s an invaluable addition to Kafka’s oeuvre.”—The New York Times “Franz Kafka’s inner life has always been a bit of a mystery. The expurgated diaries in their original German and English versions hinted at his complicated, often confused relationship to sex, politics, illness, and being Jewish. This readable new translation of the complete German version of the diary transforms the silent Kafka of a century ago into a Kafka not only of his times but of ours.”—Sander Gilman, author of Franz Kafka, The Jewish PatientAn essential new translation of the author’s complete, uncensored diaries—a revelation of the idiosyncrasies and rough edges of one of the twentieth century’s most influential writers.Dating from 1909 to 1923, the handwritten diaries contain various kinds of writing: accounts of daily events, reflections, observations, literary sketches, drafts of letters, accounts of dreams, as well as finished stories. This volume makes available for the first time in English a comprehensive reconstruction of the diary entries and provides substantial new content, including details, names, literary works, and passages of a sexual nature that were omitted from previous publications. By faithfully reproducing the diaries’ distinctive—and often surprisingly unpolished—writing in Kafka’s notebooks, translator Ross Benjamin brings to light not only the author’s use of the diaries for literary experimentation and private self-expression, but also their value as a work of art in themselves.Hardcover704 pagesSchocken, 20236.2 x 9.25 inchesISBN 9780805243550Literature, Kafka

The Diaries of Franz Kafka

Original Price: $35.99 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Julian PreeceUniversity of Kent, CanterburyContributors: Julian Preece, David Constantine, Anne Fuchs, Rolf J. Goebel, Elizabeth Boa, Ruth V. Gross, Stanley Corngold, Bill Dodd, Iris Bruce, Dagmar C. G. Lorenz, Anthony Northey, Osman Durrani, Helen Hughes, Martin Brady "...a welcome addition to Kafka scholarship."—Germanic Notes and Reviews "This collection of essays holds true to the promise of its title: it is a trustworthy and helpful companion for those, be they scholar or aficionado, who seek up-to-date and well-considered observations on the writings of one of the 20th century's greatest but most enigmatic writers....[A]ll of the contributions are first-rate: they are written clearly and persuasively with authority and sophistication, and they represent a broad spectrrm of critical approaches." ChoiceThis companion of specially-commissioned essays offers a comprehensive account of his life and work, providing a rounded contemporary appraisal of Central Europe's most distinctive Modernist. Contributions cover all the key texts, and discuss Kafka's writing in a variety of critical contexts such as feminism, deconstruction, psychoanalysis, Marxism, and Jewish studies. The essays are enhanced by supplementary material including a chronology of the period and detailed guides to further reading. They will be of interest to students of German, European and Comparative Literature, and Jewish Studies.Paperback280 pagesCambridge University Press, 20026 x 0.7 x 9 inchesISBN 9780521663915 Literary Criticism, Essays

The Cambridge Companion to Kafka

Original Price: $29.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Lesley ChamberlainAn incisive and intimate account of the life and work of the great poet Rilke, exploring the rich interior world he created in his poetry.When Rilke died in 1926, his reputation as a great poet seemed secure. But as the tide of the critical avant-garde turned, he was increasingly dismissed as apolitical, as too inward.In Rilke: The Last Inward Man, acclaimed critic Lesley Chamberlain uses this charge as the starting point from which to explore the expansiveness of the inner world Rilke created in his poetry.Weaving together searching insights on Rilke’s life, work and reception, Chamberlain casts Rilke’s inwardness as a profound response to a world that seemed ever more lacking in spirituality.In works of dazzling imagination and rich imagery, Rilke sought to restore spirit to Western materialism, encouraging not narrow introversion but a heightened awareness of how to live with the world as it is, of how to retain a sense of transcendence within a world of collapsed spiritual certainty.Hardcover320 pagesPushkin Press5.7 x 0.96 x 8.8 inchesISBN 9781782277248Literature

Rilke: The Last Inward Man

Original Price: $24.95UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Frances Cannon Foreword by Esther Leslie An illuminated tour of Walter Benjamin's ideas; a graphic translation; an encyclopedia of fragments. Walter Benjamin was a man of letters, an art critic, an essayist, a translator, a philosopher, a collector, and an urban flâneur. In his writings, he ambles, samples, and explores. With Walter Benjamin Reimagined, Frances Cannon offers a visual and literary response to Benjamin's work. With detailed and dreamlike pen-and-ink drawings and hand-lettered text, Cannon gives readers an illuminated tour of Walter Benjamin's thoughts—a graphic translation, an encyclopedia of fragments. Cannon has not created a guide to Benjamin's greatest ideas—this is not an illustrated Walter Benjamin cheat sheet—but rather a beautifully rendered work of graphic literature. Cannon doesn't plod through thickets of minutiae; she strolls—a flâneuse herself—using Benjamin's words and her own drawings to construct a creative topography of Benjamin's writing. Phrases from “Unpacking My Library,” for example, are accompanied by images of flying papers, stray books, stacked books—books “not yet touched by the mild boredom of order”—and a bearded mage. Cannon takes the reader through different periods of Benjamin's writing: “Artifacts of Youth,” nostalgic musings on his childhood; “Fragments of a Critical Eye,” early writings, political observations, and cultural criticism; “Athenaeum of Imagination,” meditations on philosophy and psychology; “A Stroll through the Arcades,” Benjamin's unfinished magnum opus; and “A Collection of Dreams and Stories,” experimental and fantastical writings. With drawings and text, Cannon offers a phantasmagorical tribute to Benjamin's wandering eye. Hardcover184 pagesMIT Press, May 20197 x 9 x 0.7 inchesISBN 9780262039963Graphic Novel, Philosophy, Urban Studies, Poetry

Walter Benjamin Reimagined: A Graphic Translation of Poetry, Prose, Aphorisms, and Dreams

Original Price: $45.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Roman Zieglgänsberger and Evelyn Bergner “The Museum Weisbaden’s monograph introduces an underknown artist and underscores the vibrancy of the interwar avant-garde. . . .Recommended.”—CHOICEPainter, graphic artist, typographer, photographer, and sculptor, Werner Graeff (1901–78) was a key figure in the Bauhaus and the Constructivism movements. Alongside reproductions of his major works, including pictograms, multiples, drawings, and other graphic works, this book presents the story of Graeff’s life—including, for the first time, the moving autobiography he wrote at the urging of his friend Mies van der Rohe, The Obstacle Race of the Twentieth Century. Through an analysis of Graeff’s work with the Bauhaus and the De Stijl group of Dutch artists, as well as the Ring Neue Werbegestalter founded by Kurt Schwitters, we see his prominent place in the vibrant life and culture of the German art world of the period.Hardcover288 pagesHirmer Publishers, 20177.5 x 1.3 x 9.8 inchesISBN 9783777427973Bauhaus, Graphic Design, Monograph

Werner Graeff: Recollection of a Bauhaus Artist

Original Price: $50.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Timothy O. Benson and Éva Forgács The avant-garde movements of Central Europe were an integral part of modernism’s evolution as it reached its peak throughout the continent during the 1920s. Written documents—manifestoes, artists’ statements, and reviews—were the lifeblood of these movements and, during the periods when political events conspired to isolate them, one of their few means of communication and exchange. Much of this crucial evidence has become lost to us, and the artistic avant-gardes of Central Europe have been a blind spot of modernist studies. Until their narratives have been recovered, the story of modernism will remain incomplete. In this book an international team of scholars has selected an essential compendium of documents that take an important step toward regaining this lost perspective. Between Worlds contains primary documents of the avant-gardes in Austria, the Czech lands, Germany, Hungary, Poland, Romania, and Yugoslavia from 1910 to 1930. The manifestoes and magazines of Western European radical art circles are well known to Western scholars, but few have researched the pages of magazines such as Zenit, Integral, Punct, 75 HP, Tank, and Ma. We know about Italian Futurism but not about Polish Futurism. Few Westerners are aware that French surrealist magazines drew much of their inspiration from Czech publications. The hundreds of documents in the book, almost all of them translated into English for the first time, bring back into circulation landmark texts by the major writers, editors, artists, magazines, and movements of Central Europe. With this publication they are restored to their rightful place in the pantheon of modernism. Between Worlds is distributed for the Los Angeles County Museum of Art. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover736 pages | 32 illustrationsMIT Press, 20026.6 x 2 x 9.9 inchesISBN 9780262025300Avant-garde, Modernism

Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930

Original Price: $29.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Su Blackwell and Corina Fletcher A magical theatre within a book where children can stage their own productions of Sleeping Beauty with exquisitely designed paper cutouts Based on her strikingly original storybook The Fairy-Tale Princess, Su Blackwell’s sumptuous fairy-tale images, cut out from the pages of classic fables, are now brought to life in three dimensions in this beautiful paper theatre. Everything a child needs to reenact the well-loved story of Sleeping Beauty is provided, including interchangeable scenery and delightful moveable versions of the characters. Inside the ingeniously designed pop-up theater stage between the two covers is a jewel box of moveable pieces: scenery sheets set the stage; characters add the story and colorful props provide the finishing touch. The book contains a pocket to hold the pieces when they’re not in use, and an enclosed booklet contains instructions on how to stage your own performances of Sleeping Beauty for family and friends, including a script. The Sleeping Beauty Theatre will be coveted by children and adults alike who love to make believe. Hardcover28 pagesAge range: 7-10Thames & Hudson, 20159 x 0.75 x 11 inchesISBN 9780500650547 Children's Book, Activity Book

The Sleeping Beauty Theatre

Original Price: $90.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Lidia Gluchowska and Vojtech LahodaAn examination of the cultural and artistic consequences of post-WWI nationalism in Europe.World War I was a seismic event in Europe whose most concrete ramifications were the sweeping changes made to maps of the continent after 1918. A number of new, independent states were established in the wake of the Armistice, and these tectonic developments found varied expression in the arts, transforming the image of the continent both cartographically and artistically. This new edited collection focuses primarily on how modernism and the avant-garde responded to these geographic changes in Central and Eastern Europe, the Baltic States, and Scandinavia. The contributors explore the clashes between the national, the transnational, and the cosmopolitan as they played out in diverse artistic genres. In many countries across Europe, the struggle for national independence—which in many cases began in the nineteenth century and culminated only after World War I—had important cultural and artistic consequences, which are only beginning to be understood. This book—co-published with Artefactum—provides a crucial new lens to rethink the methodological tools used to understand the complexity and the multiplicity of avant-garde forms in twentieth-century Europe, encouraging scholars to reconstruct global cultural history without tired nationalistic approaches.Paperback321 pages | 151 color platesKarolinum Press, 20226.5 x 9.25 inchesISBN 9788024651217History, Art Criticism

Nationalism and Cosmopolitanism in Avant-Garde and Modernism: The Impact of World War I

Original Price: $9.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Bertolt Brecht “I think The Threepenny Opera and Mother Courage are the great plays of our time.”—Lillian HellmanThe Threepenny Opera broke box-office records in its original Berlin run, 1928-1933, and has had many extremely successful runs in the United States ever since. There have been several English adaptations. The present “book” of Desmond Vesey’s renders every word of the German, including Bertolt Brecht’s Notes. Eric Bentley’s lyrics are also faithful to the German, though they are, of course, written to be sung to the famous Kurt Weill’s music. Kurt Weill’s widow, the great actress and chanteuse Lotte Lenya, has written the introduction, telling the story of how The Threepenny Opera came into being.Paperback128 pagesGrove Press, 1971Originally published in 19284.25 x 0.5 x 7 inchesISBN 9780802150394 Playwriting, Berlin Theater

The Threepenny Opera

Original Price: $15.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Tyler Mills "In City Scattered, through gorgeous strands of speech, Tyler Mills perceptively reintegrates our sacred, forgotten past into a portrait of a woman whose self-possession and complexity are palpably rendered. Only a poet with such sensitivities of language can so clearly hear and interpret the immortal silence of history; only a poet attuned to her own incandescent spirit can test the oneiric nature of poetry with such vigor of mind."—Major Jackson "Tyler Mills’ The City Scattered is a rich document of the “inner architecture” and social displacements that occur under the “skies / of capital.” Its choral structure deftly links the late days of the Weimar Republic to labor in the age of Amazon. Through swift images and attention to the complexity of pleasure, Mills’ poems show the independence and alienation of workers, particularly women, for whom the “purse thickens” while unemployment rises and money is “losing value.” Her crisp, suggestive case study illuminates the confluence of precarity and prosperity at the heart of our era. “Do not lean out,” warns a sign on a window in one poem; but we’re already leaning closer to read."—Zach Savich Goblets of gin, fans of feathers, war-bombed bricks, loaves of bread, soot, smoke, and paper money—such are the tangible things that touched the lives of women who worked as wage laborers during an era of Europe of cabaret and hyperinflation. The crises of modernity and capital, as well as the human experiences of women and who loved, lost, and fought against the structures of privilege that all the while aided them during a fraught stretch of time between wars, come alive in City Scattered, a chapbook of poems that invite us to experience and examine the conditions of labor that echo those of our current day.Paperback44 pagesTupelo Press, 20228.27 x 5.83 x 0.11 InchesISBN 9781946482686Poetry, Literature

City Scattered: Cabaret for Four Voices

Original Price: $48.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Michael YonanThis book examines a famous series of sculptures by the German artist Franz Xaver Messerschmidt (1736–1783) known as his "Character Heads." These are busts of human heads, highly unconventional for their time, representing strange, often inexplicable facial expressions. Scholars have struggled to explain these works of art. Some have said that Messerschmidt was insane, while others suggested that he tried to illustrate some sort of intellectual system. Michael Yonan argues that these sculptures are simultaneously explorations of art’s power and also critiques of the aesthetic limits that would be placed on that power.Paperback206 pagesRoutledge, 20217.01 x 0.47 x 10 inchesISBN 9781032096308Art History, Artist Monograph

Messerschmidt's Character Heads: Maddening Sculpture and the Writing of Art History

Original Price: $35.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Stanley CorngoldA unique look at Thomas Mann’s intellectual and political transformation during the crucial years of his exile in the United States.In September 1938, Thomas Mann, the Nobel Prize–winning author of Death in Venice and The Magic Mountain, fled Nazi Germany for the United States. Heralded as “the greatest living man of letters,” Mann settled in Princeton, New Jersey, where, for nearly three years, he was stunningly productive as a novelist, university lecturer, and public intellectual. In The Mind in Exile, Stanley Corngold portrays in vivid detail this crucial station in Mann’s journey from arch-European conservative to liberal conservative to ardent social democrat.On the knife-edge of an exile that would last fully fourteen years, Mann declared, “Where I am, there is Germany. I carry my German culture in me.” At Princeton, Mann nourished an authentic German culture that he furiously observed was “going to the dogs” under Hitler. Here, he wrote great chunks of his brilliant novel Lotte in Weimar (The Beloved Returns); the witty novella The Transposed Heads; and the first chapters of Joseph the Provider, which contain intimations of his beloved President Roosevelt’s economic policies. Each of Mann’s university lectures—on Goethe, Freud, Wagner—attracted nearly 1,000 auditors, among them the baseball catcher, linguist, and O.S.S. spy Moe Berg. Meanwhile, Mann had the determination to travel throughout the United States, where he delivered countless speeches in defense of democratic values.In Princeton, Mann exercised his “stupendous capacity for work” in a circle of friends, all highly accomplished exiles, including Hermann Broch, Albert Einstein, and Erich Kahler. The Mind in Exile portrays this luminous constellation of intellectuals at an extraordinary time and place.Hardcover280 pagesPrinceton University Press, 20226.5 x 1 x 9.5 inchesISBN 9780691229676Literary Theory, Biography

The Mind in Exile: Thomas Mann in Princeton [Hardcover]

Original Price: $60 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Marion von Osten "Lavishly illustrated" —SWISS Featuring the latest research commissioned on the occasion of the Bauhaus centenary, this book explores the global influence of the renowned Bauhaus school of arts and its famed artists.Bauhaus Imaginista marks the centennial anniversary of this fascinating and popular school of art, which championed the idea of artists working together as a community. The Bauhaus reconnected art with everyday life and was active in the fields of architecture, performance, design, and visual art. Founded by Walter Gropius, its faculty included such luminaries as Paul Klee, Wassily Kandinsky, László Moholy-Nagy, and Josef Albers.Placing emphasis on the international dissemination and reception of the Bauhaus, this book expresses the Bauhaus’ influence, philosophy, and history beyond Germany. Rethinking the school from an international perspective, it sets its entanglements against a century of geopolitical change, as many of its artists fled World War II Germany. Bauhaus Imaginista takes readers on a global visual tour of Bauhaus influence from art and design museums to campus galleries and art institutes in India, Japan, China, Russia, Brazil, Berlin, and the United States.Hardcover312 pagesThames & Hudson, 20199.8 x 1.3 x 12.4 inchesISBN 9780500021934Bauhaus, Art History, Architecture, Design

Bauhaus Imaginista

Original Price: $40.00UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Alan Powers Bauhaus Goes West is a story of cultural exchange - between the Bauhaus émigrés in the years following the school's closure in 1933 and the countries to which they moved, focusing in particular on Britain. Taking as its starting point the cultural connections between the UK and Germany in the early part of the 20th century, the book offers a timely re-evaluation of the school's influence on and relationship with modern art and design in Britain, concluding with the school's American legacy. Following the closure of the Bauhaus in 1933, teachers and students found new opportunities in Britain and the United States. Among them were Walter Gropius, Marcel Breuer and Laszlo Moholy-Nagy, who simultaneously spent time in London before moving to America, an episode often overlooked but freshly explored here in the context of the interaction between German Modernism and British-based design reform from 1900. Other Bauhaus-trained artists - women as well as men - stayed in the UK and made important contributions into the 1960s. In America, Mies van der Rohe and Josef and Anni Albers had significant late careers, but, over time, the Bauhaus became a shorthand for Modernism's failure. Now, the centenary of the school's founding provides a key opportunity to reconsider how its values emerged and were contested both during its lifetime and beyond. Hardcover 304 pagesThames & Hudson, 20196.5 x 1.4 x 9.5 inches ISBN 9780500519929

Bauhaus Goes West : Modern Art and Design in Britain and America

Original Price: $15.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Kurt Tucholsky Preface by William Grimes "These lyrical, whimsical, and waspish mordant sermonettes ingeniously trace the warped grain of human nature, exposing pretense and folly at every turn."—William Grimes What happens after you die? Where will you be? What will you do? Do you have a harp? Will you meet Him? Were you happy with your life? And will you get a second chance to return to earth? In this charming book, Kurt Tucholsky discovers the afterlife and what angels are talking about when they are sitting on the clouds and dangle their legs. Hardcover96 pagesBerlinica Publishing LLC, 2018Originally published between 1925 and 19285 x 0.4 x 8 inchesISBN 9781935902898Spiritualism

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