Art Books

By Tobias G. Natter, Christiane Druml and Markus MüllerTaking Klimt’s lost painting Medicine as a starting point, this authoritative volume examines the relationship between art, medicine, and modern thought in Vienna around 1900.When Gustav Klimt unveiled Medicine in 1901, the work sparked outrage by challenging conventional ideas about science, progress, and the human condition, becoming one of the defining cultural controversies of its time. Withdrawn by the artist and destroyed during World War II, Medicine remains one of the most fascinating lost masterpieces of modern art. Through paintings, drawings, archival photographs, and restored imagery, this volume reconstructs the history, meaning, and legacy of the work while placing it within the intellectual ferment of fin-de-siècle Vienna. Essays explore the connections between art, anatomy, psychology, philosophy, evolutionary theory, and modern medical science.Leading scholars reveal Klimt’s engagement with the ideas reshaping his era, in particular microscopical cell examination, Darwinian concepts of human evolution, and the discovery of the unconscious. Reproductions of related masterpieces highlight the themes of birth and death, sexuality, consciousness and transformation. Documents in unprecedented detail the impact of Gustav Klimt’s painting, Medicine. Authors are experts in the field of art history, and on medicine and cultural studies Sheds light on the creative milieu of the time as well as Klimt’s allegories of life Richly illustrated with Klimt’s artworks, essays are interspersed with plate sections Ideal for readers interested in the intersections of art, medicine, and philosophy Essential reading for Klimt enthusiasts, this volume is a compelling new perspective on Klimt’s lost masterpiece and its enduring relevance.Hardcover240 pagesPrestel, 20269.5 x 11.5 inchesISBN 9783819500145Monographs

Gustav Klimt and Medicine: The Flow of Life

By James A. van Dyke “Van Dyke is undoubtedly one of the foremost experts on the art world of the Weimar Republic. In his groundbreaking new study, he focuses on Otto Dix, one of the leading―and perhaps the most radical―painters of the era. In a paradigmatic way, the author demonstrates what a ‘leftist,’ critical art history can be today and how necessary it is. Detailed description, the ‘material turn,’ and the socio-historical analysis of the artistic field complement and illuminate one another. Van Dyke’s keen eye for detail leads to a fundamental reexamination of Otto Dix’s art in general.”—Olaf Peters, Martin-Luther University, Halle-WittenbergHow small details in the paintings of Otto Dix materialize the realities of a modern German artist.Offering a fresh look at German art during a period of extraordinary transition and precarity, James A. van Dyke focuses on overlooked but critically significant details in works completed by Otto Dix between 1919 and 1936. A small lump of paint, a monogram, an almost invisible self-portrait, the verso of a drawing, a patch of discoloration, and a web of fine cracks—van Dyke reveals such details, hidden in plain sight, as coded dialogue through which Dix addressed audiences and art-world insiders amid the combative world of cultural production in Weimar Germany. Sly, cutting, and provocative, these are the material traces of social relationships between the painter and those who represented threats to his professional ambition: an avant-garde mentor and rival, an increasingly skeptical critic, a prominent bourgeois photographer, and a local Nazi authority.Proving that small things offer insight into the big picture, this book highlights Dix’s satirical, transgressive work as nuanced and polyvocal, reflecting the complex fields of power and economics in which the field of art is located.Hardcover296 pages |12 color plates and 120 halftonesUniversity of Chicago Press, 20267 x 10 inchesISBN 9780226848549Monograph, German Art History

Otto Dix in Detail: Painting and Precarity in the Field of Weimar Culture

Original Price: $18 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS This lavishly illustrated hardback presents the life and work of Paul Klee - a gifted artist whose experimentation with color and abstraction made him a key figure in the development of modernism.Influenced by Cubism, Expressionism and Surrealism, Klee's own work was varied and experimental. After joining the German group Der Blaue Reiter (The Blue Rider), Klee fought in the First World War before emerging as one of the leading artists in Germany. He taught at the world-famous Bauhaus school of art for 10 years alongside Wassily Kandinsky, before rule forced its closure.This full-colour book charts Klee's development as an artist, the themes that preoccupied him, artists he worked with as well as recounting a remarkable life lived in the shadow of war and oppression. This biographic detail is accompanied by useful timelines, feature spreads and a selection of his most iconic paintings - including Senecio, Twittering Machine and Fish Magic.A wonderful introduction to one of the greatest artists of the 20th century.Hardcover96 pages Arcturus Publishing, 20219.25 x 11.26 inchesISBN 9781789505139Monograph, German Artist

The Great Artists: Paul Klee

Edited by Frank SchmidtWith Contributions by Rebecca Duckwitz, Simone Ewald, and Wolfgang WernerWith Essays by Frank Schmidt This oversize volume examines the career of Paula Modersohn-Becker, a pioneering Expressionist who was largely unknown during her lifetime. Published in celebration of the 150th birthday of Paula Modersohn-Becker, an artist who remains one of the most important figures of the German avant-garde, this book examines her artistic development in depth and presents works from all phases of her career, with a particular focus on her early work, which has hitherto received little attention or recognition. Modersohn-Becker was one of the most influential artists of the twentieth century, and her works influenced such major figures as Georg Baselitz and Chantal Joffe. But how did Paula Becker, born in Dresden in 1876, become the artist Paula Modersohn-Becker? Numerous works from renowned collections and private holdings illustrate this fascinating story and demonstrate that she was following her own artistic path even in her student years. It was this path that made her the legend she became, celebrated in literature, film, and art. This oversized and lavishly illustrated publication celebrates the beloved artist with large reproductions of her most iconic works as well as seldom shown works. Paperback96 pages | 70 color illustrationsHirmer Publishers, 20269.45 x 0.4 x 12.99 inchesISBN 9783777447827Paula Modersohn-Becker, German Expressionism

Paula Modersohn-Becker: London–Berlin–Worpswede–Paris

Edited by Christian Bauer and Bernadette Reinhold The legendary rivalry between two exceptional artists of Austrian Modernism, Oskar Kokoschka and Egon Schiele, a rivalry that sparked artistic masterpieces. This lavishly illustrated publication looks at the relationship of the two towering figures of Austrian Modernism, Oskar Kokoschka and Egon Schiele. They were rivals and masterful networkers, and their race for success and recognition opens up a previously untold chapter of modern art. Oskar Kokoschka and Egon Schiele were rising stars in early twentieth-century Vienna, and their early work laid the foundations for Austrian Expressionism. Their rivalry is as exceptional as their networks and artworks. When Egon Schiele died in 1918 at just twenty-eight years old, his attempt at reconciliation with Kokoschka having failed, the elder artist still had six decades ahead of him, during which he would be celebrated internationally as a major Austrian figure. But he never escaped Schiele’s shadow—quite the contrary. With historical documents and art reproductions, this publication shows in detail the feud that these two artists fought. Hardcover272 pages | 250 color platesHirmer Publishers, 20268.86 x 0.98 x 11.22 inchesISBN 9783777445243Egon Schiele, Oskar Kokoschka, Austrian Modernism

Egon Schiele and Oskar Kokoschka: Networkers and Rivals

Edited by Nadine Franci and Nina ZimmerWith Essays by Nadine Franci Presents an innovative new perspective on a star of classical modernism. Ernst Ludwig Kirchner’s (1880–1938) art is characterized by austere beauty and bold coloration. However, his creative approach extended far beyond the canvas: he saw the presentation and viewing of his works as integral elements of his art. This book shows Kirchner’s complete oeuvre through his own eyes. The world’s first major retrospective of Kirchner’s work was curated by the artist himself in 1933. In presenting the works, he created an exhibition entirely according to his own taste. This volume allows us to look over his shoulder once again and see how he approached both his artistic ideas and his curatorial strategies. Kirchner’s work continues to be exemplary of early twentieth-century art and one of the undisputed highlights of classical modernism. Hardcover160 Pages | 79 Color IllustrationsHirmer Publishers, 20268.66 x 11.02 inchesISBN 9783777446967Ernst Ludwig Kirchner, Monograph

Kirchner x Kirchner

By Julia Dijkstra European Realities at Museum More showcases 70 interwar European works, from Otto Dix to lesser-known artists, examining the city, labor, and rising political ideologies. Following the major exhibition European Realities in Chemnitz, Museum More will present a focused selection of approximately 70 works from this international project, opening on 10 October 2025. The exhibition explores how artists across Europe responded to the turbulent interwar years through diverse Realist styles. Featuring renowned names like Otto Dix and Pablo Picasso alongside lesser-known artists from Central, Eastern, and Northern Europe, the show reflects themes such as the modern city, labor, gender roles, and rising political ideologies. European Realities at Museum More sheds new light on a lesser-known chapter of European art history and highlights the shared yet varied responses to societal change during the 1920s and 1930s. The exhibition is accompanied by a richly illustrated English-language catalogue, offering insights into both Dutch and broader European perspectives on Realism. This exhibition is a collaboration with Museum Gunzenhauser and Kunstsammlungen Chemnitz. Paperback128 pagesText in English and DutchWaanders, 20268.66 x 0.6 x 10.63 inchesISBN 9789462626652European Art, Realism

European Realities | Schilderkunst Painting 1919-1939

Edited by Markus Winter and Don Freeman Berlin Deko surveys early 20th-century German furniture design, highlighting diverse styles, key figures, and Berlin’s role as a creative hub between 1910 and 1930. Berlin Deko is the first comprehensive English survey of early twentieth-century German and Central European furniture design to move beyond the notion of a linear development of styles between Jugendstil and Bauhaus. It explores the period between 1910 and 1930, revealing a diverse continuum of styles, including the overlooked “Expressionist Rococo” that flourished in Berlin. The book highlights Berlin’s role as a center for furniture and interior design that attracted international artists. Key figures such as Leo Nachtlicht, Oskar Kaufmann, Bruno Paul, Fritz August Breuhaus de Groot, Paul Thiersch, Emil Fahrenkamp, Eduard Pfeiffer, and Lajos Kozma played important roles. Berlin Deko re-examines and celebrates Berlin’s legacy as a creative center, revealing a richer, more nuanced narrative of German design history. One that celebrates diversity, individual expression, and the enduring influence of Berlin as a creative hub. Hardcover160 pagesArnoldsche Art Publishers, 20258.5 x 0.8 x 11.02 inchesISBN 9783897907416Interiors, Furniture Design

Berlin Deko: Central European Furniture from 1910 to 1930

By Robert SeethalerTranslated by Charlotte Collins "A gem of a novella"—Financial Times "A luminous imagining of a great musician's inner struggles."—Kirkus Review An intimate portrait of genius, love, and betrayal at the end of Gustav Mahler’s life. In the spring of 1911, Gustav Mahler—wrapped in a wool blanket—sits on the deck of the Amerika, sailing back to Europe. The ocean around him is gray and endless, the air sharp with wind and steel. Not yet fifty, Mahler is already a legend: in Vienna and New York, audiences fight for tickets to see the restless, small man who commands the most stubborn orchestra in the world. Yet his fame is shadowed by illness. His body is failing, his wife Alma has fallen in love with another man: the young architect Walter Gropius. Mahler has begged, humiliated himself, tried everything to keep her. Nothing worked, except the certainty of his approaching death. Alma has stayed, tending to him with care, perhaps to ease his final passage. On board, Mahler reflects on life, art, and above all, love. Finalist for the Deutscher Buchpreis and one of the most acclaimed German novels of recent years, Robert Seethaler’s The Last Movement is a haunting, tender portrait of a great artist confronting his farewell to life. Hardcover112 pagesEuropa Editions, 20265.1 x 2 x 7 inchesISBN 9798889661801Historical Fiction, Gustav Mahler, Alma Mahler

The Last Movement

Providing an exclusive glimpse into the renowned museum co-founded by one of the world’s finest private art collectors, Ronald S. Lauder, this richly illustrated pocket-sized guide offers readers a chance to explore the Neue Galerie’s illustrious collection and its milieu. Published in conjunction with the "25th Anniversary Exhibition: Masterworks from the Neue Galerie."Neue Galerie New York is a museum devoted to early twentieth-century Austrian and German art and design. It was established in the autumn of 2001 by two men who enjoyed a close friendship over a period of nearly thirty years: art dealer and exhibition organizer Serge Sabarsky and businessman, philanthropist, and art collector Ronald S. Lauder.Sabarsky and Lauder shared a passionate commitment to modern Austrian and German art and dreamed of opening a museum to showcase the finest examples of this work. After Sabarsky’s death in 1996, Lauder carried on the vision of creating Neue Galerie New York as a tribute to his friend. Led by director Renée Price, the Neue Galerie is the most important museum venue in the United States to showcase Austrian and German fine and decorative art of the early twentieth century. The collection includes work by artists such as Gustav Klimt, Egon Schiele, Oskar Kokoschka, Max Beckmann, Ernst Ludwig Kirchner, and designers such as Josef Hoffmann, Koloman Moser, Dagobert Peche, Marcel Breuer, Marianne Brandt, and Ludwig Mies van der Rohe, among many others. This visual guide to the Neue Galerie, its collections, and its programs, as well as its renowned Design Shop, Book Store, and Café Sabarsky, surveys the first twenty-five years of the museum’s exceptional history. This is an essential companion both for aficionados of the museum and its history and for those discovering the museum and its rich offerings for the first time. Paperback100 pagesPrestel, 20268.25 x 5.6 inchesISBN 9783791394992

Neue Galerie New York: The Museum and Its Collection

By Smith Street Books A beautiful set of 100 Golden Age postcards. Step back in time with this boxed set of 100 postcards that showcase the timeless beauty of the 20th century masters. From Art Deco glamour to Art Nouveau elegance, these nostalgic artworks capture the visual splendour of a bygone era. Not just postcards, but miniature masterpieces that are perfect for sending across the seas or pinning to your wall. Hardcover100 postcardsSmith Street Books4.5 x 6.75 inchesISBN 9781923049642Applied Arts, Poster Art

The Golden Age of Poster Art Postcard Box Set

By Barbara Hess, Cathrin Klingsöhr-Leroy,Karin H. Grimme, Klaus Honnef, and Norbert Wolf “This comprehensive overview incorporates an impressive range of reproductions.”-The Independent Explore five movements that revolutionized art: Impressionism, Expressionism, Surrealism, Abstract Expressionism, and Pop Art. From Monet’s shimmering water lilies and the wild dreams of Dalí to Lichtenstein’s high-impact comic-book aesthetics, this collection unpacks the rebellious ideas and works that reframed how the world views art itself. A comprehensive volume covering five seminal genres that shaped art, from the late 19th century and well into the 20th: Impressionism, Expressionism, Surrealism, Abstract Expressionism and Pop Art. Each approach was distinct in aesthetic and philosophy, but all had immediate impact and enduring influence. Many great names were indelibly associated with one, some explored several during their careers. Impressionism, led by Monet and Renoir, focused on light and color, capturing fleeting moments and challenging academic art's rigidity. Expressionism was driven by artists like Edvard Munch and Wassily Kandinsky to convey raw emotion, distorting reality to reflect the angst of human experience. Surrealists, like Salvador Dalí and René Magritte, explored the subconscious, dreams, and the irrational, blending reality with fantasy across art, literature, and film. With Jackson Pollock and Mark Rothko leading the charge, Abstract Expressionism emphasized spontaneity and emotion through bold, gestural brushstrokes, and established New York as the post-war art world’s new Mecca. Finally, artists like Roy Lichtenstein and Andy Warhol gained fame and dominated the zeitgeist by synthesizing advertising, pop culture, and high art into Pop Art. Though diverse, these movements collectively pushed the boundaries of creativity, redefined artistic expression, and altered the trajectory of contemporary art. This lavish edition celebrates their stories, featuring more than 250 high-quality reproductions and texts, exploring how each movement's ideas and innovations transformed art forever. Hardcover504 pagesTaschen, 20266.7 x 1.5 x 9.5 inchesISBN 9783754401453Movements, Expressonism

Art for All: Art History

By Daniel KehlmannTranslated by Ross Benjamin SHORTLISTED FOR THE INTERNATIONAL BOOKER PRIZE • A NEW YORK TIMES TOP 10 BOOK OF THE YEAR • AN NYPL BEST BOOK OF THE YEAR “Nothing short of brilliant.” —The Wall Street Journal From “a surpassingly gifted storyteller” (The New York Times), a visionary novel inspired by the life of film director G.W. Pabst, who fled to Hollywood to resist the Nazis only to return to his homeland to create propaganda films for the German Reich. An artist’s life, a pact with the devil, and the dangerous illusions of the silver screen. G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels—the minister of propaganda in Berlin—sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels’s thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement. Kehlmann’s latest oeuvre explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator. Paperback352 pagesS&S/Summit Books, 20265.5 x 0.9 x 8.38 inchesISBN 9781668087800 Historical Fiction, Cinema

The Director [Paperback]

Edited by Przemyslaw Strozek, Rudolf Fischer, Antonella B. Meloni, & David WittinghoferWith Contributions by Meghan Forbes A stylish, rigorous documentation of the cross-cultural exchange between America and Europe during the Roaring Twenties Parallel to the avant-garde movements in Europe of the 1920s, unprecedented economic prosperity developed in the United States. In Europe, "America" became a cultural concept that emblematized an urban lifestyle, efficient labor systems and low-threshold entertainment. Certain exports, such as jazz, were embraced, while others, such as Taylorism, met with heavy criticism. In turn, European art and its new movements, such as Dadaism, Futurism and Constructivism, attracted both reverence and disdain in the United States. The American public learned about these cultural experiments through magazines such as The Little Review. Through expository texts and reproductions of poems, artwork, posters, sheet music and magazines, Modern Times documents the transatlantic exchange that occurred between the European avant-garde and American popular culture during the storied Roaring Twenties. The volume identifies the means through which ideas and phenomena were disseminated abroad and traces their respective receptions. Paperback246 pages | 150 color & b/w illustrationsSpector Books, 20268.27 x 0.87 x 11.02 inchesISBN 9783959058865Mixed Media, International Arts

Modern Times: Transantlantic Encounters in the 1920s

By James Payne "James Payne's YouTube Channel "Great Art Explained" gained a huge and appreciative worldwide audience. This beautifully put-together book is simply the best introduction to the lifelong pleasure and rewards of looking at pictures since Gombrich. An instant classic." — Stephen FryArt appreciation made accessible, relevant and entertaining; writer, curator, and YouTube sensation James Payne demystifies great works of art. Based on the popular and enormously successful YouTube channel of the same name, Great Art Explained unveils the fascinating stories behind some of the world's most iconic paintings and sculptures, proving that there's more to art than just watching paint dry. Art can be thrilling, and resonate on a deep personal level. It is how you view the work, place it in context and understand its history that makes an artwork truly come alive. A fresh approach to a classic subject, James Payne's no-nonsense analysis sheds new light on 30 masterpieces from around the globe and reveals what makes them truly timeless works of art. Each chapter delves into not only the art itself but also the artist's life, as well as the work’s place in their wider oeuvre; in other words, what makes it "great." From Hilma af Klint's occult altarpieces to Claude Monet's Water Lilies, Botticelli's The Birth of Venus to Georgia O'Keeffe's Jimson Weed, each artwork is explored with clarity and passion. Hardcover320 pagesThames & Hudson, 20258.6 x 10 inchesISBN 9780500025956Art History

Great Art Explained: The Stories Behind the World's Greatest Masterpieces

By Isabel Kuhl Van Gogh’s breathtaking artistry comes fully alive in this stunning volume that features dozens of exquisite reproductions. From early peasant studies to his luminous sunflower paintings, this volume showcases Van Gogh’s evolving mastery of light, color, and movement. Fifty-five carefully reproduced works highlight his expressive brushwork and his deep connection to the natural world.Organized thematically, the book includes many of his most celebrated pieces—The Starry Night, The Potato Eaters, Café Terrace at Night, Irises, Sunflowers, and three of his self-portraits. Brief texts provide context for Van Gogh’s artistic development and influences, offering readers a thoughtful way to engage with his work. Whether capturing the quiet beauty of Arles or the energy of a city street, each painting reflects Van Gogh’s distinctive vision and emotional depth. Ideal for longtime admirers and newcomers alike, this book offers a clear and compelling look at one of art history’s most influential figures. Paperback112 pagesPrestel, 20266.75 x 8.25 inchesISBN 9783791393124Monographs

Van Gogh: Masters of Art

By Brigitte Salmen Born in Russia in 1860, Marianne von Werefkin was a shrewd free thinker and hostess, as can be seen by the salon she began in the Schwabing district of Munich at the beginning of the twentieth century. Here, she assembled famous artists such as Wassily Kandinsky, Gabriele Münter, Alfred Kubin, Adolf Erbslöh, Erma Bossi, Franz Marc, and August Macke. But Werefkin was also a talented artist in her own right. In this beautifully illustrated book, Brigitte Salmen delves into Werefkin’s work, restoring her place as one of the pioneering artists of expressionism. Salmen explores Werefkin’s early works from Russia and follows her as she returned to her own art after a long break, during which she sought to further the work of her companion, Alexej Jawlensky. In 1906 after a decade away from her art, Werefkin began painting once more, creating fascinating works in a new, expressive style—the results of her sojourns in the region around the picturesque town of Murnau, Germany, where she often visited with Jawlensky, Münter, and Kandinsky. With these artists, she was an important forerunner and co-founder of the Munich New Artist’s Association, and Salmen traces Werefkin’s powerful influence on the development of the “Blauer Reiter,” or Blue Rider. Finally, Salmen examines Werefkin’s lesser-known later works, which she created in Ascona, Switzerland, where she lived in exile until she died in 1938. An important look at the full life of this undervalued artist, Marianne von Werefkin is an essential book about a woman whose career staked out new ground for female painters. Hardcover80 pages, 53 illustrations Hirmer Publishers, 2019 8.35 x 5.75 x 0.16 inches ISBN 9783777433066Monographs, Expressionism, The Blue Rider

Marianne von Werefkin (Great Masters in Art)

By Kerstin Drechsel, Diana Kopka, Florence Thurmes, Sina Tonn Follows the role of angst in Edvard Munch’s unprecedented body of work and its enduring influence on contemporary art. Angst. Everyone knows it and fears it—regardless of cultural and social background—yet it is also essential to life, as a driving force and source of energy. Hardly any painter has captured this aspect of the human condition so powerfully as Edvard Munch, the artist whose unique body of work leaves no one unmoved. A pioneer of modernism, Munch was able to address the raw, wild, and immediate aspects of human existence. In his works, he places human feelings and a trenchant critique of civilization at the center. This comprehensive and opulent document of a universal emotion demonstrates the importance of the Norwegian master in all his facets. Paperback with flaps 336 pages | 170 illustrations Text in German and English Hirmer Publishers, 20267.5 x 10 inchesISBN 9783777446486 Monographs

Edvard Munch: Angst

Edited by Susanne Gaensheimer, Isabella Malz, and Anke Kempkes Dazzling, erotic, groundbreaking—the queer alternative history of modernism. Desire, eroticism, playing with gender—these qualities in the works of queer artists are not regarded here as external to the creative process, but rather as foundational. By approaching the art through a perspective of queer aesthetics, the aim is to discover the visual worlds of hitherto little-known figures of international modernism, from Eastern and Western Europe and North and South America. This volume reflects how the artists experiment with alternative lifestyles to produce new visual languages, perspectives, and queer aesthetics. Modern utopias of abolishing the gender binary, queer avant-gardes, and the potential in queer readings of abstraction are some of the compelling topics presented in this volume, which also recounts the history of queer lives during war, persecution, and resistance. Featured artists include Natalie Clifford Barney, Richmond Barthé, Rosa Bonheur, Romaine Brooks, Til Brugman, Paul Cadmus, Claude Cahun, Heinrich Campendonk, Jean Cocteau, Ithell Colquhoun, Nils Dardel, Beauford Delaney, Leonor Fini, Gluck, Hannah Höch, Ludwig von Hofmann, Valentine Hugo, Robin Ironside, Lotte Laserstein, Marie Laurencin, George Platt Lynes, Maria Martins, Marcel Moore, Marlow Moss, Ismael Nery, Richard Bruce Nugent, Meret Oppenheim, Milena Pavlović-Barili, Glyn Warren Philpot, Gregorio Prieto, Anton Prinner, Sonja Sekula, Florine Stettheimer, Pavel Tchelitchew, Toyen, Paule Vézeley, Ethel Walker, Nicolaas Warb, Gerda Wegener, and Irène Zurkinden. Hardcover336 pages | 250 color platesText in German + EnglishHirmer, 20269.06 x 11.02 inchesISBN 9783777445885 Art History, Queer Modernism

Queere Moderne | Queer Modernism 1900-1950

Edited by Dietmar Elger & Uta Grosenick Emerging amid the brutality of World War I, the revolutionary Dada movement took disgust with the establishment as its starting point. From 1916 until the mid-1920s, artists in Zurich, Cologne, Hanover, Paris, and New York launched a radical assault on the politics, social values, and cultural conformity which they regarded as complicit in the devastating conflict. Dada artists shared no distinct style but rather a common wish to upturn societal structures as much as artistic standards and to replace logic and reason with the absurd, chaotic, and unpredictable. Their practice encompassed experimental theater, games, guttural sound-making, collage, photomontage, chance-based procedures, and the “readymade,” most notoriously Marcel Duchamp’s urinal, Fountain (1917). Throughout, the Dadaists considered the visual appearance of their work secondary to the ideas and critiques it expressed. In this sense, Dada may be seen as a fundamental precursor to conceptual art. With a selection of key works from some of the most famous proponents of Dada such as Tristan Tzara, Marcel Duchamp, Hannah Höch, Kurt Schwitters, Francis Picabia, and Man Ray, this book introduces this urgent, subversive, and determined 20th-century movement and its lasting influence on modern art. Hardcover95 pagesTaschen, 20168.27 x 0.55 x 10.24 inchesISBN 9783836505628Art Movements, Art History

Dadaism (Basic Series 2.0)

By Heike Maria Johenning Around 1900, Germany was the main centre for the production of Art Nouveau tiles in Europe. Hallways were regarded as status symbols, and the entranceway became like a calling card. Today, few people are aware that many original tiled walls from that period have been preserved in Berlin. Jugendstil im Quadrat presents 120 fascinating tiles, explains their motifs, and sets them in the context of Art Nouveau ornamentation. The plant theme is particularly widespread: abstract or naturalistic depictions of flowers and trees unfold their full beauty in the square format. This book is the first to document historical Berlin tile paintings, most of which are not listed and therefore at risk. Hardcover224 pagesDeutscher Kunstverlag, 2025Text in English and German7.87 x 2 x 7.87 inchesISBN 9783422803312 Design, Art Nouveau, Tile, Ceramics

Art Nouveau Squared: Jugendstil im Quadrat

By Christopher Long Christopher Long’s latest volume of essays on the prestigious 19th-century architect, essayist and progenitor of modernism. Architectural historian and leading voice on Adolf Loos, Christopher Long returns with another commentary on the Austrian pioneer of modern architecture. Adolf Loos (1870–1933), an opponent of ornamentation on buildings, designed buildings in Vienna that contrasted with the popular Art Nouveau and Secession styles. In this anthology of eight essays, Long takes on the meanings of Loos’ writings and design work, the cultural world in which he was embedded, and how he was regarded by the critics and public. Long exposes and explodes old myths about Loos, fostering in the process a new, brilliant and compelling view of one of modern architecture’s key protagonists. Softcover 144 pagesKANT, 2024 6.5 x 9 inches ISBN 9788074373954Architecture and Design

Adolf Loos: Meaning, Context, Reception: Essays

Edited with text by Megan Fontanella. Foreword by Mariët Westermann. Text by Victoria Horrocks, Isabelle Jansen, Iris Müller-Westermann, Dorothy Price. A new look at a vanguard modernist artist who reimagined the still life, landscape and portrait genres This landmark publication coincides with the major Guggenheim New York exhibition of works by the remarkable German Expressionist Gabriele Münter. Münter’s painting practice between 1908 and 1920 is the central focus of the exhibition and accompanying book. The study also illuminates her lesser-known later work and includes significant examples of her photography taken during earlier extensive travels in the United States. Münter was notably a cofounder of Der Blaue Reiter (The Blue Rider), a loose and transnational confederation of progressive artists and other creatives, with whom she probed the expressive potential of color and the symbolic resonance of forms. Her introspective portraits during World War II capture the “new woman” and explore questions of gender identity. Highlighting more than 90 paintings, drawings and photographs, this publication not only traces Münter’s pioneering and understudied practice but also challenges accepted historical narratives that have tended to sideline women artists. Reproductions of archival material appear alongside choice selections of the artist's sketches, prints and reverse glass paintings. Thematic texts by renowned scholars explore identity, place, belonging and the embodied experience of modernist women artists during this period. Gabriele Münter (1877–1962) was at the forefront of the German avant-garde in the early 20th century and exhibited extensively at galleries and salons throughout Europe during her lifetime. Along with her artistic colleague and one-time partner, Vasily Kandinsky, Münter was a founder of the influential Expressionist group of artists, Der Blaue Reiter. Hardcover176 pagesGuggenheim Museum, 20258.75 x 10.75 inchesISBN 9780892075690 Monographs

Gabriele Münter: Contours of a World

By Elisabeth Dutz This revelatory volume uncovers the significant friendship that shaped Egon Schiele’s most personal and provocative works. Between 1910 and his death in 1918, Egon Schiele cultivated a close, formative relationship with Dr. Erwin von Graff—a Vienna-based gynecologist who would become both friend and collaborator. Egon Schiele: Portrait of Dr. Erwin von Graff is the first publication to examine this vital connection in depth, revealing how Graff’s medical practice and personal support influenced one of the most expressive and psychologically charged bodies of work in modern art.Through Graff’s private diary and newly uncovered archival material, art historian Elisabeth Dutz traces a compelling narrative of creative exchange and trust. Graff granted Schiele access to his patients—pregnant women, newborns, and postpartum mothers—opening a world that Schiele captured with raw, emotional intensity. Their friendship, which began with a painted portrait offered in gratitude for a favor, evolved into a lasting exchange that deeply influenced Schiele’s exploration of the human body, emotional vulnerability, and the complexities of life and death.Published in connection with a special exhibition at the Neue Galerie New York, this beautifully produced volume is richly illustrated with Schiele’s works from this period, as well as never-before-seen photographs and documents. It offers new insight into the artist’s inner world and illuminates a significant chapter in his development. A must-have for admirers of Schiele, this book deepens our understanding of his oeuvre and the relationships that helped shape it. Hardcover94 pagesPrestel, 20269.25 x 11.25 inches9783791394190Neue Galerie Exhibition Catalogue, Egon Schiele

Egon Schiele: Portrait of Dr. Erwin Von Graff Exhibition Catalogue

By Kai Uwe Schierz, Patrick Rössler, Miriam Krautwurst, & Elizabeth Otto In 1919, the program of the State Bauhaus school in Weimar promised a modern education for the talented, regardless of age and gender, which drew many young women to apply. The Bauhaus-Girl ("Bauhausmädel") Type, described in a January 1930 issue of the magazine Die Woche, knew what she wanted and would succeed. This volume's essays question the euphoria of the time period with the knowledge of Bauhaus members' subsequent destinies. The essays take as exemplary the biographies of Gertrud Arndt, Marianne Brandt, Margarete Heymann, and Margaretha Reichardt, both during their training and as Bauhaus graduates. Hardcover336 pages, 496 imagesSandstein Verlag, 201927.5 x 22 cmISBN 9783954984596Architecture, Gender

Bauhausmädels: Gertrud Arndt, Marianne Brandt, Margarete Heymann, Margaretha Reichardt

Edited by Pauline Behrmann and Isabel Schulz for the Sprengel Museum HannoverContributions by P. Behrmann, K. Blaschke-Walther, Simone Bretz, Katrin Kolk, and I. Schulz Käte Steinitz (1889–1975) is today best known for her collaboration with Kurt Schwitters. This monograph covers her multifaceted activities as an artist and writer in avant-garde circles during the Weimar Republic, as well as her experience as an emigrant, art historian, and promoter of modernism in the United States. With stops in Berlin, Hanover, New York and Los Angeles, this volume provides a vivid impression of Steinitz’s life on two continents. The focus is on her extraordinary six-decade-long artistic career. Influenced by Expressionism, New Objectivity, and New Vision, her work demonstrates a talent for observation and an ability to quickly capture movement and fleeting impressions. This overview of her photography, historical context, and personal development shaped by exile brings exciting new interest to a remarkable artist. Hardcover240 pages | 160 illustrationsHirmer, 20268.75 x 10.5 inchesISBN 9783777445670Monograph, Photography

Käte Steinitz: From Hannover to Los Angeles

By A. Grunewald; A. Hultzsch; S. Nozawa e.a. When Ise Gropius (1897–1983) embarked on a three-month trip to Japan with her husband, architect Walter Gropius, in 1954, she proved to be a gifted chronicler. In detailed reports – her only known cohesive writings from the post-war period – she vividly describes the country and its people. With keen wit and understanding, she comments on everything from discussions about reconstruction, lectures, and the Bauhaus exhibition in Tokyo, to evening parties, the role of Japanese women, Zen Buddhism, and the local cuisine. Extensively annotated by art historian and editor Almut Grunewald, this volume publishes Ise’s travelogues in facsimile for the first time. Hardcover152 pagesIdea Books, 202421.7 x 1.5 x 28.4 cmISBN 9783856764548Architecture, History

Cooking Up Dinner Speeches - Ise Gropius in Japan

By Arnold Schoenberg "If it is art, it is not for all, and if it is for all, it is not art." In this sharp, uncompromising address, he defends the composer’s duty to the text: not to entertain, not to soothe, but to translate meaning with precision and depth. Music, he argues, must obey something higher than taste—something as exacting, and as rare, as truth itself. Arnold Schoenberg (1874–1951) was an Austrian composer, theorist, and painter who reshaped modern music from the ground up. As the inventor of the twelve-tone technique, he broke with tradition not for shock, but for necessity—seeking structure where tonality could no longer serve. Paperback20 pagesEris Gems, 20257.64 x 4.33 inchesISBN 9781967751136Music, Aesthetics

Tyranny of Style: Music and the World

Edited by Megan Brandow-FallerInformed by the analytical practices of the interdisciplinary 'material turn' and social historical studies of childhood, Childhood By Design: Toys and the Material Culture of Childhood offers new approaches to the material world of childhood and design culture for children. This volume situates toys and design culture for children within broader narratives on history, art, design and the decorative arts, where toy design has traditionally been viewed as an aberration from more serious pursuits. The essays included treat toys not merely as unproblematic reflections of socio-cultural constructions of childhood but consider how design culture actively shaped, commodified and materialized shifting discursive constellations surrounding childhood and children. Focusing on the new array of material objects designed in response to the modern 'invention' of childhood-what we might refer to as objects for a childhood by design-Childhood by Design explores dynamic tensions between theory and practice, discursive const– critically linking historical discourses of childhood with close study of material objects and design culture.Chronologically, the volume spans the 18th century, which witnessed the invention of the toy as an educational plaything and a proliferation of new material artifacts designed expressly for children's use; through the 19th-century expansion of factory-based methods of toy production facilitating accuracy in miniaturization and a new vocabulary of design objects coinciding with the recognition of childhood innocence and physical separation within the household; towards the intersection of early 20th-century child-centered pedagogy and modernist approaches to nursery and furniture design; through the changing consumption and sales practices of the postwar period marketing directly to children through television, film and other digital media; and into the present, where the line between the material culture of childhood and adulthood is increasingly blurred.Paperback352 pagesBloomsbury Visual Arts, 20199 x 6 inchesISBN 9781501358890Design History, Art Education

Childhood by Design: Toys and the Material Culture of Childhood, 1700-Present

By Enno Kaufhold The second volume in a series detailing the work of Christian Schad—one of the most important artists associated with the New Objectivity—this examination goes beyond his most famous medium to explore his lesser-known talent for photography. The collection reveals numerous rare images from the early to mid-1930s for the first time, from landscapes and abstract motifs to the striking metropolis of Berlin. Featuring accompanying discussions on the relationship between the New Objectivity and photography, the book also delves into Schad's artistic approach, focusing on his use of photographs in the painting of his famous portraits as well as his later unique method of artistic cameraless photography in his "Schadographs." Hardcover272 pagesWienand Verlag, 20139.5 x 1.1 x 12.25 inchesISBN 9783879099337Monograph, Photography, New Objectivity

Christian Schad, Volume 2: Catalogue Raisonné: Photographs

Edited by Lærke Rydal Jørgensen, Kaspar ThormodForeword by Poul Erik Tøjner, Mathias Ussing SeebergIntroduction by Mathias Ussing SeebergText by Alexander Tovborg, Joe Graham Influenced by Byzantine art, Fauvism and German Expressionism, Jawlensky explored color, religious iconography and portraiture in his masterful serial paintings Russian German painter Alexej Jawlensky (1864–1941) found his own artistic voice late in life. He was part of the revitalization of painting in the early 20th century, developing his Expressionist style through exchanges with the Fauves in Paris and his peers in Germany, including friends in and around Der Blaue Reiter. Until arthritis ended his ability to paint, Jawlensky explored color, religious iconography and portraiture in his masterful serial paintings. His last series of works, Meditations, comprises more than 1,000 paintings: modest in format, yet sensational. These paintings, which he described as "prayers in color," became an artistic redemption for Jawlensky, who throughout his life sought to connect his spiritual reflections with his painting. Featuring a clothbound spine, this small, slender and appealing volume features essays on Jawlensky's unique artistic projects, as well as an encyclopedia of his life and work. Paperback 152 pagesLouisiana Museum of Modern Art, 20255 x 9 inches ISBN 9788793659889 Monographs

Alexej Jawlensky: Variations

By Megan Brandow-Faller “The strength of Brandow-Faller's study lies in its ability to yoke together disparate cultural realms-Secessionist Vienna and postwar American childhood, and vastly successful designers and pedagogues with those largely forgotten-to reveal surprising and fascinating points of connection.” ―Laura Morowitz, Associate Professor of Art History at Wagner College, New York “A deeply informed examination of three visionary art educators from Vienna-Franz Cizek, Emmy Zweybruck, and Viktor Lownfeld-and their profound influence on progressive art education in the United States.” ―Ellen Winner, Professor Emerita, Psychology & Neuroscience, Boston College “Insightful and compelling, this book draws on previously unexamined sources to explore how three educators disseminated, popularized, and commodified ideas of child art from the Vienna Secession to mid-century modernism.” ―Mary Ann Stankiewicz, Emerita Professor of Art Education, Penn State University Tracing the dissemination of Secessionist ideas of child creativity – from their origination in early-20th century Vienna through to their eventual commodification in postwar America – this book highlights the central role that visual art has played in child education and in nurturing creativity in elementary and preschool curricula. Taking the reader through the ideas of three artistic visionaries and their students – Franz Cižek, and Austrian-American émigrés Emmy Zweybrück and Viktor Löwenfeld – this book reveals how these ideas developed in postwar America through a focus on child-centered methods of 'learning by doing' in artistic practice. By centring the visual arts as a vital educational medium, we see how these teachings have been popularized as a means of nurturing creativity in childhood. Across three chapter length case studies, interspersed with three 'mini chapters' on the reception of each artist-educator's radical teachings in the American education system, Child Creativity and the Visual Arts provides new interpretations into the impact of these three luminaries' differing philosophies on a broader program of socio-political activism in the USA. Drawing on previously untapped archival and primary source materials, it blends deep material culture analysis with narrative elements to present a compelling account of the unrecognized influence of émigré art pedagogy on progressive, international art education. In doing so, it provides fresh transregional and thematic perspectives on early-1900s Vienna as a hotbed of creative and cultural experimentation and 'mecca' of progressive art education. Hardback264 pages | 70 color illustrationsBloomsbury, 20259 x 6 inchesISBN 9781350456792Viennese History, Secession

Child Creativity and the Visual Arts: From Secessionist Vienna to Postwar America

By Vivian Endicott Barnett Explore the œuvre of Erich Heckel, one of the most important German Expressionist painters of the twentieth century.Erich Heckel, 1883–1970, was one of the co-founders of the Künstlergruppe Brücke (Artists’ Group Bridge), established in Dresden in June 1905. He remained part of the group until it disbanded in May 1913.Despite his seminal role in the establishment of this critical early manifestation of German Expressionism, he has not garnered the same acclaim as his fellow Die Brücke artists such as Ernst Ludwig Kirchner and Karl Schmidt-Rottluff. As a result, there is a dearth of literature available on him in English and he has never had a solo exhibition in an American museum.This important publication, which accompanies a show at the Neue Galerie New York, aims to redress this oversight. The texts presented in this lavishly illustrated monograph will focus on Heckel’s early career and cover topics ranging from his involvement with Die Brücke; the works he created during his idyllic summers in the Friesian beach resort of Dangast; his military service during World War I; and his bold and expressive woodcuts.Emphasis is placed on his portrait and landscape paintings and his vibrant pictures of bathers, which merge both genres. The authors will address the work he made in Dresden, Berlin, and northern Germany, in addition to his output while serving in Flanders during the war. Hardcover222 pagesPrestel, 20259.25 x 11.252 inchesISBN 9783791376271Neue Galerie Exhibition Catalogue, Erich Heckel

Erich Heckel

By Ernst Toller Translated by Drew Lichtenberg Hoppla, We're Alive is a landmark drama of the Weimar Republic and one of the founding works of what would become known as a powerful portrait of a fragile democracy at war with itself, inevitably corrupted from within by the rising forces of capitalism and fascism. Toller's main character Karl Thomas, a participant in the failed Communist revolution of 1919, has spent eight years in a mental hospital. Released into the much-changed Germany of 1927, Thomas encounters each of his former comrades in a world where all of the lessons of the first World War and the revolution seem to have been forgotten. Building to a powerful and tragic climax, Toller’s play has lost none of its power to shock, provoke, and awaken readers. Paperback86 pagesBerlinica Publishing, 20195 x 8 inchesISBN 9783960260424Theater

Hoppla, We're Alive!

By Romy Cockx, Robin Schuldenfrei and Lara Steinhäußer Exploring fashion and interior design through a gender lens, from the Victorian era to contemporary designers like Martin Margiela and Raf Simons Fashion & Interiors: A Gendered Affair explores the relationship between fashion and interiors from a gender perspective. In the second half of the nineteenth century, bourgeois ladies embellished both their bodies and their homes with drapes, fringing and ruches. Male designers such as Henry van de Velde and Josef Hoffmann waged war on that decorative excess and designed women’s clothing and interiors as part of a well-thought-out total work of art. Fashion designers Paul Poiret and Jeanne Lanvin drew inspiration from this approach and used interior design to create a powerful brand for their fashion houses. The impact of clothing also resonated with modernist (interior) architects such as Adolf Loos, Lilly Reich and Le Corbusier. This complex history is reflected in surprising ways in the visual language and creations of contemporary fashion designers such as Ann Demeulemeester, Martin Margiela, and Raf Simons. Hardcover224 pagesHannibal Publishers, 202527.5 x 20.5 cmISBN 9789464941937Fashion, Design History

Fashion & Interiors: A Gendered Affair

By Philippe Thiebaut Gustav Klimt’s visionary talent comes alive in this sumptuous book that features 90 impeccably reproduced works including 6 stunningly detailed fold-out spreads. This stunning volume offers readers an unparalleled opportunity to explore Klimt’s artistry through iconic works such as The Kiss, The Three Ages of Woman, Judith I, and Portrait of Adele Bloch-Bauer I. These large-scale fold-outs reveal intricate details, transforming the book into an immersive journey through Klimt’s extraordinary use of color, pattern, and ornamentation. Philippe Thiébaut’s insightful text incorporates the latest research on Klimt and the historical context of his work, adding depth and perspective. Elegantly designed with a canvas cover, colored edges, and exceptional production quality, the book showcases Klimt’s groundbreaking vision with remarkable clarity. From the golden brilliance of Hope II to the ethereal beauty of Water Serpents I, each page invites readers to explore the textures and emotional resonance that define his style. With its thoughtful design and captivating imagery, this volume brings Klimt’s artistic world to life, illustrating how he transformed portraiture and landscapes into striking symbolic masterpieces. Perfect for both devoted fans and those discovering Klimt for the first time, it offers an essential and unforgettable look at one of Modernism’s most celebrated figures. Hardcover176 pagesPrestel, 20258.75 x 11.75 inchesISBN 9783791393995Monograph

Klimt: The Bigger Picture

By Paul KleeTexts by Michael Baumgartner, Dr. Christine Hopfengart, Fabienne Eggelhöfer, Osamu Okuda Back in print, the most authoritative overview on the beloved Bauhaus Renaissance man and pioneer of abstraction, the first artist to "take a line for a walk" Paul Klee (1879-1940) is one of the most important representatives of modern art. His oeuvre is as universal as it is individual, standing tall among all of the currents and "isms" of his day. His overwhelming body of paintings, drawings, and other visual works; his letters, journal entries, and, last but not least, his teaching notes form the background for this pointed depiction of the life and work of the meditative artist and visual thinker. This richly illustrated volume traces Klee's eventful biography, ranging from his artistic beginnings with caricature-like drawings and nudes, his encounter with the avant-garde and the famous watercolors from his journey to Tunisia, the abstract color compositions from the Bauhaus era, to the mysterious, inventive images of his last years in Bern. Hardcover344 pages, 488 photosHatje Cantz, 202010.1 x 11.7 inchesISBN 9783775747196Monographs

Paul Klee: Life and Work

Von Anne Funck Gestaltet von Marion Blomeyer Wassily Kandinsky mag die Farbe Blau, Franz Marc liebt Pferde und August Macke greift zur Gießkanne, um ein Pflänzchen gedeihen zu lassen, das einen Namen trägt: Es ist die neue Kunst der Blauen Reiter, die aus dem Gefühl entsteht, in leuchtenden Farben, wild, frei und revolutionär. Georg, der Sohn des Murnauer Schreinermeisters, trifft Wassily Kandinsky und Gabriele Münter in ihrem »Russenhaus«, als die Künstlergemeinschaft noch in den Kinderschuhen steckt. Bald lernt er Alexej Jawlensky, Marianne von Werefkin, Franz und Maria Marc, August Macke, Heinrich Campendonk, Alfred Kubin und Paul Klee kennen, ist mit dabei, wenn Almanach und Ausstellung entstehen und macht sich auf den Weg zum »Ähndl«, dem Kirchlein von Ramsach, in dem die Geschichte ihren Anfang nimmt. Hardcover40 pages | 46 color illustrations Text in German Klinkhardt & Biermann Verlag, 20169.76 x 0.39 x 11.3 inches ISBN 9783943616354Movements, Children's Books

Die Blauen Reiter

By Daniel KehlmannTranslated by Ross Benjamin “Nothing short of brilliant.” —The Wall Street Journal “A surpassingly gifted storyteller.” —The New York Times From “one of the brightest, most pleasure-giving writers at work today” (Jeffrey Eugenides, Pulitzer Prize–winning author), a visionary tale inspired by the life of film director G.W. Pabst, who fled to Hollywood to resist the Nazis only to be forced to return to his homeland and create propaganda films for the German Reich. An artist’s life, a pact with the devil, and the dangerous illusions of the silver screen. G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels—the minister of propaganda in Berlin—sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels’s thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement. Kehlmann’s latest oeuvre explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator. Hardcover352 pagesSimon & Schuster/Summit Books, 20256 x 1.5 x 9 inchesISBN 9781668087794Historical Fiction, Cinema

The Director

By Helen Adkins and Ines Otschik Christian Schad created what were probably the world’s first artistic photograms and abstract photographs. The third volume of his catalogue raisonné is dedicated to his so-called ‘Schadographs’. Schad arranged materials – including waste paper, fabric remnants, or even lint – on light-sensitive paper and exposed these with the help of the sun shining on the windowsill. The results are abstract compositions in the experimental spirit of Dada. Hardcover368 pagesWienand, 20199.5 x 12.5 inchesISBN 9783879099344Monograph

Christian Schad: Schadographs, Catalogue Raisonné Vol.III

By Nicholas Baer "What medium can bring us closer to Ranke's past 'as it actually happened' than film? So what medium is better suited to comment on 'the crisis of historicism'? In this remarkable book, Nicholas Baer exploits to the full the coincidence of the birth of film with the loss of trust in historiography as a discipline after World War I. He does so in a wonderful analysis of the interaction between both while focusing on its historical as well as its systematic aspects."—Frank Ankersmit, author of Sublime Historical Experience "Elegantly written and exhaustively researched, this is a remarkable achievement, destined to play a critical role in rethinking questions of history and historiography in cinema and media studies while simultaneously expanding the field of film philosophy."—Patrice Petro, author of Aftershocks of the New: Feminism and Film History Historical Turns reassesses Weimar cinema in light of the "crisis of historicism" widely diagnosed by German philosophers in the early twentieth century. Through bold new analyses of five legendary works of German silent cinema—The Cabinet of Dr. Caligari, Destiny, Rhythm 21, The Holy Mountain, and Metropolis—Nicholas Baer argues that films of the Weimar Republic lent vivid expression to the crisis of historical thinking. With their experiments in cinematic form and style, these modernist films revealed the capacity of the medium to engage with fundamental questions about the philosophy of history. Reconstructing the debates over historicism that unfolded during the initial decades of moving-image culture, Historical Turns proposes a more reflexive mode of historiography and expands the field of film and media philosophy. The book excavates a rich archive of ideas that illuminate our own moment of rapid media transformation and political, economic, and environmental crises around the globe. Paperback272 pagesUniversity of California Press, 2024 6 x 9 inchesISBN 9780520398825Cinema, Theatre, Historical Criticism

Historical Turns: Weimar Cinema And The Crisis of Historicism

Edited by Christian Hiller, Stephan Müller. Edition Bauhaus 38 In 1921, Walter Gropius founded a theater workshop at the Bauhaus. It conducted new research and experiments on the relationship between humans and technology. The central protagonists Lothar Schreyer, Oskar Schlemmer, and László Moholoy-Nagy investigated the issues of mechanization, machine industrialization, and rationalization. They sought a new, meaningful relationship with the dynamized, increasingly technically animated environment. In their stage laboratory, they developed abstract motion studies, designed atmosphere machines, and built theater apparatus. They also organized the famous Bauhaus celebrations, where they staged themselves as a collective of new humans. For the first time, an exhibition and a catalog with sketches, drawings, photographs as well as films, figurines, costumes, models, and apparatus are now devoted to the experiments and concepts of the legendary Bauhaus stage. Paperback256 pagesSpector Books, 2014 9.25 x 12 inches ISBN 9783944669229Design History

Human–Space–Machine Stage Experiments At The Bauhaus

by Hans Christian Adam “It would be only a slight exaggeration to say that photographers in the know have been waiting for this book.” ―The New York Times German photography pioneer Karl Blossfeldt (1865–1932) photographed plants so beautifully, and with such originality, that his work transcends the medium itself. Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the 19th- and 20th-century worlds of image-making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt’s images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still life's, piercingly final statements on their subject, and have endured owing to their aesthetics and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective. Hardcover512 pagesTaschen America Llc, 20246.1 x 8.5 inches ISBN 9783836598514Monographs, Photography

Karl Blossfeldt: The Complete Published Work. 40th Ed.

By Lieven Van Den Abeele On Monday 8 March 1915, a young artist alighted from the Berlin train in Ghent Sint-Pieters. Having travelled past Leuven, which lay in ruins, he continued onwards to Roeselare, where he was met by fellow Red Cross volunteers. The First World War was entering its seventh month, but would continue for years. Erich Heckel (1883–1970), co-founder of the Dresden-based artists’ group Die Brücke in 1905, is one of the luminaries of German expressionism, alongside Ernst Ludwig Kirchner and Karl Schmidt-Rottluff. During the nearly four years that Heckel was stationed in Flanders, he produced seventy-five paintings, hundreds of drawings and watercolours and numerous prints. His powerful woodcuts became the benchmark for expressionist graphics in Germany and far beyond. This lesser-known period in Heckel’s oeuvre, which nevertheless forms a recognizable and coherent whole, is the subject of this book. The landscapes and seascapes rank among his finest works. Familiar elements – land and sea, sky and light – all acquire a deeper significance during this period. And the ever-changing light is not just synonymous with Ostend and the North Sea, but also with James Ensor, whom Heckel befriended and greatly admired. Erich Heckel’s Flemish works are born of observation and experience, representation and expression, memory and desire. They are romantic and expressive, spiritual and tangible, nostalgic and – unlike the brutal era in which they were created – eminently hopeful. Paperback280 pagesMercatorfonds, 202510.5 x 8.3 inchesISBN 9780300282795Artist Monograph, German Expressionism

Erich Heckel in Flanders

By Larry Wolff "In Larry Wolff's brilliant telling, an opera's fairy-tale empress and a real-life Habsburg empress come to embody the phantom political culture of an empire that to this day maintains a powerful hold over Central and Eastern European institutions and imagination."—Pieter M. Judson, author of The Habsburg Empire: A New History "This alluring and original work of history explores the parallel lives of a twentieth century opera, the twilight of the Habsburg Empire, and its last emperor and empress. Politics is woven into the opera's creation and its later life. In this brilliant book, art imitates life, and life art, through mirror images, shadows and the unexpected destinies of historic personages."—Leon Botstein, Bard College "The Shadow of the Empress has many virtues: great erudition, lively writing, and undeniable energy."—Celia Applegate, Austrian History Yearbook A beguiling exploration of the last Habsburg monarchs' grip on Europe's historical and cultural imagination. In 1919 the last Habsburg rulers, Emperor Karl and Empress Zita, left Austria, going into exile. That same year, the fairy-tale opera Die Frau ohne Schatten (The Woman Without a Shadow), featuring a mythological emperor and empress, premiered at the Vienna Opera. Viennese poet Hugo von Hofmannsthal and German composer Richard Strauss created Die Frau ohne Schatten through the bitter years of World War I, imagining it would triumphantly appear after the victory of the German and Habsburg empires. Instead, the premiere came in the aftermath of catastrophic defeat. The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy explores how the changing circumstances of politics and society transformed their opera and its cultural meanings before, during, and after the First World War. Strauss and Hofmannsthal turned emperors and empresses into fantastic fairy-tale characters; meanwhile, following the collapse of the Habsburg monarchy after the war, their real-life counterparts, removed from political life in Europe, began to be regarded as anachronistic, semi-mythological figures. Reflecting on the seismic cultural shifts that rocked post-imperial Europe, Larry Wolff follows the story of Karl and Zita after the loss of their thrones. Karl died in 1922, but Zita lived through the rise of Nazism, World War II, and the Cold War. By her death in 1989, she had herself become a fairy-tale figure, a totem of imperial nostalgia. Wolff weaves together the story of the opera's composition and performance; the end of the Habsburg monarchy; and his own family's life in and exile from Central Europe, providing a rich new understanding of Europe's cataclysmic twentieth century, and our contemporary relationship to it. Paperback452 pagesStanford Press, 20236 x 9 inchesISBN 9781503635647European History, Performing Arts History

The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy

By Scott Colman “This insightful book is a vital contribution to our understanding of Ludwig Hilberseimer's impact on modern architecture and urbanism. It presents a fresh and nuanced appraisal of this extraordinary designer's modernism and its larger cultural relevance in the twentieth century.” ―Robin Schuldenfrei, The Courtauld Institute of Art, University of London, UK and author of Objects in Exile: Modern Art and Design across Borders, 1930-1960 This book brings to light the work and influence of the German-American architect, art critic, and urban planner Ludwig Hilberseimer – a central figure of the Weimar Republic avant-garde, an important Bauhaus teacher, and long-standing collaborator of leading modernist architect Ludwig Mies van der Rohe. Despite being internationally-known for his work on Lafayette Park in Detroit, Hilberseimer's legacy as a whole has been obscured in the history of modern architecture. Whether this is due to the intense shadow cast by Mies, or by his oeuvre being split between the differing languages and contexts of interwar Germany and post-war North America, this book argues that the time is now right for a critical reassessment of Hilberseimer's work and writings. Published as part of the Bloomsbury Studies in Modern Architecture series, which explores the work of significant yet overlooked modernist architects, this study clarifies and situates Hilberseimer's ideas both as an architect and writer, and examines their influence on modern and contemporary architecture and urbanism. The first account of Hilberseimer in English, it provides a contextual account of Hilberseimer's works which have until now been subject to fragmentary or highly specialized interpretations. By demonstrating the influence of Hilberseimer's ideas on the architecture of Mies van der Rohe, the book also lends Mies's work a newfound urban significance. Paperback392 pages | 54 black and white illustrationsBloomsbury Visual Arts, 20249 x 6 inchesISBN 9781350369412Architecture, Weimar Design

Ludwig Hilberseimer: Reanimating Architecture and the City

von Wilfried Rosendahl und Claude W. SuiFotografien von August Sander, Albert Renger-Patzsch & Robert Häusser Der aufwendig gestaltete Band präsentiert nicht nur eine Reihe großartiger Bilder von bleibendem Wert und im hochwertigen Druck, er ist ein wertvolles Dokument zur Geschichte der Fotografie in der Vor- und Nachkriegszeit. Ein Muss für Fotografie- und fotohistorisch Interessierte und für jede Sammlung mit Büchern zur Fotografie! Die Brüchigkeit unseres Seins: Legendäre Aufnahmen der 1920er und 30er Jahre von August Sander (1876–1964) und Albert Renger-Patzsch (1897–1966), den Hauptvertretern der »Neuen Sachlichkeit« in der Fotografie, treffen auf Ikonen von Robert Häusser (1924–2013), einem Klassiker der Nachkriegszeit. In faszinierender Beobachtung zeigen sie Menschen, Arbeitswelten und Natur in Zeiten von Umbruch und Neuanfang. Die »Neue Sachlichkeit« wurde 1925 geboren, als Hartlaub seine legendäre Mannheimer Ausstellung so benannte und damit einen bleibenden Begriff der Kunstgeschichte prägte. Unser Band feiert das 100. Jubiläum mit herausragenden Porträts und Menschendarstellungen, Fotografien von Industrie und Arbeiter:innen sowie von Landschaften und Pflanzen. Sanders Werk »Menschen des 20. Jahrhunderts« oder Renger-Patzschs »Die Welt ist schön« haben Fotogeschichte geschrieben. Im Dialog mit Häusser, der in diesem Jahr seinen 100. Geburtstag hat, offenbaren sich Korrespondenzen wie Besonderheit der jeweiligen Handschrift. Gebunden168 Seiten, 140 Abbildungen in FarbeHirmer Verlag GmbH, 20248.78 x 9.96 inchesISBN 9783777444369Monographs, Photography

Sachlich Neu

By Florian Heine Brimming with stunning reproductions and illuminating texts, this handy and accessible book is the perfect introduction to one of European modern art’s most important movements. Founded in Munich in 1911, the Blue Rider Group was a revolutionary collective of artists that pioneered German Expressionism. Including Wassily Kandinsky, Franz Marc, Natalia Goncharova, Gabriele Münter, and Marianne von Werefkin, the group rejected the prevailing formal and academic artistic trends of their time, sought to break free from the constraints of traditional painting, transcend the material world, and explore emotional and spiritual truths in their art. This book spotlights 35 important works that embody the artists’ pioneering achievements and radical innovations. It features stunning reproductions that highlight the movement’s use of luminous colors, symbolic forms, and expressive brushwork. Paperback112 pagesPrestel, 20246.75 x 0.39 x 8.25 inchesISBN 9783791377339Blue Rider, German Expressionism

The Blue Rider (Masters of Art)

Original Price: $75.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Olaf Peters On the eve of its subject's centennial, this richly illustrated and meticulously researched catalog celebrates—and reconsiders—one of the twentieth century's most significant artistic movements. Gustav F. Hartlaub’s 1925 exhibition “Neue Sachlichkeit” (New Objectivity) for the Kunsthalle Mannheim was a pivotal event that showcased a new artistic movement in Germany, characterized by its critical realism, social commentary, and detailed depiction of contemporary life; it marked a significant departure from Expressionism’s emotional intensity. But it was divided by two philosophies—the unflinching and socially critical Verists (Otto Dix, George Grosz, Georg Scholz, and others) and the Classicists (Alexander Kanoldt, Georg Schrimpf, and Christian Schad) who focused on harmony and beauty. This wide-ranging survey explores the tension between these camps and interprets it as a coherent chapter in art history. Essays by leading experts shed new light on the movement through the lens of regionality while considering a wide spectrum of media: architecture, design, drawings, film, paintings, photography, and philosophy. Their illuminating texts are accompanied by stunning reproductions of works such as Otto Dix’s Portrait of the Lawyer Dr. Fritz Glaser; Georg Scholz’s Of Things to Come; and Marcel Breuer’s Chair B 33. Impeccably produced and researched, this volume captures the ways that the New Objectivity proponents mirrored the Weimar period’s cultural, political, and social complexities. Hardcover304 pages | 200 color illustrationsPrestel Publishing, 20259.3 x 11.2 inchesISBN 9783791377926Neue Galerie Exhibition Catalogue

Neue Sachlichkeit / New Objectivity Exhibition Catalogue

By Thomas Negovan Jugendstil 1896: German Art Nouveau Illustrations features a selection of artworks from the first year of the magazine Jugend - the namesake of the jugendstil movement. Over two hundred rare and fantastic illustrations, as well as German Art Nouveau vignettes and framing elements, are included in this limited edition three volume book set. These works are often mystical in nature, sometimes whimsical, other times eccentric– but always beautiful and fascinating. To ensure maximum clarity and detail, all of the images in these books are captured directly from original books and magazines in the Century Guild collection using high-resolution photography and professional grade scans. The illustrations are supported with narrative about the period, as well as information about the artists and images; in many cases, we've been able to thoroughly research and identify artists often not attributed and identify historical background that had been previously unpublished. Included in this set: Jugendstil 1896: German Art Nouveau Illustrations Volume 1Jugendstil 1896: German Art Nouveau Illustrations Volume 2Jugendstil 1896: German Art Nouveau Illustrations Volume 3 Paperback80 pages | Full color illustrationsOriginally published in 1896Century Guild, 20246 x 9 inches eachISBN 9781947528284Art Nouveau, Jugendstil

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