Art Books

By Michael Kerrigan A sumptuously illustrated exploration of beloved Art Nouveau artist Gustav Klimt and the wider work of his fellow Vienna Secessionists and their influences. An illuminating feast for the eyes. Gustav Klimt is renowned as a quintessential artist of the art nouveau movement, but he was one of a number of Viennese artists who strove to break free of the constraints of the late 19th Century academic art establishment. The Secessionists were united, not in the style of their work, but their desire for freedom, so although there are echoes of similarity in the work of Klimt, Schiele, Kolomon Moser and the many other fine artists, their distinction lies in their magnificent difference. This new illustrated book focuses on the rich diversity of the movement and offers a sumptuous gift of colour and glamour for every art lover. Hardcover192 pagesFlame Tree Illustrated, 202611 x 0.9 x 11.38 inchesISBN 9781835628010Gustav Klimt, Monographs

Gustav Klimt: Masterworks

By Katharina Günther Loud, provocative and scathingly mordant – how Dada held a mirror up to society This book celebrates Dada, the art movement founded 110 years ago but whose subversive political engagement remains highly relevant today. With a keen eye and biting satire, Dada produced forceful critiques while examining political and social conditions. Featuring works by the most important Dada artists, this volume presents a multifaceted portrait of the movement and its many forms of expression, including painting, photography, theatre, dance, literature and satire. An international group of experts recount the history of Dada from its beginnings in 1916 through to the 1930s. The volume focuses on the movement’s political motives and social activities, which served to unite this heterogeneous group of visual artists, writers and theatre personalities. Emerging from the experience of the First World War, Dada artists issued urgent warnings about the rise of the Nazi dictatorship. The book vividly demonstrates how vital artistic voices can be in resisting inhumane and anti-democratic tendencies. "Das Buch zeigt die Aktualität des politischen Engagements der Dadaist:innen und ebenso eindrücklich, wie wichtig Kunst als Seismograf für menschenfeindliche und antidemokratische Entwicklungen ist." (Bernd Hüttner, CONTRASTE) Das Buch feiert die Kunstbewegung Dada zum 110. Geburtstag und zeigt die Aktualität ihres politischen Engagements. Mit scharfem Blick und beißender Satire übte Dada Gesellschaftskritik und hinterfragte politische wie soziale Zustände. Mit Werken der wichtigsten Dada-Künstler:innen bietet der Band ein facettenreiches Bild der Bewegung und ihrer vielfältigen Ausdrucksformen, darunter Malerei, Fotografie, Theater, Tanz, Literatur und Satire. Internationale Expert:innen erzählen die Geschichte des Dada von der Gründung 1916 bis zu den 1930er- Jahren. Im Fokus stehen die politische Motivation und Aktivität der Bewegung, welche die heterogene Gruppe aus bildenden Künstlern, Literaten und Theaterleuten maßgeblich verband. Aus der Erfahrung des Ersten Weltkriegs kommend, warnten die Dada-Künstler:innen vehement vor der aufziehenden nationalsozialistischen Diktatur. Eindrücklich zeigt das Buch, wie wichtig die Stimme der Kunst – auch heute noch – in der Abwehr menschenfeindlicher und antidemokratischer Strömungen ist. Hardcover176 pages | 90 illustrationsText in English and GermanHirmer Verlag GmbH, 20266.93 x 0.73 x 9.74 inches ISBN 9783777447322Movements

Unlock Your Heads at Last!: Dada as Political Art

By Alexandrine Maviel-Sonet and Anne-Katrin Rossberg Preface by Tsuyoshi Tane A unique showcase of 500+ objects from the MAK Collection in Vienna alongside Van Cleef & Arpels’ iconic jewelry, highlighting 120 years of artistry and design innovation. In GLANZSTÜCKE, unique and rarely seen objects from all sections of the MAK Collection engage in a dialogue with jewelry art spanning the 120-year history of Van Cleef & Arpels. The Parisian High Jewelry Maison and the MAK were brought together by a shared passion for outstanding design, exceptional craftsmanship, and visionary ideas. With the exhibition catalog GLANZSTÜCKE: Van Cleef & Arpels High Jewelry × Masterpieces from the MAK Collection, the readers embark on a journey through time and discovery across the entire spectrum of applied arts. The book reveals surprising parallels in forms, colors, and motifs across six chapters: Wanderlust, Architecture, Rhythmic Designs, On Stage, Metamorphoses, and Nature & Cosmos. With text contributions by Lilli Hollein, Catherine Renier, Alexandrine Maviel-Sonet, Rainald Franz, Sebastian Hackenschmidt, Michael Hölters, Kathrin Pokorny-Nagel, Anne-Katrin Rossberg, Lara Steinhäußer and Mio Wakita-Elis. Design by Bueronardin. This publication accompanies the exhibition GLANZSTÜCKE: Van Cleef & Arpels High Jewelry x Masterpieces from the MAK Collection at the MAK in Vienna, on view from 10 June until 27 September 2026. Hardcover368 pagesText in English and GermanHannibal Publishers, 20268.66 x 1.1 x 11.81 inchesISBN 9789493531031Applied Arts, Jewelry

Glanzstücke – Van Cleef & Arpels: MAK Collection

By Phaidon Editors Introduction by Rebecca Morrill ‘Real changes are upon us, and today one can reel off the names of a number of first-rate women artists. Nevertheless, women are just getting started.’ – New Yorker ‘The headline grabber of 2019 was Phaidon's Great Women Artists.’ – British Vogue ‘[We] believe every damn day is worthy of celebrating great women, and Great Women Artists makes it easy ... If only all our college art history textbooks were this much fun.’ – Interview Magazine ‘Phaidon [is] helping to redress the balance with this encyclopaedic volume that examines 500 years of great art by great women artists... no self respecting art lover should be without a copy.’ – Culture Whisper Celebrate five centuries of female creativity with this groundbreaking survey of women artists Great Women Artists is the most extensive illustrated survey on women artists ever published. Now available in a sleek compact format, this essential volume reflects an era where art made by women is more visible than ever. Organized alphabetically, the book features more than 400 artists from 50 countries around the world, representing each with a beautifully reproduced full-page artwork and a short illuminating text about its creator. Readers will find works by iconic and influential artists, such as Artemisia Gentileschi, Mary Cassatt, Georgia O’Keeffe, Frida Kahlo, Agnes Martin, Louise Bourgeois, Yayoi Kusama, and Cindy Sherman, as well as lesser-known names equally deserving of attention. Inspiring, impressive, and expansive in scope, Great Women Artists reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices. Introductory essay by Rebecca Morrill Artist texts by James Cahill, Louisa Elderton, Elizabeth Fullerton, Orit Gat, Ferren Gipson, PL Henderson, Katy Hessel, Catalina Imizcoz, Louisa Lee, Henry Little, Helen Luckett, Kathleen Madden, Henry Martin, Tom Melick, Rebecca Morrill, Yates Norton, Cleo Roberts, Matthew Price, Gabrielle Schwartz, Robert Shane, Mitch Speed, David Trigg, and Ellen Mara De Wachter Hardcover460 pagesPhaidon Press, 20267.5 x 6.6 x 1.4 inchesISBN 9781837291434Movements, Art History

Great Women Artists: Compact Format

By Phaidon Editors ‘A staple in every every art aficionado’s library.’ —Galerie The Art Book is beloved throughout the world, known for introducing millions of readers to the joy of art appreciation. This award-winning, century-spanning survey features more than 600 artists from medieval times to modern day. Each is represented by a key work and an informative, explanatory text on the piece and its creator. In addition to hundreds of the world's best-loved artists, the selection includes many overlooked historical and cutting-edge contemporary figures, including: Berenice Abbott, Hilma af Klint, El Anatsui, Romare Bearden, Mark Bradford, Cao Fei, Cecily Brown, Judy Chicago, John Currin, Guerrilla Girls, Lee Krasner, Jacob Lawrence, Kerry James Marshall, Joan Mitchell, Zanele Muholi, Takashi Murakami, Louise Nevelson, Clara Peeters, Jenny Saville, Wolfgang Tillmans, and more. Breaking with tradition, The Art Book; is organized by names instead of dates, creating a vibrant A-to-Z sequence of brilliant examples from all periods, schools, visions, and techniques. The result is an accessible, exciting, and unparalleled visual sourcebook that celebrates our rich, multifaceted culture in all its creative glory. Now available in a mini, travel-friendly format, The Art Book ensures art is always within arm’s reach. Hardcover592 pagesPhaidon, 20266.5 x 5.1 x 1.5 inchesISBN 9781837291489Movements

The Art Book: Mini Format

By Lauren Simkin Berke Learn to create zines and books with this approachable guide featuring illustrated, step-by-step lessons on making many different book formats. The possibilities are endless!Channel your passions into zines, create your own notebooks and calendars, and try your hand at impressive pop-up and accordion books. This illustrated guide will empower you to share your ideas with the world in personalized, handcrafted packages. Whether you want to create a poetry chapbook, an illustrated ode to the people on your commute, or a map of your dreams, this book will help you leap from an idea to a physical object. You’ll learn the lingo and where to find materials, but most importantly, you’ll be ready to experiment and have fun. If you’re an artist seeking a new medium or are just beginning your creative journey, this book welcomes you to level up your DIY, join a community of makers and thinkers, and discover the power of zines and handbound books. Start now and watch your creative confidence grow and thrive.ZINES ARE BACK: Join the zine renaissance! Discover how to bring your passion to life through this amazing DIY art form that offers endless possibilities for creating and sharing. All you need is paper, scissors, glue, and this handbook to set your creativity in motion. STEP-BY-STEP INSTRUCTIONS: Educator and artist Lauren Simkin Berke walks you through each handmade book and zine format in straightforward tutorials. This book is perfect for all abilities and experience levels. WIDE VARIETY OF FORMATS: From beautiful Coptic binding to zines made from a single sheet of printer paper, this book has all your needs covered. You'll soon have a flexible repertoire of skills to bring your ideas to life! Paperback 184 pages Chronicle Books, 2026 7.0 x 5.2 x 0.6 inchesISBN 9781797238753Applied Arts, Graphic Design

Zine Making and Bookbinding: A Beginner's Guide in 25 Projects

Von August Sander Zwei wenig bekannte Projekte des Photographen August Sander (1876–1964), die er für eine gemeinsame Veröffentlichung in einem Band vorgesehen hatte, werden hier erstmals ungekürzt vorgestellt: die sechs Radiovorträge, die er 1931 unter dem Titel Wesen und Werden der Photographie live im WDR hielt, und das Konvolut „Lichtbildwerkstatt August Sander, Köln-Lindenthal“, eine Dokumentation seiner Wohn- und Arbeitsräume in der Dürener Straße, erstellt zwischen 1930 und 1942/43, bevor das Haus 1944 durch Bombenangriffe zerstört wurde. Neben allgemeineren Anmerkungen zur Entwicklung des Mediums sind Sanders Vorträge ein Plädoyer für die sachlich-dokumentarische Photographie und eine deutliche Absage an malerische Tendenzen oder die standardisierte Massenproduktion von Bildern. Er geht auf verschiedene Techniken ein, diskutiert das Medium als Weltsprache und bezieht auch sein berühmtes Portrait-Projekt Menschen des 20. Jahrhunderts mit ein. Der Band ist eine Hommage an August Sander zu seinem 150. Geburtstag in diesem Jahr – und eine Einladung zur kritischen Auseinandersetzung mit dem Medium Photographie. „Inhaltsangabe“ gehört möglicherweise zu einer anderen Auflage dieses Titels. Hardcover 272 Seitan Text in German Schirmer/Mosel Verlag GmbH, 20268 x 1.5 x 9.75 inches ISBN 9783829610711Photography, History

August Sander: Wesen und Werden der Photographie Rundfunkvorträge WDR 1931

Introduction by Nicholas Fox WeberTexts by Josef Albers, Elaine de Kooning, and Colm Tóibín Using minimal means—paint straight from the tube, applied meticulously with a palette knife—and a focused selection of colors, Josef Albers’s sustained, serial investigation into rhythm, mood, and spatial movement is explored in this lavishly produced catalogue that looks solely at his respective grey and yellow paintings, exploring two distinct color palettes pervasive to his oeuvre. Highlighting the rich diversity of effects Albers drew from a narrow range of colors, this publication centers around the groundbreaking Homage to the Square (A) (1950), the inaugural painting in the series that would occupy the artist until his death in 1976. The pairing of two palettes—black, white, and grey and an array of yellows—stems in part from Albers’s 1964 series of lithographs, Midnight and Noon, which brought together these two opposing color sets in a single portfolio. Together they address the limitless possibilities the artist found in color and form in relation to light. The impossible simultaneity of “midnight” and “noon” moreover speaks to Albers’s transcending of what he called “factual facts” in favor of the play of perception and illusion possible in art. Opening with an introduction by Nicholas Fox Weber, executive director of The Josef and Anni Albers Foundation, that contextualizes these works and their color palettes, this volume also includes Albers’s own writing on Homage to the Square. Additionally, Elaine de Kooning’s historic text and Colm Tóibín’s recent writing explore this body of work from different perspectives and time periods. Published on the occasion of exhibitions at David Zwirner’s New York and London galleries in 2016 and 2017, this beautifully illustrated publication looks at one of the most influential abstract painters of the twentieth century.Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover144 pages | 75 color, 2 b&w IllustrationsDavid Zwirner Books, 200178 x 10.5 inchesISBN 9781941701621 Josef Albers, Monographs

Josef Albers: Midnight and Noon

Von August Sander Das Pariser Centre Pompidou mit seiner Ausstellung über August Sander und die NeueSachlichkeit (allemagne/années 1920/nouvelle objectivité/august sander, 11.5.-5.9.2022) liefert den Anlass, die Gesamtausgabe der Menschen des 20. Jahrhunderts neu aufzulegen. DenGrund liefert das Werk, das in der Geschichte der Photographie sowohl als Idee wie inder Ausführung einzigartig und seit langem ein Klassiker unter den Photobüchern ist. In dem groß angelegten, unvollendet gebliebenen Projekt hat August Sander (1876-1964)ab den 1920er-Jahren Hunderte von Einzel- und Gruppenportraits angefertigt und nachberuflichen, sozialen oder familiären Gesichtspunkten geordnet. Das Ergebnis ist eintypologisches Gesamtbild der deutschen Gesellschaft seiner Zeit, d.h. im Wesentlichender Weimarer Republik, das in Umfang, Bedeutung und kompositorischer Klarheit desProjekts bis heute seinesgleichen sucht. Menschen des 20. Jahrhunderts ist ein kulturhistorisches Standardwerk, das weit über diePhotographie hinaus enorme Strahlkraft auf Kunst und Literatur besaß und bis heutebesitzt. Kurt Tucholsky, Thomas Mann und Alfred Döblin haben sich mit seinen Bildernauseinandergesetzt. Für zeitgenössische Photokünstler wie Bernd und Hilla Becher undviele ihrer Schüler wurde August Sander zu einer Leitfigur. Hardcover808 Seiten | 619 Tafeln in DuotoneSchirmer Mosel Verlag, 202211.69 x 9.56 x 2.12 inchesISBN 9783829605007Photography

August Sander: Menschen des 20. Jahrhunderts

Von Jan Jekal Santa Monica, Pacific Palisades oder Beverly Hills – das sind die klingenden Namen des kalifornischen Idylls, in dem sie Zuflucht gefunden haben: Filmemacher und Schauspieler, Schriftsteller und Intellektuelle, die in den 1930er- und 1940er-Jahren vor den Nazis aus Europa fliehen mussten. Sie bilden eine Solidargemeinschaft der Exilierten: Bertolt Brecht, Helene Weigel und Hanns Eisler, Billy Wilder und Vicki Baum, Fritz Lang und William Wyler, Thomas und Heinrich Mann. Wer in Berlin, Wien oder Prag einen Namen hatte, folgte dem Ruf der boomenden Filmindustrie Hollywoods. Doch dieses romantische »Weimar am Pazifik« ist nicht die ganze Geschichte: Noch während sie im beginnenden Krieg ihren mal militärischen, mal moralischen Beitrag aufseiten der Allierten leisten, werden die Geflüchteten zu Verdächtigen. Eben noch als noble Nazi-Gegner gefeiert, wird jetzt ihr Müll vom FBI durchsucht – der »red scare« und der McCarthyismus machen aus Freigeistern und Linksliberalen feindliche »Kommunisten«. Das Land, das Zuflucht war, wandelt sich zum Ort der Repression und Verfolgung. Fesselnd und stimmungsvoll, anhand bisher unveröffentlichter Dokumente aus Archiven in Los Angeles zeichnet Jan Jekal nach, wie sich die Exilierten gegen das autoritäre Amerika wehrten – mit Aktivismus, Witz, Courage und mit Filmen, die zu Klassikern geworden sind –, aber auch, wie einige von ihnen an Amerika verzweifelten. Hardcover380 SeitenText in GermanMatthes & Seitz Verlag, 20268.7 x 5.6 x 1.5 inchesISBN 9783751821032Non-Fiction, Film History

Paranoia In Hollywood

Edited by Christoph Wagner An intimate and bibliophilic artist monograph of the German Expressionist Hermann Stenner. Hermann Stenner (1891–1914) was one of the most remarkable talents of the twentieth century. His promising career was cut short death by his death in battle in World War I when he was twenty-three. Stenner’s body of work is all the more impressive because of the compressed time frame in which it was produced—just five years of study and creative work. After attending painting classes at the Academy of Fine Arts in Stuttgart, he transferred to study under the painter Adolf Hölzel, becoming the artist’s master student in 1912. In addition to the “Hölzel Circle,” Stenner also belonged to the circle of Westphalian Expressionists, which included artists such as Peter August Böckstiegel, Else Lohmann, August Macke, and Carlo Mense. By 1913, Stenner was already participating in important exhibitions in Germany and abroad alongside artists like Egon Schiele and Max Slevogt. In 1914, only a few months before he died in the war, he executed a cycle of wall paintings in the entrance hall of the Werkbund exhibition in Cologne with artists Oskar Schlemmer and Willi Baumeister. This artist’s remarkable oeuvre, which includes 280 paintings and more than 1,500 drawings, has recently attracted new critical attention. This publication celebrates the great rediscovery of one of the pioneers of German Expressionism. Hardcover80 pagesHirmer Publishers, 20215.25 x 8 inchesISBN 9783777438238Monograph, German Expressionism

Hermann Stenner: A Pioneer of German Expressionism

By Tobias G. Natter, Christiane Druml and Markus MüllerTaking Klimt’s lost painting Medicine as a starting point, this authoritative volume examines the relationship between art, medicine, and modern thought in Vienna around 1900.When Gustav Klimt unveiled Medicine in 1901, the work sparked outrage by challenging conventional ideas about science, progress, and the human condition, becoming one of the defining cultural controversies of its time. Withdrawn by the artist and destroyed during World War II, Medicine remains one of the most fascinating lost masterpieces of modern art. Through paintings, drawings, archival photographs, and restored imagery, this volume reconstructs the history, meaning, and legacy of the work while placing it within the intellectual ferment of fin-de-siècle Vienna. Essays explore the connections between art, anatomy, psychology, philosophy, evolutionary theory, and modern medical science.Leading scholars reveal Klimt’s engagement with the ideas reshaping his era, in particular microscopical cell examination, Darwinian concepts of human evolution, and the discovery of the unconscious. Reproductions of related masterpieces highlight the themes of birth and death, sexuality, consciousness and transformation. Documents in unprecedented detail the impact of Gustav Klimt’s painting, Medicine. Authors are experts in the field of art history, and on medicine and cultural studies Sheds light on the creative milieu of the time as well as Klimt’s allegories of life Richly illustrated with Klimt’s artworks, essays are interspersed with plate sections Ideal for readers interested in the intersections of art, medicine, and philosophy Essential reading for Klimt enthusiasts, this volume is a compelling new perspective on Klimt’s lost masterpiece and its enduring relevance.Hardcover240 pagesPrestel, 20269.5 x 11.5 inchesISBN 9783819500145Monographs

Gustav Klimt and Medicine: The Flow of Life

By James A. van Dyke “Van Dyke is undoubtedly one of the foremost experts on the art world of the Weimar Republic. In his groundbreaking new study, he focuses on Otto Dix, one of the leading―and perhaps the most radical―painters of the era. In a paradigmatic way, the author demonstrates what a ‘leftist,’ critical art history can be today and how necessary it is. Detailed description, the ‘material turn,’ and the socio-historical analysis of the artistic field complement and illuminate one another. Van Dyke’s keen eye for detail leads to a fundamental reexamination of Otto Dix’s art in general.” —Olaf Peters, Martin-Luther University, Halle-WittenbergHow small details in the paintings of Otto Dix materialize the realities of a modern German artist.Offering a fresh look at German art during a period of extraordinary transition and precarity, James A. van Dyke focuses on overlooked but critically significant details in works completed by Otto Dix between 1919 and 1936. A small lump of paint, a monogram, an almost invisible self-portrait, the verso of a drawing, a patch of discoloration, and a web of fine cracks—van Dyke reveals such details, hidden in plain sight, as coded dialogue through which Dix addressed audiences and art-world insiders amid the combative world of cultural production in Weimar Germany. Sly, cutting, and provocative, these are the material traces of social relationships between the painter and those who represented threats to his professional ambition: an avant-garde mentor and rival, an increasingly skeptical critic, a prominent bourgeois photographer, and a local Nazi authority.Proving that small things offer insight into the big picture, this book highlights Dix’s satirical, transgressive work as nuanced and polyvocal, reflecting the complex fields of power and economics in which the field of art is located.Hardcover296 pages |12 color plates and 120 halftonesUniversity of Chicago Press, 20267 x 10 .9 inchesISBN 9780226848549Monograph, German Art History

Otto Dix in Detail: Painting and Precarity in the Field of Weimar Culture

Original Price: $18 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS This lavishly illustrated hardback presents the life and work of Paul Klee - a gifted artist whose experimentation with color and abstraction made him a key figure in the development of modernism.Influenced by Cubism, Expressionism and Surrealism, Klee's own work was varied and experimental. After joining the German group Der Blaue Reiter (The Blue Rider), Klee fought in the First World War before emerging as one of the leading artists in Germany. He taught at the world-famous Bauhaus school of art for 10 years alongside Wassily Kandinsky, before rule forced its closure.This full-colour book charts Klee's development as an artist, the themes that preoccupied him, artists he worked with as well as recounting a remarkable life lived in the shadow of war and oppression. This biographic detail is accompanied by useful timelines, feature spreads and a selection of his most iconic paintings - including Senecio, Twittering Machine and Fish Magic.A wonderful introduction to one of the greatest artists of the 20th century.Hardcover96 pages Arcturus Publishing, 20219.25 x 11.26 inchesISBN 9781789505139Monograph, German Artist

The Great Artists: Paul Klee

Edited by Frank SchmidtWith Contributions by Rebecca Duckwitz, Simone Ewald, and Wolfgang WernerWith Essays by Frank Schmidt This oversize volume examines the career of Paula Modersohn-Becker, a pioneering Expressionist who was largely unknown during her lifetime. Published in celebration of the 150th birthday of Paula Modersohn-Becker, an artist who remains one of the most important figures of the German avant-garde, this book examines her artistic development in depth and presents works from all phases of her career, with a particular focus on her early work, which has hitherto received little attention or recognition. Modersohn-Becker was one of the most influential artists of the twentieth century, and her works influenced such major figures as Georg Baselitz and Chantal Joffe. But how did Paula Becker, born in Dresden in 1876, become the artist Paula Modersohn-Becker? Numerous works from renowned collections and private holdings illustrate this fascinating story and demonstrate that she was following her own artistic path even in her student years. It was this path that made her the legend she became, celebrated in literature, film, and art. This oversized and lavishly illustrated publication celebrates the beloved artist with large reproductions of her most iconic works as well as seldom shown works. Paperback96 pages | 70 color illustrationsHirmer Publishers, 20269.45 x 0.4 x 12.99 inchesISBN 9783777447827Paula Modersohn-Becker, German Expressionism

Paula Modersohn-Becker: London–Berlin–Worpswede–Paris

Edited by Christian Bauer and Bernadette Reinhold The legendary rivalry between two exceptional artists of Austrian Modernism, Oskar Kokoschka and Egon Schiele, a rivalry that sparked artistic masterpieces. This lavishly illustrated publication looks at the relationship of the two towering figures of Austrian Modernism, Oskar Kokoschka and Egon Schiele. They were rivals and masterful networkers, and their race for success and recognition opens up a previously untold chapter of modern art. Oskar Kokoschka and Egon Schiele were rising stars in early twentieth-century Vienna, and their early work laid the foundations for Austrian Expressionism. Their rivalry is as exceptional as their networks and artworks. When Egon Schiele died in 1918 at just twenty-eight years old, his attempt at reconciliation with Kokoschka having failed, the elder artist still had six decades ahead of him, during which he would be celebrated internationally as a major Austrian figure. But he never escaped Schiele’s shadow—quite the contrary. With historical documents and art reproductions, this publication shows in detail the feud that these two artists fought. Hardcover272 pages | 250 color platesHirmer Publishers, 20268.86 x 0.98 x 11.22 inchesISBN 9783777445243Egon Schiele, Oskar Kokoschka, Austrian Modernism

Egon Schiele and Oskar Kokoschka: Networkers and Rivals

Edited by Nadine Franci and Nina ZimmerWith Essays by Nadine Franci Presents an innovative new perspective on a star of classical modernism. Ernst Ludwig Kirchner’s (1880–1938) art is characterized by austere beauty and bold coloration. However, his creative approach extended far beyond the canvas: he saw the presentation and viewing of his works as integral elements of his art. This book shows Kirchner’s complete oeuvre through his own eyes. The world’s first major retrospective of Kirchner’s work was curated by the artist himself in 1933. In presenting the works, he created an exhibition entirely according to his own taste. This volume allows us to look over his shoulder once again and see how he approached both his artistic ideas and his curatorial strategies. Kirchner’s work continues to be exemplary of early twentieth-century art and one of the undisputed highlights of classical modernism. Hardcover160 pages | 79 color illustrationsHirmer Publishers, 20268.66 x 11.02 inchesISBN 9783777446967Ernst Ludwig Kirchner, Monograph

Kirchner x Kirchner

By Julia Dijkstra European Realities at Museum More showcases 70 interwar European works, from Otto Dix to lesser-known artists, examining the city, labor, and rising political ideologies. Following the major exhibition European Realities in Chemnitz, Museum More will present a focused selection of approximately 70 works from this international project, opening on 10 October 2025. The exhibition explores how artists across Europe responded to the turbulent interwar years through diverse Realist styles. Featuring renowned names like Otto Dix and Pablo Picasso alongside lesser-known artists from Central, Eastern, and Northern Europe, the show reflects themes such as the modern city, labor, gender roles, and rising political ideologies. European Realities at Museum More sheds new light on a lesser-known chapter of European art history and highlights the shared yet varied responses to societal change during the 1920s and 1930s. The exhibition is accompanied by a richly illustrated English-language catalogue, offering insights into both Dutch and broader European perspectives on Realism. This exhibition is a collaboration with Museum Gunzenhauser and Kunstsammlungen Chemnitz. Paperback128 pagesText in English and DutchWaanders, 20268.66 x 0.6 x 10.63 inchesISBN 9789462626652European Art, Realism

European Realities | Schilderkunst Painting 1919-1939

Edited by Markus Winter and Don Freeman Berlin Deko surveys early 20th-century German furniture design, highlighting diverse styles, key figures, and Berlin’s role as a creative hub between 1910 and 1930. Berlin Deko is the first comprehensive English survey of early twentieth-century German and Central European furniture design to move beyond the notion of a linear development of styles between Jugendstil and Bauhaus. It explores the period between 1910 and 1930, revealing a diverse continuum of styles, including the overlooked “Expressionist Rococo” that flourished in Berlin. The book highlights Berlin’s role as a center for furniture and interior design that attracted international artists. Key figures such as Leo Nachtlicht, Oskar Kaufmann, Bruno Paul, Fritz August Breuhaus de Groot, Paul Thiersch, Emil Fahrenkamp, Eduard Pfeiffer, and Lajos Kozma played important roles. Berlin Deko re-examines and celebrates Berlin’s legacy as a creative center, revealing a richer, more nuanced narrative of German design history. One that celebrates diversity, individual expression, and the enduring influence of Berlin as a creative hub. Hardcover160 pagesArnoldsche Art Publishers, 20258.5 x 0.8 x 11.02 inchesISBN 9783897907416Interiors, Furniture Design

Berlin Deko: Central European Furniture from 1910 to 1930

Available for pre-order. By Karolina Stefanski Tafelsilber wird seit Jahrhunderten mit Macht, Tradition und Zeremonie verbunden. Zu Beginn des 19.Jahrhunderts entwickelte sich verstärkt seine Vormachtstellung zur Repräsentation des Staates. Dynamische Veränderungen in Gesellschaft, Technik und Kommunikation kennzeichnen den Zeitraum von 1797, dem Entstehungsjahr des Empire in Paris, und 1848, dem Jahr der bürgerlich-revolutionären Erhebungen in Europa. In dieser Zeit nahmen drei ostmitteleuropäische Hauptproduktionszentren des Tafelsilbers – Berlin, Warschau und Wien – an der Mobilität und der Verbreitung von Kulturgütern und somit am Warenaustausch des von Napoleon in Auftrag gegebenen Empire-Stils teil. Paris war dabei Zentrum. Berlin, Warschau und Wien an der Peripherie nahmen bestimmte Impulse des Empire-Stils auf. Die daraus resultierenden transkulturellen Vernetzungen und Verflechtungen führten zu neuen Hybridobjekten. So bildeten sich Identitäten, die vielfältigen und internationalen Einflüssen unterlagen. Hardcover384 SeitenSandstein Kultur, 2026Text in German30 × 24 cmISBN 9783954988747Silver, Applied Arts

Transformation des Empire-Stils im Tafelsilber aus Berlin, Warschau und Wien 1797 bis 1848

By Robert SeethalerTranslated by Charlotte Collins "A gem of a novella"—Financial Times "A luminous imagining of a great musician's inner struggles."—Kirkus Review An intimate portrait of genius, love, and betrayal at the end of Gustav Mahler’s life. In the spring of 1911, Gustav Mahler—wrapped in a wool blanket—sits on the deck of the Amerika, sailing back to Europe. The ocean around him is gray and endless, the air sharp with wind and steel. Not yet fifty, Mahler is already a legend: in Vienna and New York, audiences fight for tickets to see the restless, small man who commands the most stubborn orchestra in the world. Yet his fame is shadowed by illness. His body is failing, his wife Alma has fallen in love with another man: the young architect Walter Gropius. Mahler has begged, humiliated himself, tried everything to keep her. Nothing worked, except the certainty of his approaching death. Alma has stayed, tending to him with care, perhaps to ease his final passage. On board, Mahler reflects on life, art, and above all, love. Finalist for the Deutscher Buchpreis and one of the most acclaimed German novels of recent years, Robert Seethaler’s The Last Movement is a haunting, tender portrait of a great artist confronting his farewell to life. Hardcover112 pagesEuropa Editions, 20265.1 x 2 x 7 inchesISBN 9798889661801Historical Fiction, Gustav Mahler, Alma Mahler

The Last Movement

Providing an exclusive glimpse into the renowned museum co-founded by one of the world’s finest private art collectors, Ronald S. Lauder, this richly illustrated pocket-sized guide offers readers a chance to explore the Neue Galerie’s illustrious collection and its milieu. Published in conjunction with the "25th Anniversary Exhibition: Masterworks from the Neue Galerie."Neue Galerie New York is a museum devoted to early twentieth-century Austrian and German art and design. It was established in the autumn of 2001 by two men who enjoyed a close friendship over a period of nearly thirty years: art dealer and exhibition organizer Serge Sabarsky and businessman, philanthropist, and art collector Ronald S. Lauder.Sabarsky and Lauder shared a passionate commitment to modern Austrian and German art and dreamed of opening a museum to showcase the finest examples of this work. After Sabarsky’s death in 1996, Lauder carried on the vision of creating Neue Galerie New York as a tribute to his friend. Led by director Renée Price, the Neue Galerie is the most important museum venue in the United States to showcase Austrian and German fine and decorative art of the early twentieth century. The collection includes work by artists such as Gustav Klimt, Egon Schiele, Oskar Kokoschka, Max Beckmann, Ernst Ludwig Kirchner, and designers such as Josef Hoffmann, Koloman Moser, Dagobert Peche, Marcel Breuer, Marianne Brandt, and Ludwig Mies van der Rohe, among many others. This visual guide to the Neue Galerie, its collections, and its programs, as well as its renowned Design Shop, Book Store, and Café Sabarsky, surveys the first twenty-five years of the museum’s exceptional history. This is an essential companion both for aficionados of the museum and its history and for those discovering the museum and its rich offerings for the first time. Paperback100 pagesPrestel, 20268.25 x 5.6 inchesISBN 9783791394992

Neue Galerie New York: The Museum and Its Collection

By Barbara Hess, Cathrin Klingsöhr-Leroy,Karin H. Grimme, Klaus Honnef, and Norbert Wolf “This comprehensive overview incorporates an impressive range of reproductions.”-The Independent Explore five movements that revolutionized art: Impressionism, Expressionism, Surrealism, Abstract Expressionism, and Pop Art. From Monet’s shimmering water lilies and the wild dreams of Dalí to Lichtenstein’s high-impact comic-book aesthetics, this collection unpacks the rebellious ideas and works that reframed how the world views art itself. A comprehensive volume covering five seminal genres that shaped art, from the late 19th century and well into the 20th: Impressionism, Expressionism, Surrealism, Abstract Expressionism and Pop Art. Each approach was distinct in aesthetic and philosophy, but all had immediate impact and enduring influence. Many great names were indelibly associated with one, some explored several during their careers. Impressionism, led by Monet and Renoir, focused on light and color, capturing fleeting moments and challenging academic art's rigidity. Expressionism was driven by artists like Edvard Munch and Wassily Kandinsky to convey raw emotion, distorting reality to reflect the angst of human experience. Surrealists, like Salvador Dalí and René Magritte, explored the subconscious, dreams, and the irrational, blending reality with fantasy across art, literature, and film. With Jackson Pollock and Mark Rothko leading the charge, Abstract Expressionism emphasized spontaneity and emotion through bold, gestural brushstrokes, and established New York as the post-war art world’s new Mecca. Finally, artists like Roy Lichtenstein and Andy Warhol gained fame and dominated the zeitgeist by synthesizing advertising, pop culture, and high art into Pop Art. Though diverse, these movements collectively pushed the boundaries of creativity, redefined artistic expression, and altered the trajectory of contemporary art. This lavish edition celebrates their stories, featuring more than 250 high-quality reproductions and texts, exploring how each movement's ideas and innovations transformed art forever. Hardcover504 pagesTaschen, 20266.7 x 1.5 x 9.5 inchesISBN 9783754401453Movements, Expressonism

Art for All: Art History

By Daniel KehlmannTranslated by Ross Benjamin SHORTLISTED FOR THE INTERNATIONAL BOOKER PRIZE • A NEW YORK TIMES TOP 10 BOOK OF THE YEAR • AN NYPL BEST BOOK OF THE YEAR “Nothing short of brilliant.” —The Wall Street Journal From “a surpassingly gifted storyteller” (The New York Times), a visionary novel inspired by the life of film director G.W. Pabst, who fled to Hollywood to resist the Nazis only to return to his homeland to create propaganda films for the German Reich. An artist’s life, a pact with the devil, and the dangerous illusions of the silver screen. G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels—the minister of propaganda in Berlin—sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels’s thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement. Kehlmann’s latest oeuvre explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator. Paperback352 pagesS&S/Summit Books, 20265.5 x 0.9 x 8.38 inchesISBN 9781668087800 Historical Fiction, Cinema

The Director [Paperback]

Edited by Przemyslaw Strozek, Rudolf Fischer, Antonella B. Meloni, & David WittinghoferWith Contributions by Meghan Forbes A stylish, rigorous documentation of the cross-cultural exchange between America and Europe during the Roaring Twenties Parallel to the avant-garde movements in Europe of the 1920s, unprecedented economic prosperity developed in the United States. In Europe, "America" became a cultural concept that emblematized an urban lifestyle, efficient labor systems and low-threshold entertainment. Certain exports, such as jazz, were embraced, while others, such as Taylorism, met with heavy criticism. In turn, European art and its new movements, such as Dadaism, Futurism and Constructivism, attracted both reverence and disdain in the United States. The American public learned about these cultural experiments through magazines such as The Little Review. Through expository texts and reproductions of poems, artwork, posters, sheet music and magazines, Modern Times documents the transatlantic exchange that occurred between the European avant-garde and American popular culture during the storied Roaring Twenties. The volume identifies the means through which ideas and phenomena were disseminated abroad and traces their respective receptions. Paperback246 pages | 150 color & b/w illustrationsSpector Books, 20268.27 x 0.87 x 11.02 inchesISBN 9783959058865Mixed Media, International Arts

Modern Times: Transantlantic Encounters in the 1920s

By James Payne "James Payne's YouTube Channel "Great Art Explained" gained a huge and appreciative worldwide audience. This beautifully put-together book is simply the best introduction to the lifelong pleasure and rewards of looking at pictures since Gombrich. An instant classic." —Stephen FryArt appreciation made accessible, relevant and entertaining; writer, curator, and YouTube sensation James Payne demystifies great works of art. Based on the popular and enormously successful YouTube channel of the same name, Great Art Explained unveils the fascinating stories behind some of the world's most iconic paintings and sculptures, proving that there's more to art than just watching paint dry. Art can be thrilling, and resonate on a deep personal level. It is how you view the work, place it in context and understand its history that makes an artwork truly come alive. A fresh approach to a classic subject, James Payne's no-nonsense analysis sheds new light on 30 masterpieces from around the globe and reveals what makes them truly timeless works of art. Each chapter delves into not only the art itself but also the artist's life, as well as the work’s place in their wider oeuvre; in other words, what makes it "great." From Hilma af Klint's occult altarpieces to Claude Monet's Water Lilies, Botticelli's The Birth of Venus to Georgia O'Keeffe's Jimson Weed, each artwork is explored with clarity and passion. Hardcover320 pagesThames & Hudson, 20258.6 x 10 inchesISBN 9780500025956Art History

Great Art Explained: The Stories Behind the World's Greatest Masterpieces

By Isabel Kuhl Van Gogh’s breathtaking artistry comes fully alive in this stunning volume that features dozens of exquisite reproductions. From early peasant studies to his luminous sunflower paintings, this volume showcases Van Gogh’s evolving mastery of light, color, and movement. Fifty-five carefully reproduced works highlight his expressive brushwork and his deep connection to the natural world.Organized thematically, the book includes many of his most celebrated pieces—The Starry Night, The Potato Eaters, Café Terrace at Night, Irises, Sunflowers, and three of his self-portraits. Brief texts provide context for Van Gogh’s artistic development and influences, offering readers a thoughtful way to engage with his work. Whether capturing the quiet beauty of Arles or the energy of a city street, each painting reflects Van Gogh’s distinctive vision and emotional depth. Ideal for longtime admirers and newcomers alike, this book offers a clear and compelling look at one of art history’s most influential figures. Paperback112 pagesPrestel, 20266.75 x 8.25 inchesISBN 9783791393124Monographs

Van Gogh: Masters of Art

By Kerstin Drechsel, Diana Kopka, Florence Thurmes, Sina Tonn Follows the role of angst in Edvard Munch’s unprecedented body of work and its enduring influence on contemporary art. Angst. Everyone knows it and fears it—regardless of cultural and social background—yet it is also essential to life, as a driving force and source of energy. Hardly any painter has captured this aspect of the human condition so powerfully as Edvard Munch, the artist whose unique body of work leaves no one unmoved. A pioneer of modernism, Munch was able to address the raw, wild, and immediate aspects of human existence. In his works, he places human feelings and a trenchant critique of civilization at the center. This comprehensive and opulent document of a universal emotion demonstrates the importance of the Norwegian master in all his facets. Paperback with flaps 336 pages | 170 illustrations Text in German and English Hirmer Publishers, 20267.5 x 10 inchesISBN 9783777446486 Monographs

Edvard Munch: Angst

Edited by Susanne Gaensheimer, Isabella Malz, and Anke Kempkes Dazzling, erotic, groundbreaking—the queer alternative history of modernism. Desire, eroticism, playing with gender—these qualities in the works of queer artists are not regarded here as external to the creative process, but rather as foundational. By approaching the art through a perspective of queer aesthetics, the aim is to discover the visual worlds of hitherto little-known figures of international modernism, from Eastern and Western Europe and North and South America. This volume reflects how the artists experiment with alternative lifestyles to produce new visual languages, perspectives, and queer aesthetics. Modern utopias of abolishing the gender binary, queer avant-gardes, and the potential in queer readings of abstraction are some of the compelling topics presented in this volume, which also recounts the history of queer lives during war, persecution, and resistance. Featured artists include Natalie Clifford Barney, Richmond Barthé, Rosa Bonheur, Romaine Brooks, Til Brugman, Paul Cadmus, Claude Cahun, Heinrich Campendonk, Jean Cocteau, Ithell Colquhoun, Nils Dardel, Beauford Delaney, Leonor Fini, Gluck, Hannah Höch, Ludwig von Hofmann, Valentine Hugo, Robin Ironside, Lotte Laserstein, Marie Laurencin, George Platt Lynes, Maria Martins, Marcel Moore, Marlow Moss, Ismael Nery, Richard Bruce Nugent, Meret Oppenheim, Milena Pavlović-Barili, Glyn Warren Philpot, Gregorio Prieto, Anton Prinner, Sonja Sekula, Florine Stettheimer, Pavel Tchelitchew, Toyen, Paule Vézeley, Ethel Walker, Nicolaas Warb, Gerda Wegener, and Irène Zurkinden. Hardcover336 pages | 250 color platesText in German + EnglishHirmer, 20269.06 x 11.02 inchesISBN 9783777445885 Art History, Queer Modernism

Queere Moderne | Queer Modernism 1900-1950

von Rosa von der Schulenburg & Birgit MöckelBeitr. von Rosa von der Schulenburg, Birgit Möckel, Michael Krejsa, Ralph Jentsch, Michael White, Helen Adkins & Ralf Burmeister Wie ein roter Faden zieht sich die Collage durch George Grosz' Schaffen, von den frühen Kommentaren zum Leben in der Metropole Berlin bis zu den späteren in den USA entstandenen Arbeiten. Die Publikation wirft ein Licht auf die Bedeutung des Formats im Oeuvre des Künstlers, zieht Verbindungen zu vergleichbaren Werken und präsentiert den neusten Forschungsstand zum Thema. A collection of George Grosz's groundbreaking collages which played a considerable role in both his early and late works. The publication also draws parallels with comparable works and presents the most recent research on the subject. Hardcover172 pagesText in GermanWalther König, 20248.03 x 0.87 x 10.75 inchesISBN 9783753305318Books in German, George Grosz

George Grosz: A Piece of My World in a World Without Peace Die Collagen

Edited by Dietmar Elger & Uta Grosenick Emerging amid the brutality of World War I, the revolutionary Dada movement took disgust with the establishment as its starting point. From 1916 until the mid-1920s, artists in Zurich, Cologne, Hanover, Paris, and New York launched a radical assault on the politics, social values, and cultural conformity which they regarded as complicit in the devastating conflict. Dada artists shared no distinct style but rather a common wish to upturn societal structures as much as artistic standards and to replace logic and reason with the absurd, chaotic, and unpredictable. Their practice encompassed experimental theater, games, guttural sound-making, collage, photomontage, chance-based procedures, and the “readymade,” most notoriously Marcel Duchamp’s urinal, Fountain (1917). Throughout, the Dadaists considered the visual appearance of their work secondary to the ideas and critiques it expressed. In this sense, Dada may be seen as a fundamental precursor to conceptual art. With a selection of key works from some of the most famous proponents of Dada such as Tristan Tzara, Marcel Duchamp, Hannah Höch, Kurt Schwitters, Francis Picabia, and Man Ray, this book introduces this urgent, subversive, and determined 20th-century movement and its lasting influence on modern art. Hardcover95 pagesTaschen, 20168.27 x 0.55 x 10.24 inchesISBN 9783836505628Art Movements, Art History

Dadaism (Basic Series 2.0)

By Heike Maria Johenning Around 1900, Germany was the main centre for the production of Art Nouveau tiles in Europe. Hallways were regarded as status symbols, and the entranceway became like a calling card. Today, few people are aware that many original tiled walls from that period have been preserved in Berlin. Jugendstil im Quadrat presents 120 fascinating tiles, explains their motifs, and sets them in the context of Art Nouveau ornamentation. The plant theme is particularly widespread: abstract or naturalistic depictions of flowers and trees unfold their full beauty in the square format. This book is the first to document historical Berlin tile paintings, most of which are not listed and therefore at risk. Hardcover224 pagesDeutscher Kunstverlag, 2025Text in English and German7.87 x 2 x 7.87 inchesISBN 9783422803312 Design, Art Nouveau, Tile, Ceramics

Art Nouveau Squared: Jugendstil im Quadrat

By Christopher Long Christopher Long’s latest volume of essays on the prestigious 19th-century architect, essayist and progenitor of modernism. Architectural historian and leading voice on Adolf Loos, Christopher Long returns with another commentary on the Austrian pioneer of modern architecture. Adolf Loos (1870–1933), an opponent of ornamentation on buildings, designed buildings in Vienna that contrasted with the popular Art Nouveau and Secession styles. In this anthology of eight essays, Long takes on the meanings of Loos’ writings and design work, the cultural world in which he was embedded, and how he was regarded by the critics and public. Long exposes and explodes old myths about Loos, fostering in the process a new, brilliant and compelling view of one of modern architecture’s key protagonists. Softcover 144 pagesKANT, 2024 6.5 x 9 inches ISBN 9788074373954Architecture and Design

Adolf Loos: Meaning, Context, Reception: Essays

Edited with text by Megan Fontanella. Foreword by Mariët Westermann. Text by Victoria Horrocks, Isabelle Jansen, Iris Müller-Westermann, Dorothy Price. A new look at a vanguard modernist artist who reimagined the still life, landscape and portrait genres This landmark publication coincides with the major Guggenheim New York exhibition of works by the remarkable German Expressionist Gabriele Münter. Münter’s painting practice between 1908 and 1920 is the central focus of the exhibition and accompanying book. The study also illuminates her lesser-known later work and includes significant examples of her photography taken during earlier extensive travels in the United States. Münter was notably a cofounder of Der Blaue Reiter (The Blue Rider), a loose and transnational confederation of progressive artists and other creatives, with whom she probed the expressive potential of color and the symbolic resonance of forms. Her introspective portraits during World War II capture the “new woman” and explore questions of gender identity. Highlighting more than 90 paintings, drawings and photographs, this publication not only traces Münter’s pioneering and understudied practice but also challenges accepted historical narratives that have tended to sideline women artists. Reproductions of archival material appear alongside choice selections of the artist's sketches, prints and reverse glass paintings. Thematic texts by renowned scholars explore identity, place, belonging and the embodied experience of modernist women artists during this period. Gabriele Münter (1877–1962) was at the forefront of the German avant-garde in the early 20th century and exhibited extensively at galleries and salons throughout Europe during her lifetime. Along with her artistic colleague and one-time partner, Vasily Kandinsky, Münter was a founder of the influential Expressionist group of artists, Der Blaue Reiter. Hardcover176 pagesGuggenheim Museum, 20258.75 x 10.75 inchesISBN 9780892075690 Monographs

Gabriele Münter: Contours of a World

By Elisabeth Dutz This revelatory volume uncovers the significant friendship that shaped Egon Schiele’s most personal and provocative works. Between 1910 and his death in 1918, Egon Schiele cultivated a close, formative relationship with Dr. Erwin von Graff—a Vienna-based gynecologist who would become both friend and collaborator. Egon Schiele: Portrait of Dr. Erwin von Graff is the first publication to examine this vital connection in depth, revealing how Graff’s medical practice and personal support influenced one of the most expressive and psychologically charged bodies of work in modern art.Through Graff’s private diary and newly uncovered archival material, art historian Elisabeth Dutz traces a compelling narrative of creative exchange and trust. Graff granted Schiele access to his patients—pregnant women, newborns, and postpartum mothers—opening a world that Schiele captured with raw, emotional intensity. Their friendship, which began with a painted portrait offered in gratitude for a favor, evolved into a lasting exchange that deeply influenced Schiele’s exploration of the human body, emotional vulnerability, and the complexities of life and death.Published in connection with a special exhibition at the Neue Galerie New York, this beautifully produced volume is richly illustrated with Schiele’s works from this period, as well as never-before-seen photographs and documents. It offers new insight into the artist’s inner world and illuminates a significant chapter in his development. A must-have for admirers of Schiele, this book deepens our understanding of his oeuvre and the relationships that helped shape it. Hardcover94 pagesPrestel, 20269.25 x 11.25 inches9783791394190Neue Galerie Exhibition Catalogue, Egon Schiele

Egon Schiele: Portrait of Dr. Erwin Von Graff Exhibition Catalogue

By Kai Uwe Schierz, Patrick Rössler, Miriam Krautwurst, & Elizabeth Otto In 1919, the program of the State Bauhaus school in Weimar promised a modern education for the talented, regardless of age and gender, which drew many young women to apply. The Bauhaus-Girl ("Bauhausmädel") Type, described in a January 1930 issue of the magazine Die Woche, knew what she wanted and would succeed. This volume's essays question the euphoria of the time period with the knowledge of Bauhaus members' subsequent destinies. The essays take as exemplary the biographies of Gertrud Arndt, Marianne Brandt, Margarete Heymann, and Margaretha Reichardt, both during their training and as Bauhaus graduates. Hardcover336 pages | 496 imagesSandstein Verlag, 201927.5 x 22 cmISBN 9783954984596Architecture, Gender

Bauhausmädels: Gertrud Arndt, Marianne Brandt, Margarete Heymann, Margaretha Reichardt

Edited by Despina Stratigakos and Elana Shapira Contributions by Barbara Penner, Christine Oertel, Dörte Kuhlmann, Megan Brandow-Faller, Carmen Trifina, Ursula Prokop, Eva Ottillinger, Ulrike Matzer, Celina Kress, Christine Zwingl, Sabrina Rahman, Sabine Plakolm-Forsthuber, Katrin Stingl, and Monika Platzer“Ella Briggs was among the first women in Europe to study architecture and work professionally as an architect. Impeccably researched, this book offers a rich narrative of an important early modernist designer and architect who was well known in her time and then forgotten. In recounting her story, this team of authors laudably contextualize Briggs’s experience within the broader story of early modernism.” —Christopher Long, author of The New Space: Movement and Experience in Viennese Modern Architecture The first biography of an extraordinary woman and architect who left her mark on world capitals and reshaped modern design. Ella Briggs (1880–1977) was a talented architect, designer, and writer whose influence was felt on both sides of the Atlantic. She trained with the Viennese Secessionists and brought their radical ideas to Gilded Age New York. She designed modernist housing for the masses in Austria, was jailed as a suspected spy in Mussolini’s Italy, and thrived in Weimar Germany before suffering persecution under the Nazis. Fleeing to London, she contributed to England’s postwar reconstruction. Yet despite a long and prolific career, her name is largely forgotten today. Finding Ella Briggs restores Briggs to her rightful place in the history of modernist design. Despina Stratigakos and Elana Shapira bring together an international team of historians to provide the defining biography of this boldly unconventional designer. Whether she was fighting for integration at Europe’s architecture schools or writing about innovative houses for American women’s magazines like Good Housekeeping, Briggs embodied the transatlantic flow of modernism. This panoramic book uncovers new findings about Briggs, her networks, and projects, recovering the many facets of a life that spanned global borders and cultures. Beautifully illustrated and drawing on a wealth of previously unpublished research from archives around the world, Finding Ella Briggs is the inspiring story of a woman who defied all obstacles to pursue her dream of designing for the modern client. Hardcover312 PagesPrinceton University Press, 202510 x 6 x 1 inchesISBN 9780691263953Architecture, Women Designers

Finding Ella Briggs: The Life and Work of an Unconventional Architect

Edited by Pauline Behrmann and Isabel Schulz for the Sprengel Museum HannoverContributions by P. Behrmann, K. Blaschke-Walther, Simone Bretz, Katrin Kolk, and I. Schulz Käte Steinitz (1889–1975) is today best known for her collaboration with Kurt Schwitters. This monograph covers her multifaceted activities as an artist and writer in avant-garde circles during the Weimar Republic, as well as her experience as an emigrant, art historian, and promoter of modernism in the United States. With stops in Berlin, Hanover, New York and Los Angeles, this volume provides a vivid impression of Steinitz’s life on two continents. The focus is on her extraordinary six-decade-long artistic career. Influenced by Expressionism, New Objectivity, and New Vision, her work demonstrates a talent for observation and an ability to quickly capture movement and fleeting impressions. This overview of her photography, historical context, and personal development shaped by exile brings exciting new interest to a remarkable artist. Hardcover240 pages | 160 illustrationsHirmer, 20268.75 x 10.5 inchesISBN 9783777445670Monograph, Photography

Käte Steinitz: From Hannover to Los Angeles

By Arnold Schoenberg "If it is art, it is not for all, and if it is for all, it is not art." In this sharp, uncompromising address, he defends the composer’s duty to the text: not to entertain, not to soothe, but to translate meaning with precision and depth. Music, he argues, must obey something higher than taste—something as exacting, and as rare, as truth itself. Arnold Schoenberg (1874–1951) was an Austrian composer, theorist, and painter who reshaped modern music from the ground up. As the inventor of the twelve-tone technique, he broke with tradition not for shock, but for necessity—seeking structure where tonality could no longer serve. Paperback20 pagesEris Gems, 20257.64 x 4.33 inchesISBN 9781967751136Music, Aesthetics

Tyranny of Style: Music and the World

Edited by Megan Brandow-FallerInformed by the analytical practices of the interdisciplinary 'material turn' and social historical studies of childhood, Childhood By Design: Toys and the Material Culture of Childhood offers new approaches to the material world of childhood and design culture for children. This volume situates toys and design culture for children within broader narratives on history, art, design and the decorative arts, where toy design has traditionally been viewed as an aberration from more serious pursuits. The essays included treat toys not merely as unproblematic reflections of socio-cultural constructions of childhood but consider how design culture actively shaped, commodified and materialized shifting discursive constellations surrounding childhood and children. Focusing on the new array of material objects designed in response to the modern 'invention' of childhood-what we might refer to as objects for a childhood by design-Childhood by Design explores dynamic tensions between theory and practice, discursive const– critically linking historical discourses of childhood with close study of material objects and design culture.Chronologically, the volume spans the 18th century, which witnessed the invention of the toy as an educational plaything and a proliferation of new material artifacts designed expressly for children's use; through the 19th-century expansion of factory-based methods of toy production facilitating accuracy in miniaturization and a new vocabulary of design objects coinciding with the recognition of childhood innocence and physical separation within the household; towards the intersection of early 20th-century child-centered pedagogy and modernist approaches to nursery and furniture design; through the changing consumption and sales practices of the postwar period marketing directly to children through television, film and other digital media; and into the present, where the line between the material culture of childhood and adulthood is increasingly blurred.Paperback352 pagesBloomsbury Visual Arts, 20199 x 6 inchesISBN 9781501358890Design History, Art Education

Childhood by Design: Toys and the Material Culture of Childhood, 1700-Present

By Enno Kaufhold The second volume in a series detailing the work of Christian Schad—one of the most important artists associated with the New Objectivity—this examination goes beyond his most famous medium to explore his lesser-known talent for photography. The collection reveals numerous rare images from the early to mid-1930s for the first time, from landscapes and abstract motifs to the striking metropolis of Berlin. Featuring accompanying discussions on the relationship between the New Objectivity and photography, the book also delves into Schad's artistic approach, focusing on his use of photographs in the painting of his famous portraits as well as his later unique method of artistic cameraless photography in his "Schadographs." Hardcover272 pagesWienand Verlag, 20139.5 x 1.1 x 12.25 inchesISBN 9783879099337Monograph, Photography, New Objectivity

Christian Schad, Volume 2: Catalogue Raisonné: Photographs

Edited by Lærke Rydal Jørgensen, Kaspar ThormodForeword by Poul Erik Tøjner, Mathias Ussing SeebergIntroduction by Mathias Ussing SeebergText by Alexander Tovborg, Joe Graham Influenced by Byzantine art, Fauvism and German Expressionism, Jawlensky explored color, religious iconography and portraiture in his masterful serial paintings Russian German painter Alexej Jawlensky (1864–1941) found his own artistic voice late in life. He was part of the revitalization of painting in the early 20th century, developing his Expressionist style through exchanges with the Fauves in Paris and his peers in Germany, including friends in and around Der Blaue Reiter. Until arthritis ended his ability to paint, Jawlensky explored color, religious iconography and portraiture in his masterful serial paintings. His last series of works, Meditations, comprises more than 1,000 paintings: modest in format, yet sensational. These paintings, which he described as "prayers in color," became an artistic redemption for Jawlensky, who throughout his life sought to connect his spiritual reflections with his painting. Featuring a clothbound spine, this small, slender and appealing volume features essays on Jawlensky's unique artistic projects, as well as an encyclopedia of his life and work. Paperback 152 pagesLouisiana Museum of Modern Art, 20255 x 9 inches ISBN 9788793659889 Monographs

Alexej Jawlensky: Variations

By Megan Brandow-Faller “The strength of Brandow-Faller's study lies in its ability to yoke together disparate cultural realms-Secessionist Vienna and postwar American childhood, and vastly successful designers and pedagogues with those largely forgotten-to reveal surprising and fascinating points of connection.” ―Laura Morowitz, Associate Professor of Art History at Wagner College, New York “A deeply informed examination of three visionary art educators from Vienna-Franz Cizek, Emmy Zweybruck, and Viktor Lownfeld-and their profound influence on progressive art education in the United States.” ―Ellen Winner, Professor Emerita, Psychology & Neuroscience, Boston College “Insightful and compelling, this book draws on previously unexamined sources to explore how three educators disseminated, popularized, and commodified ideas of child art from the Vienna Secession to mid-century modernism.” ―Mary Ann Stankiewicz, Emerita Professor of Art Education, Penn State University Tracing the dissemination of Secessionist ideas of child creativity―from their origination in early-20th century Vienna through to their eventual commodification in postwar America―this book highlights the central role that visual art has played in child education and in nurturing creativity in elementary and preschool curricula. Taking the reader through the ideas of three artistic visionaries and their students―Franz Cižek, and Austrian-American émigrés Emmy Zweybrück and Viktor Löwenfeld―this book reveals how these ideas developed in postwar America through a focus on child-centered methods of 'learning by doing' in artistic practice. By centring the visual arts as a vital educational medium, we see how these teachings have been popularized as a means of nurturing creativity in childhood. Across three chapter length case studies, interspersed with three 'mini chapters' on the reception of each artist-educator's radical teachings in the American education system, Child Creativity and the Visual Arts provides new interpretations into the impact of these three luminaries' differing philosophies on a broader program of socio-political activism in the USA. Drawing on previously untapped archival and primary source materials, it blends deep material culture analysis with narrative elements to present a compelling account of the unrecognized influence of émigré art pedagogy on progressive, international art education. In doing so, it provides fresh transregional and thematic perspectives on early-1900s Vienna as a hotbed of creative and cultural experimentation and 'mecca' of progressive art education. Hardback264 pages | 70 color illustrationsBloomsbury, 20259 x 6 inchesISBN 9781350456792Viennese History, Secession

Child Creativity and the Visual Arts: From Secessionist Vienna to Postwar America

By Vivian Endicott Barnett Explore the œuvre of Erich Heckel, one of the most important German Expressionist painters of the twentieth century.Erich Heckel, 1883–1970, was one of the co-founders of the Künstlergruppe Brücke (Artists’ Group Bridge), established in Dresden in June 1905. He remained part of the group until it disbanded in May 1913.Despite his seminal role in the establishment of this critical early manifestation of German Expressionism, he has not garnered the same acclaim as his fellow Die Brücke artists such as Ernst Ludwig Kirchner and Karl Schmidt-Rottluff. As a result, there is a dearth of literature available on him in English and he has never had a solo exhibition in an American museum.This important publication, which accompanies a show at the Neue Galerie New York, aims to redress this oversight. The texts presented in this lavishly illustrated monograph will focus on Heckel’s early career and cover topics ranging from his involvement with Die Brücke; the works he created during his idyllic summers in the Friesian beach resort of Dangast; his military service during World War I; and his bold and expressive woodcuts.Emphasis is placed on his portrait and landscape paintings and his vibrant pictures of bathers, which merge both genres. The authors will address the work he made in Dresden, Berlin, and northern Germany, in addition to his output while serving in Flanders during the war. Hardcover222 pagesPrestel, 20259.25 x 11.25 inchesISBN 9783791376271Neue Galerie Exhibition Catalogue, Erich Heckel

Erich Heckel

By Ernst Toller Translated by Drew Lichtenberg Hoppla, We're Alive is a landmark drama of the Weimar Republic and one of the founding works of what would become known as a powerful portrait of a fragile democracy at war with itself, inevitably corrupted from within by the rising forces of capitalism and fascism. Toller's main character Karl Thomas, a participant in the failed Communist revolution of 1919, has spent eight years in a mental hospital. Released into the much-changed Germany of 1927, Thomas encounters each of his former comrades in a world where all of the lessons of the first World War and the revolution seem to have been forgotten. Building to a powerful and tragic climax, Toller’s play has lost none of its power to shock, provoke, and awaken readers. Paperback86 pagesBerlinica Publishing, 20195 x 8 inchesISBN 9783960260424Theater

Hoppla, We're Alive!

By Megan Brandow-Faller & Laura Morowitz Erasures and Eradications in Modern Viennese Art, Architecture and Design challenges the received narrative on the artists, exhibitions, and interpretations of Viennese Modernism. The book centers on three main erasures—the erasure of Jewish artists and critics; erasures relating to gender and sexual identification; and erasures of other marginalized figures and movements. Restoring missing elements to the story of the visual arts in early twentieth-century Vienna, authors investigate issues of gender, race, ethnic and sexual identity, and political affiliation. Both well-studied artists and organizations—such as the Secession and the Austrian Werkbund, and iconic figures such as Klimt and Hoffmann—are explored, as are lesser known figures and movements. The book’s thought-provoking chapters expand the chronological contours and canon of artists surrounding Viennese Modernism to offer original, nuanced, and rich readings of individual works, while offering a more diverse portrait of the period from 1890, through World War II and into the present. The book will be of interest to scholars working in art history, history, design history, architectural history, and European studies. Paperback262 pages | 10 color & 38 b&w illustrations Routledge, 202410 x 7 inchesISBN 9781032010533 Design History, Modern Art

Erasures and Eradications in Modern Viennese Art, Architecture and Design

By Paul KleeTexts by Michael Baumgartner, Dr. Christine Hopfengart, Fabienne Eggelhöfer, Osamu Okuda Back in print, the most authoritative overview on the beloved Bauhaus Renaissance man and pioneer of abstraction, the first artist to "take a line for a walk" Paul Klee (1879-1940) is one of the most important representatives of modern art. His oeuvre is as universal as it is individual, standing tall among all of the currents and "isms" of his day. His overwhelming body of paintings, drawings, and other visual works; his letters, journal entries, and, last but not least, his teaching notes form the background for this pointed depiction of the life and work of the meditative artist and visual thinker. This richly illustrated volume traces Klee's eventful biography, ranging from his artistic beginnings with caricature-like drawings and nudes, his encounter with the avant-garde and the famous watercolors from his journey to Tunisia, the abstract color compositions from the Bauhaus era, to the mysterious, inventive images of his last years in Bern. Hardcover344 pages | 488 imagesHatje Cantz, 202010.1 x 11.7 inchesISBN 9783775747196Monographs

Paul Klee: Life and Work

Von Anne Funck Gestaltet von Marion Blomeyer Wassily Kandinsky mag die Farbe Blau, Franz Marc liebt Pferde und August Macke greift zur Gießkanne, um ein Pflänzchen gedeihen zu lassen, das einen Namen trägt: Es ist die neue Kunst der Blauen Reiter, die aus dem Gefühl entsteht, in leuchtenden Farben, wild, frei und revolutionär. Georg, der Sohn des Murnauer Schreinermeisters, trifft Wassily Kandinsky und Gabriele Münter in ihrem »Russenhaus«, als die Künstlergemeinschaft noch in den Kinderschuhen steckt. Bald lernt er Alexej Jawlensky, Marianne von Werefkin, Franz und Maria Marc, August Macke, Heinrich Campendonk, Alfred Kubin und Paul Klee kennen, ist mit dabei, wenn Almanach und Ausstellung entstehen und macht sich auf den Weg zum »Ähndl«, dem Kirchlein von Ramsach, in dem die Geschichte ihren Anfang nimmt. Hardcover40 pages | 46 color illustrations Text in German Klinkhardt & Biermann Verlag, 20169.76 x 0.39 x 11.3 inches ISBN 9783943616354Movements, Children's Books

Die Blauen Reiter

By Daniel KehlmannTranslated by Ross Benjamin “Nothing short of brilliant.” —The Wall Street Journal “A surpassingly gifted storyteller.” —The New York Times From “one of the brightest, most pleasure-giving writers at work today” (Jeffrey Eugenides, Pulitzer Prize–winning author), a visionary tale inspired by the life of film director G.W. Pabst, who fled to Hollywood to resist the Nazis only to be forced to return to his homeland and create propaganda films for the German Reich. An artist’s life, a pact with the devil, and the dangerous illusions of the silver screen. G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels—the minister of propaganda in Berlin—sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels’s thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement. Kehlmann’s latest oeuvre explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator. Hardcover352 pagesSimon & Schuster/Summit Books, 20256 x 1.5 x 9 inchesISBN 9781668087794Historical Fiction, Cinema

The Director

Edited by Larry Warsh and Dieter Buchhart A revelatory collection of the artist’s sketches and preparatory drawings, featuring many that have never been published before The great Russian modernist painter and theorist Wassily Kandinsky was one of the pioneers of abstraction in Western art. Few documents provide more insight into his evolution from figural to abstract art—or into the development of abstraction in the early twentieth century—than the pages of his sketchbooks. Featuring previously unpublished drawings, Wassily Kandinsky: The Sketchbooks is a comprehensive selection of hundreds of sketches from twelve notebooks Kandinsky kept between 1889 and 1935. Beginning with early figure studies, architectural sketches, and landscapes, the notebooks reveal a process of exploration that would lead Kandinsky from his first experiments in geometric abstraction to paintings that reshaped modernism. Demonstrating Kandinsky’s mastery of color, line, shape, composition, and movement, the book includes notes and preparatory studies for major paintings, such as the “analytical drawing” for Composition VII (1913), the first study for Several Circles (1926), and Study for Composition IX, a preliminary working of his 1936 masterpiece. Visually stunning, the book offers a remarkable, intimate look at how Kandinsky sought to discover nothing less than a spiritually transcendent form of art. Hardcover224 pages | 245 color illustrationsPrinceton University Press, 20258 x 10 inchesISBN 9780691268507Art History

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